In Epitaphs for the Journey: New, Selected and Revised Poems, Paul Mariani revisits forty years of writing poems, including revising many of his earlier lyrics, to shape his latest volume into a life lived and lived again over the past seven decades. The eight sections--or cantos--each composed of twelve poems, cover roughly a decade apiece and contour Mariani's search for answers to the constant interplay of the felt presence of the Mystery we call God as it plays with the modern imagination. Mariani's background is Catholic and broadly classic, and warmly embraces all aspects of Christianity and Judaism and the world even beyond those.The Poiema Poetry Series Poems are windows into worlds; windows into beauty, goodness, and truth; windows into understandings that won't twist themselves into tidy dogmatic statements; windows into experiences. We can do more than merely peer into such windows; with a little effort we can fling open the casements, and leap over the sills into the heart of these worlds. We are also led into familiar places of hurt, confusion, and disappointment, but we arrive in the poet's company. Poetry is a partnership between poet and reader, seeking together to gain something of value--to get at something important. Ephesians 2:10 says, "We are God's workmanship . . ." poiema in Greek--the thing that has been made, the masterpiece, the poem. The Poiema Poetry Series presents the work of gifted poets who take Christian faith seriously, and demonstrate in whose image we have been made through their creativity and craftsmanship. These poets are recent participants in the ancient tradition of David, Asaph, Isaiah, and John the Revelator. The thread can be followed through the centuries--through the diverse poetic visions of Dante

Here, for the first time, is the private and most intimate correspondence of one of America's most influential and incisive journalists--Hunter S. Thompson. In letters to a Who's Who of luminaries from Norman Mailer to Charles Kuralt, Tom Wolfe to Lyndon Johnson, William Styron to Joan Baez--not to mention his mother, the NRA, and a chain of newspaper editors--Thompson vividly catches the tenor of the times in 1960s America and channels it all through his own razor-sharp perspective. Passionate in their admiration, merciless in their scorn, and never anything less than fascinating, the dispatches of The Proud Highway offer an unprecedented and penetrating gaze into the evolution of the most outrageous raconteur/provocateur ever to assault a typewriter.

2097 is a transformed world. Thirty years earlier, a mysterious plague wiped out 97 percent of the male population, devastating every world system from governments to sports teams, and causing both universal and unimaginable grief. In the face of such massive despair, women were forced to take over control of the planet--and in doing so they eliminated all of Earth's most pressing issues. Poverty, crime, warfare, hunger . . . all gone. But there's a price to pay for this new "utopia," which fourteen-year-old Kellen is all too familiar with. Every day, he deals with life as part of a tiny minority that is purposefully kept subservient and small in numbers. His career choices and relationship options are severely limited and controlled. He also lives under the threat of scattered recurrences of the plague, which seem to pop up wherever small pockets of men begin to regroup and grow in numbers. And then one day, his mother's boss, an iconic political figure, shows up at his home. Kellen overhears something he shouldn't--another outbreak seems to be headed for Afterlight, the rural community where his father and a small group of men live separately from the female-dominated society. Along with a few other suspicious events, like the mysterious disappearances of Kellen's progressive teacher and his Aunt Paige, Kellen is starting to wonder whether the plague recurrences are even accidental. No matter what the truth is, Kellen cares only about one thing--he has to save his father.

Examines both the differences and the continuity between the early and late work of American thriller writer Ambler, and considers the five novels, published under the name Eliot Reed, that he wrote with Australian writer Charles Rodda. Paper edition (unseen), $15.95. Annotation copyright by Book News, Inc., Portland, OR