Before France became France its territories included Occitania, roughly the present-day province of Languedoc. The city of Narbonne was a center of Occitanian commerce and culture during the eleventh and twelfth centuries. For most of the second half of the twelfth century, that city and its environs were ruled by a remarkable woman, Ermengard, who negotiated her city's way through a maze of everchanging dynastic alliances.Fredric L. Cheyette's masterful and beautifully illustrated book is a biography of an extraordinary warrior woman and of a unique, vulnerable, doomed society. Throughout her long reign, viscountess Ermengard roamed Occitania receiving oaths of fidelity, negotiating treaties, settling disputes among the lords of her lands, and camping with her armies before the walls of besieged cities. She was born into a world of politics and warfare, but from the Mediterranean to the North Sea her name echoed in songs that treated the arts of love.The land between the Rhone and the Pyrenees was a delicately balanced world in which honor, dispute, and the fragile communities of loyalty and family held a "stateless" society together. In Cheyette's prose there rises before us a world we had not imagined, in which women were powerful lords, moving back and forth across what we now call Spain, France, and Italy to play the harsh political games essential to the preservation of their realms. But the region was also fertile ground for religious practices deemed heretical by the Church. The attempt to eradicate them would spawn the Albigensian Crusade, which destroyed the cosmopolitan world of Ermengard and the troubadours—the world that lives again in this book.

The Troubadours: like Game Of Thrones with real history Estela de Matin would give anything to be a troubadour. She becomes a pawn in a perilous game of queens, reliant on her golden voice and a dagger hidden in her underskirt. Scarred by the crusades, Dragonetz los Pros now fights with sword and song for a more enlightened world, where faith has no colour. When he meets the runaway girl in a ditch, the whole world changes. Winner of the Global Ebooks Award for Best Historical Fiction 1150: Provence Death on her heels, Estela runs towards a new identity. Her life depends on singing true for Aliénor of Aquitaine but her heart cares more for her tutor’s judgement. Dragonetz knows he must not love this troublesome student but their duet makes its own demands. Will their secrets kill them both? Dragonetz and Estela are an explosive combination, which their powerful enemies intend to blast into smithereens. Set in the period following the Second Crusade, Jean Gill's spellbinding romantic thrillers evoke medieval France with breathtaking accuracy. The characters leap off the page and include amazing women who shaped history in battles and in bedchambers. Book 1 of the award-winning Historical Fiction series The Troubadours Quartet 'Believable, page-turning and memorable.' Lela Michael, S.P. Review 'Historical Fiction at its best.' Karen Charlton, the Detective Lavender Mysteries Historical Novel Society Editor's Choice Finalist in the Wishing Shelf Awards and the Chaucer Awards

Women Telling Nations highlights how, from the 16th to the 19th centuries, European women, as readers and writers, contributed to the construction of national identities. The book, which presents twenty countries, is divided into four parts. First, we examine how women belonged to nations: they represented territories and political or religious communities in their own style. Second, we deal with the ways in which women wrote the nation: the network of relationships in which they were involved that were not necessarily national or territorial. The legitimation that women writers succeeded in finding is emphasised in the third section, while in the fourth we analyse how and why women were open to the outside world, beyond the country’s borders. Women Telling Nations underlines the quantitative importance of the circulation of these women’s writings and demonstrates the extent as well as the impact of the international cross-fertilisation of nations, especially by and for women: focusing on routes rather than roots.

Heroes and Marvels of the Middle Ages is a history like no other: it is a history of the imagination, presented between two celebrated groups of the period. One group consists of heroes: Charlemagne, El Cid, King Arthur, Orlando, Pope Joan, Melusine, Merlin the Wizard, and also the fox and the unicorn. The other is the miraculous, represented here by three forms of power that dominated medieval society: the cathedral, the castle, and the cloister. Roaming between the boundaries of the natural and the supernatural, between earth and the heavens, the medieval universe is illustrated by a shared iconography, covering a vast geographical span. This imaginative history is also a continuing story, which presents the heroes and marvels of the Middle Ages as the times defined them: venerated, then bequeathed to future centuries where they have continued to live and transform through remembrance of the past, adaptation to the present, and openness to the future.

In the eleventh and twelfth centuries the Normans had a formative influence on the development of states and societies in the British Isles, southern Italy and the Levant. Their achievements still resonate powerfully today, and represent a vital field of historical study. But how far did colonial elites define themselves as Norman, and to what extent were they categorized as such by others? What were the defining attributes of the supremacies achieved by the Normans, and by other incomers associated with them, and how decisive and diverse was the impact of their influence on local power-structures and native societies? How readily did they reach accommodations with those societies, and how might their own identities be renegotiated within the context of cross-cultural encounters? And, in terms of the progress and practices of state-formation, what was the balance between ’old’ and ’new’? These are some of the key questions addressed in this collection of essays, which also treats the Normans as a genuinely European phenomenon. Norman activity in the British Isles and in the Mediterranean lands receives equal coverage; and the topics explored include identities and identification, marriage policies, acculturation, the pre-existing landscapes of power and how far they were transformed, castle-building strategies, the nature of frontiers, urban government, and law and legislation. This volume therefore serves both to illustrate and to open up for fresh debate many of the salient themes concerning the Norman experience of diaspora and settlement. At the same time, it seeks to underscore how the dynamics, character and consequences of Norman expansion - and the connections, continuities and contrasts - can better be appreciated by taking the wider Norman world, or worlds, as the focus for collective study.

This book illuminates the connections and interaction among women and between women and men during the medieval period. To do this, Kathryn L. Reyerson focuses specifically on the experiences of Agnes de Bossones, widow of a changer of the mercantile elite of Montpellier. Agnes was a real estate mogul and a patron of philanthropic institutions that permitted lower strata women to survive and thrive in a mature urban economy of the period before 1350. Notably, Montpellier was a large urban center in southern France. Linkages stretched horizontally and vertically in this robust urban environment, mitigating the restrictions of patriarchy and the constraints of gender. Using the story of Agnes de Bossones as a vehicle to larger discussions about gender, this book highlights the undeniable impact that networks had on women’s mobility and navigation within a restrictive medieval society.