As seen from the perspective of 1492, the medieval expansion of Latin Europe was nowhere as dramatic or enduring as in the Iberian Peninsula and the Atlantic. Its Christian kingdoms continued their advance against Al-Andalus up to 1492, whereas territorial expansion elsewhere against the Muslim world had either ceased or subsided by the late 13th century. Castile and Portugal also transformed the Atlantic Ocean from the inaccessible dead-end of Eurasia into the most promising avenue for European expansion for the first time in history. The articles collected in this volume explore the causes and the nature of this expansion, from a variety of historical traditions. They investigate the extent to which the ’transference’ of Mediterranean traditions aided this process; the characteristics of Iberian conflict that eventually led to the success of its Christian kingdoms; and the motives for launching, and techniques for running, the first European ’overseas empires’ in the unfolding Atlantic frontier. In the process they illuminate the new identities and cultural interactions that this expansion produced in its wake, while the new introduction sets them in the broader context.

The study of landscape has in recent years been a field for considerable analytical archaeological experimentation. Although the Mediterranean is the home of classicism, it has seen the implementation of projects of this new kind, and in regions of Spain and Italy, after some delay, the proliferation of landscape archaeology studies.

This book presents an overview of the results of the research project DESPAMED funded by the Spanish Minister of Economy and Competitiveness. The aim of the book is to discuss the theoretical challenges posed by the study of social inequality and social complexity in early medieval peasant communities in North-western Iberia.

It explores and interprets one of the most important archaeological discoveries of recent decades. It comprises the most sophisticated and detailed investigation yet undertaken of the maritime world of a particular place and time. It explores the relationship between history and archaeology, assessing how both can contribute to the interpretation of physical remains.

Spanish Society depicts a complex and fascinating country in transition from the late Middle Ages to modernity. It describes every part of society from the gluttonous nobility to their starving peasants. Through anecdotes, a lively style and portraits of figures such as St Teresa of Avila and Torquemada, the book reflects the character and humour with which the common Spaniard endured an often-wretched lot. Beginning with a description of the geography, political life, and culture of Spain from 1400 to 1600, the unfolding narrative charts the country's shifts from one age to the next. It unveils patterns of everyday life from the court to the brothel, from the 'haves' of the aristocracy and clergy to the 'have nots' of the peasantry and the urban poor. Historical records illuminate details of Spanish society such as the transition from medieval festivities to the highly-scripted spectacles of the early modern period, the reasons for violence and popular resistance and the patterns of daily living: eating, dressing, religious beliefs and concepts of honour and sexuality. This compelling account includes historical examples and literary extracts, which allow the reader direct access to the period. From the street theatre of village carnivals to the oppressive Spanish Inquisition, it gives an abiding sense of Spain in the making and renders vivid the colours of a passionate history.

This book addresses the reception of Islamic visual culture by the northern Iberian kingdoms, by systematically comparing works of art from both sides and fleshing out their historical context. This study includes figurative and iconographic motifs, architectural forms, and even the spolia from constructions and Arabic inscriptions that were embedded in Christian buildings. The Islamic visual culture of al-Andalus was often transformed as it was recreated by Christian hands, bringing to the fore various nuances in the relationship between the two religious communities. Artistic transfer was conditioned by social coexistence between Christians and Muslims—both in the caliphate al-Andalus and in the northern realms—and military conflict. To approach the different ways in which Andalusi visual culture was received in the northern kingdoms, while embracing the vast diversity of case studies available, this book is divided into three thematic sections: Reinterpretation, Appropriation, and Artistic Transfers. This book will be of interest to scholars working in art history, visual culture, and medieval studies.