In the 1930s, iconic American author Ernest Hemingway spent five summers at a ranch on the edge of Yellowstone National Park. Here he did some of his best writing, and his experiences in the mountains are connected to twelve of his most famous works, including For Whom the Bell Tolls. Hemingway declared that the ranch near the small, wilderness town of Cooke City, Montana, on the edge of Yellowstone, was one of his favorite places to write in the world, on par with Paris and Madrid. Yet Hemingway’s time in the Yellowstone High Country has never been thoroughly examined—until now. After years of painstaking research, author Chris Warren takes readers on an astonishing journey into one of the most important periods in the life of one of the world’s most important writers. Winner of the Nobel Prize for literature, Hemingway was at his best—as a man, father, and writer—when he was in the Yellowstone High Country, and in this fascinating and thoroughly enjoyable book, Warren examines what Hemingway did here, what he wrote here, and how his experiences and the people he met here shaped his life and work. This is a Hemingway that few readers knew existed, living in a place that few scholars knew was so essential to his writing. Author Chris Warren, a resident of Cooke City, Montana, has spent years researching Hemingway’s connection to the area. In 2018 he presented a paper on Hemingway’s final short story, which was set in Cooke City, to the Hemingway Society in Paris, France. Warren’s research was instrumental in bringing the society’s biennial conference to Cooke City, Montana, and Sheridan, Wyoming, in 2020.

From childhood on, Ernest Hemingway was a passionate fisherman. He fished the lakes and creeks near the family’s summer home at Walloon Lake, Michigan, and his first stories and pieces of journalism were often about his favorite sport. Here, collected for the first time in one volume, are all of his great writings about the many kinds of fishing he did—from angling for trout in the rivers of northern Michigan to fishing for marlin in the Gulf Stream. In A Moveable Feast, Hemingway speaks of sitting in a café in Paris and writing about what he knew best—and when it came time to stop, he “did not want to leave the river.” The story was the unforgettable classic “Big Two-Hearted River,” and from its first words we do not want to leave the river either. He also wrote articles for The Toronto Star on fishing in Canada and Europe and, later, articles for Esquire about his growing passion for big-game fishing. Two of his last books, The Old Man and the Sea and Islands in the Stream, celebrate his vast knowledge of the ocean and his affection for its great denizens. Hemingway on Fishing is an encompassing, diverse, and fascinating assemblage. From the early Nick Adams stories and the memorable chapters on fishing the Irati River in The Sun Also Rises to such late novels as Islands in the Stream, this collection traces the evolution of a great writer’s passion, the range of his interests, and the sure use he made of fishing, transforming it into the stuff of great literature. Anglers and lovers of great writing alike will welcome this important collection.

A stunning portrait of the complicated woman who becomes Ernest Hemingway's fourth wife, tracing her adventures before she meets Ernest, exploring the tumultuous years of their marriage, and evoking her merry widowhood as she shapes Hemingway's literary legacy. Mary Welsh, a celebrated wartime journalist during the London Blitz and the liberation of Paris, meets Ernest Hemingway in May 1944. He becomes so infatuated with Mary that he asks her to marry him the third time they meet—although they are married to other people. Eventually, she succumbs to Ernest's campaign, and in the last days of the war joined him at his estate in Cuba. Through Mary's eyes, we see Ernest Hemingway in a fresh light. Their turbulent marriage survives his cruelty and abuse, perhaps because of their sexual compatibility and her essential contribution to his writing. She reads and types his work each day—and makes plot suggestions. She becomes crucial to his work and he depends upon her critical reading of his work to know if he has it right. We watch the Hemingways as they travel to the ski country of the Dolomites, commute to Harry's Bar in Venice; attend bullfights in Pamplona and Madrid; go on safari in Kenya in the thick of the Mau Mau Rebellion; and fish the blue waters of the gulf stream off Cuba in Ernest's beloved boat Pilar. We see Ernest fall in love with a teenaged Italian countess and wonder at Mary's tolerance of the affair. We witness Ernest's sad decline and Mary's efforts to avoid the stigma of suicide by claiming his death was an accident. In the years following Ernest's death, Mary devotes herself to his literary legacy, negotiating with Castro to reclaim Ernest's manuscripts from Cuba, publishing one-third of his work posthumously. She supervises Carlos Baker's biography of Ernest, sues A. E. Hotchner to try and prevent him from telling the story of Ernest's mental decline, and spends years writing her memoir in her penthouse overlooking the New York skyline. Her story is one of an opinionated woman who smokes Camels, drinks gin, swears like a man, sings like Edith Piaf, loves passionately, and experiments with gender fluidity in her extraordinary life with Ernest. This true story reads like a novel—and the reader will be hard pressed not to fall for Mary.

Rise the dark. These were the last words written in Lauren Novak's notebook before she was murdered in a strange Florida village. They've never meant anything to the police or to her husband, investigator Markus Novak. Now the man he believes killed her is out of prison, and draws Markus to the place he's avoided for so long: the lonely road where his wife was shot to death beneath the cypress trees and Spanish moss in a town called Cassadaga. In Red Lodge, Montana, a senseless act of vandalism shuts the lights off in the town where Sabrina Baldwin is still trying to adjust to a new home and mourning the loss of her brother, who was a high voltage linesman just like her husband, Jay. As the spring's final snowstorm calls Jay deeper into the mountains, chasing the destruction on the electrical grid, Sabrina is abducted by Garland Webb, the man Markus Novak believes killed his wife. Drawing them all together is a messianic villain who understands that you can never outpace your past. You can only rise against the future.

Ondaatje follows the trail of Hemingway's two major African safaris and analyzes Hemingway's writings to uncover a startling amount of new material on this vitally important aspect of his life and work. Includes lavish illustrations.

Named by Boston’s NPR News Station as one of the Best Books of 2016 In 1959, the most famous literary figure of his time set out in the twilight of his life to recapture his early success in the 1920s. The experience tested all the credos of bravery and grace under pressure he had lived by. Just months before turning sixty, Ernest Hemingway headed for Spain to write a new epilogue for his bullfighting classic Death in the Afternoon, as well as an article for Life magazine. His hosts were Bill and Anne Davis, wealthy Americans in pursuit of the avant-garde life of the 1920s’ post-war expatriates, who lavishly entertained celebrities and the literati, from Noel Coward to Laurence Olivier, at their historic villa, La Consula. This hacienda would become Hemingway’s home during the most pivotal months of the Nobel laureate’s denouement, and Bill Davis—fellow adventurer who had survived the Depression running arms during the Spanish Civil War—would become his friend and bullfight-traveling companion. Looking for Hemingway explores that incredible friendship and offers a rare intimate look into the final period of the legendary author’s life, giving comprehension not only of a writer’s despair but of suicide as a not unreasonable conclusion to a blasted existence.