Erotic Discourse and Early English Religious Writing
Title | Erotic Discourse and Early English Religious Writing PDF eBook |
Author | L. Farina |
Publisher | Springer |
Pages | 183 |
Release | 2016-04-30 |
Genre | Literary Criticism |
ISBN | 1137049316 |
Erotic Discourse and Early English Religious Writing discusses the role of sexuality in medieval devotional practice, looking in particular at religious writings circulating in England in the tenth to thirteenth centuries.
Erotic Discourse and Early English Religious Writing
Title | Erotic Discourse and Early English Religious Writing PDF eBook |
Author | L. Farina |
Publisher | Palgrave Macmillan |
Pages | 179 |
Release | 2014-01-14 |
Genre | Literary Criticism |
ISBN | 9781349635474 |
Erotic Discourse and Early English Religious Writing discusses the role of sexuality in medieval devotional practice, looking in particular at religious writings circulating in England in the tenth to thirteenth centuries.
The Catholic Imaginary and the Cults of Elizabeth, 1558–1582
Title | The Catholic Imaginary and the Cults of Elizabeth, 1558–1582 PDF eBook |
Author | Stephen Hamrick |
Publisher | Routledge |
Pages | 354 |
Release | 2016-12-05 |
Genre | Literary Criticism |
ISBN | 1351893327 |
Stephen Hamrick demonstrates how poets writing in the first part of Elizabeth I's reign proved instrumental in transferring Catholic worldviews and paradigms to the cults and early anti-cults of Elizabeth. Stephen Hamrick provides a detailed analysis of poets who used Petrarchan poetry to transform many forms of Catholic piety, ranging from confession and transubstantiation to sacred scriptures and liturgical singing, into a multivocal discourse used to fashion, refashion, and contest strategic political, religious, and courtly identities for the Queen and for other Court patrons. These poets, writers previously overlooked in many studies of Tudor culture, include Barnabe Googe, George Gascoigne, and Thomas Watson. Stephen Hamrick here shows that the nature of the religious reformations in Tudor England provided the necessary contexts required for Petrarchanism to achieve its cultural centrality and artistic complexity. This study makes a strong contribution to our understanding of the complex interaction among Catholicism, Petrachanism, and the second English Reformation.
Constructing Chaucer
Title | Constructing Chaucer PDF eBook |
Author | G. Gust |
Publisher | Springer |
Pages | 297 |
Release | 2009-05-25 |
Genre | Literary Criticism |
ISBN | 0230621619 |
This book examines the scholarly construction of Geoffrey Chaucer in different historical eras, and challenges long-standing assumptions to enhance the theoretical dialogue on Chaucer's historical reception.
The Anglo Saxon Literature Handbook
Title | The Anglo Saxon Literature Handbook PDF eBook |
Author | Mark C. Amodio |
Publisher | John Wiley & Sons |
Pages | 438 |
Release | 2013-04-03 |
Genre | Literary Criticism |
ISBN | 1118286502 |
The Anglo-Saxon Literature Handbook presents an accessible introduction to the surviving works of prose and poetry produced in Anglo-Saxon England, from AD 410-1066. Makes Anglo-Saxon literature accessible to modern readers Helps readers to overcome the linguistic, aesthetic and cultural barriers to understanding and appreciating Anglo-Saxon verse and prose Introduces readers to the language, politics, and religion of the Anglo-Saxon literary world Presents original readings of such works as Beowulf, The Battle of Maldon, The Wanderer, The Seafarer, and The Anglo-Saxon Chronicle
Feeling Things
Title | Feeling Things PDF eBook |
Author | Stephanie Downes |
Publisher | Oxford University Press |
Pages | 270 |
Release | 2018 |
Genre | History |
ISBN | 0198802641 |
This interdisciplinary essay collection investigates the various interactions of people, feelings, and things throughout premodern Europe. It focuses on the period before mass production, when limited literacy often prioritised material methods of communication. The subject of materiality has been of increasing significance in recent historical inquiry, alongside growing emphasis on the relationships between objects, emotions, and affect in archaeological and sociological research. The historical intersections between materiality and emotions, however, have remained under-theorised, particularly with respect to artefacts that have continuing resonance over extended periods of time or across cultural and geographical space. Feeling Things addresses the need to develop an appropriate cross-disciplinary theoretical framework for the analysis of objects and emotions in European history, with special attention to the need to track the shifting emotional valencies of objects from the past to the present, and from one place and cultural context to another. The collection draws together an international group of historians, art historians, curators, and literary scholars working on a variety of cultural, literary, visual, and material sources. Objects considered include books, letters, prosthetics, religious relics, shoes, stone, and textiles. Many of these have been preserved in international galleries, museums, and archives, while others have remained in their original locations, even as their contexts have changed over time. The chapters consider the ways in which emotions such as despair, fear, grief, hope, love, and wonder become inscribed in and ascribed to these items, producing 'emotional objects' of significance and agency. Such objects can be harnessed to create, affirm, or express individual relationships, as, for example, in religious devotion and practice, or in the construction of cultural, communal, and national identities.
Grief, Gender, and Identity in the Middle Ages
Title | Grief, Gender, and Identity in the Middle Ages PDF eBook |
Author | |
Publisher | BRILL |
Pages | 306 |
Release | 2021-12-20 |
Genre | History |
ISBN | 9004499695 |
Examines depictions of grief in the Middle Ages by exploring how grief relates to gender and identity, as well as how men and women perform grief within the various constructions of both gender and grief established by medieval culture.