OLD FRIENDS, NEW ENEMIESAgainst all odds, Shin and the Eighty-Six have emerged victorious from their battle with the Morpho, liberating scores of surviving Republic promise and finally caught up to the Spearhead squadron. And while her citizens from the Legion’s dark agenda. Lena, in turn, has fulfilled her presence has brought out a softer side in Shin, it seems to have roused to an end when the Eighty-Sixth Strike Package, with Lena at the helm, the competitive spirits within Kurena and Frederica. But the fun comes in the Republic’s northern secondary capital, Charité. Deep underground, receives its first mission. Their destination: an abandoned subway tunnel the gaping maw of a subterranean Legion base awaits them...

Three volumes in one! A prestige treatment of Inoue’s epic samurai series with bonus content, color pages, storyboard samples and more! Real-life figure Miyamoto Musashi was the most celebrated samurai of all time. The quintessential warrior-philosopher, Musashi authored A Book of Five Rings, a classic treatise in the canon of world philosophy and military strategy. But the path to enlightenment is an endless journey, and to get there through violent means--by way of the sword--makes mere survival an even greater challenge. Miyamoto Musashi and Sasaki Kojiro’s intertwining paths lead them toward what will be the greatest samurai duel in Japanese history. Sasaki Kojiro heads to Kokura for his new position as sword instructor for the powerful Hosokawa Clan. Meanwhile, Musashi is at a crossroads dealing with the aftermath of single-handedly destroying the mighty Yoshioka clan. After he starts to question his quest to be invincible and his whole reason for existence, will his confidence in himself ever be the same?

This book presents a study of the international dimensions of the Kashmir dispute between India and Pakistan from before its outbreak in October 1947 until the Tashkent Summit in January 1966. By focusing on Kashmir’s under-researched transnational dimensions, it represents a different approach to this intractable territorial conflict. Concentrating on the global context(s) in which the dispute unfolded, it argues that the dispute’s evolution was determined by international concerns that existed from before and went beyond the Indian subcontinent. Based on new and diverse official and personal papers across four countries, the book foregrounds the Kashmir dispute in a twin setting of Decolonisation and the Cold War, and investigates the international understanding around it within the imperatives of these two processes. In doing so, it traces Kashmir’s journey from being a residual irritant of the British Indian Empire, to becoming a Commonwealth embarrassment and its eventual metamorphosis into a security concern in the Cold War climate(s). A princely state of exceptional geo-strategic location, complex religious composition and unique significance in the context of Indian and Pakistani notions of nation and statehood, Kashmir also complicated their relations with Britain, the United States, Soviet Union, China, the Commonwealth countries and the Afro-Arab-Asian world. This book is of interest to scholars in the field of Asian History, Cold War History, Decolonisation and South Asian Studies.

Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. Surprisingly, heretofore there has been no truly extensive, broad-based treatment of the genre, and the best of the existing studies are now several decades old. In this five-volume series, A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. Synthesizing the enormous scholarly literature, Brown presents up-to-date overviews of the status of research, discusses any important former or remaining problems of attribution, illuminates the style of specific works and their contexts, and samples early writings on their reception. The Symphonic Repertoire provides an unmatched compendium of knowledge for the student, teacher, performer, and sophisticated amateur. The series is being launched with two volumes on the Viennese symphony. Volume IV The Second Golden Age of the Viennese Symphony Brahms, Bruckner, Dvorák, Mahler, and Selected Contemporaries Although during the mid-19th century the geographic center of the symphony in the Germanic territories moved west and north from Vienna to Leipzig, during the last third of the century it returned to the old Austrian lands with the works of Brahms, Bruckner, Dvorák, and Mahler. After nearly a half century in hibernation, the sleeping Viennese giant awoke to what some viewed as a reincarnation of Beethoven with the first hearing of Brahms's Symphony No. 1, which was premiered at Vienna in December 1876. Even though Bruckner had composed some gigantic symphonies prior to Brahms's first contribution, their full impact was not felt until the composer's complete texts became available after World War II. Although Dvorák was often viewed as a nationalist composer, in his symphonic writing his primary influences were Beethoven, Schubert, and Brahms. For both Bruckner and Mahler, the symphony constituted the heart of their output; for Brahms and Dvorák, it occupied a less central place. Yet for all of them, the key figure of the past remained Beethoven. The symphonies of these four composers, together with the works of Goldmark, Zemlinsky, Schoenberg, Berg, Smetana, Fibich, Janácek, and others are treated in Volume IV, The Second Golden Age of the Viennese Symphony, covering the period from roughly 1860 to 1930.