Brinn, a small Ibalexan, is the last of his kind. After his world is destroyed, he is rescued by the Guardians of Eternal Life, a race of benevolent super beings who have mastered immortality, resurrection, and creation itself. Billions of years ago, they were once known as human. Humanity has emerged into the New Epochal, a newly born universe created from an ekpyrotic big bang. The Guardians, stewards of the universe, hold the Principal Cause above all things: Life, a creation of Life, creates Life, and Life lives forever. The Guardians call Epsilon Truthe, a white dwarf star, their new home. From there, they have spread out across the galaxy to further the Principal Cause. But one amongst them dares to challenge the chancery laws of his people. Now a rogue, exiled Guardian, he sets out on a campaign of dissent and sabotage. Soon, he has recruited a full third of his fellow Guardians to his cause, and a once-united Epsilon Truthe finds itself in conflict. Brinn is soon propelled to the center of attention as the representative for an ancient alien known as the Archxion. This intervention is timely, for the Guardians adversary has united with a nihilist faction of the Angelian Conglomerate, a group of races who were once perceived as angels by Terran Humanityand these Angelian separatists consider the Guardians an infestation of their domain. Whats more, they vow to not allow Terran Humanity, or any race for that matter, to transit to the next epochal cycle of the universe.

Dreams have been significant in many different cultures, carrying messages about this world and others, posing problems about knowledge, truth, and what it means to be human. This thought-provoking collection of essays explores dreams and visions in early modern Europe, canvassing the place of the dream and dream-theory in texts and in social movements. In topics ranging from the dreams of animals to the visions of Elizabeth I, and from prophetic dreams to ghosts in political writing, this book asks what meanings early modern people found in dreams.

This collection examines Cuban cultural production during the Special Period of the 1990s, following the collapse of the Soviet Bloc. Contributors address the cultural forms; and the associated ethics and practices of labour, leisure, and bureaucratic organization that arose in the transformation of the socialist cultural infrastructure.

How can we present the truth about Jesus to a world that rejects all truth claims as arbitrary? Can we find way to engage in meaningful conversation without appearing arrogant or manipulative? Can we witness to the gospel without simply enlisting in the ongoing "culture wars"? Curtis Chang has found a unique way to address these pressing questions of our age. He argues that similar challenges confronted Christians at two key moments in church history and stimulated creative responses by two monumental thinkers. Augustine (AD 413) faced a fragmenting society where pagans accused Christians of causing the mounting social ills afflicting Rome. Thomas Aquinas (AD 1259) pondered the disorienting Muslim challenge that provoked most medieval Christians to crusade rather than converse. Through a careful study of Augustine's City of God and Aquinas's Summa Contra Gentiles, Chang argues that both followed a brilliant rhetorical strategy for engaging unbelief. Such a captivating strategy is critical in our cultural context where Christian witness seems as difficult as ever. Connecting these ancient writers to the contemporary analysis of thinkers like Alasdair MacIntyre, James Davison Hunter, Lesslie Newbigin, and Stanley Hauerwas, Chang puts forth his own bold recommendations for Christian rhetoric in the twenty-first century. This book will be of vital interest to a wide audience. Scholars will find a fresh reading of these important texts. Pastors and teachers of evangelism and apologetics will discover crucial resources from our Christian past. And all Christians seeking a faithful strategy for communicating the gospel will receive inspiration and hope for today.

In Concrete Dreams Nicholas D’Avella examines the changing social and economic lives of buildings in the context of a construction boom following Argentina's political and economic crisis of 2001. D’Avella tells the stories of small-scale investors who turned to real estate as an alternative to a financial system they no longer trusted, of architects who struggled to maintain artistic values and political commitments in the face of the ongoing commodification of their work, and of residents-turned-activists who worked to protect their neighborhoods and city from being overtaken by new development. Such forms of everyday engagement with buildings, he argues, produce divergent forms of value that persist in tension with hegemonic forms of value. In the dreams attached to built environments and the material forms in which those dreams are articulated—from charts and graphs to architectural drawings, urban planning codes, and tango lyrics—D’Avella finds a blueprint for building livable futures in which people can survive alongside and even push back against the hegemony of capitalism.

"This manuscript is nothing short of incredible . . . an amazing story of abuse and survival. While heart-wrenching, we were left inspired." Elizabeth Collins, CEO Gardenia Press, Milwaukee Wisconsin, whose editor ́s read a total of "5" times. The novel is about a couple that can't come to terms with their own childhood problems when she becomes a volunteer child advocate. The manuscript explores life in the Los Angeles area during the 1980s and 1990s with its population growth, religious dynamics, brutal homicides, and publicized pre-school child perversion as a struggling, upward mobile, middle income couple try to cope with a world they never realized existed. She dives headfirst into volunteer child advocacy. He remains distant bent upon developing his executive career. And then the criminals come into focus and change everything for both dramatic, up-scale literary fiction based upon real events. James Fairchild ́s -"Where's Skeeter, Mommy?(The Child Advocate)" is a fast-paced, nitty gritty must-read for anyone interested in the welfare of children.

Strindberg's most important and most frequently performed plays—The Father, Miss Julie, A Dream Play, The Dance of Death, and The Ghost Sonata—are gathered together here in translations praised for their fluency and their elegance.