The relationship between art, Christian culture and the law often receives attention. It is trite that law influences all human lives as well as culture and art. The law, however, does not only provide a context within which art and culture can develop, but it is also the cornerstone of civilisation and culture. On the other hand, we must contemplate whether civilisation and culture are necessary conditions for a legal system. This book consists of a compilation of essays narrating the influence of principles from the Bible – on which the Christian belief is premised and practised by Christians worldwide – on law and on culture. Consideration is given to the foundation of the law on different and well-known Biblical texts. The interplay between Christian principles vis-à-vis the law and culture is considered and unpacked in this research. In addition, copies of well-known art depicting scenes from the Bible enhance each chapter. The main author, the late Prof. Eltjo Schrage, passed away shortly before the book was published with the assistance of Prof. Jan Adriaan van der Walt, Dr Glynis van der Walt and Dr Hashali Hamukuaya.

This Companion presents fifteen original and engaging essays by leading scholars on one of the most influential genres of Western literature. Chapters describe the origins of early verse romance in twelfth-century French and Anglo-Norman courts and analyze the evolution of verse and prose romance in France, Germany, England, Italy, and Spain throughout the Middle Ages. The volume introduces a rich array of traditions and texts and offers fresh perspectives on the manuscript context of romance, the relationship of romance to other genres, popular romance in urban contexts, romance as mirror of familiar and social tensions, and the representation of courtly love, chivalry, 'other' worlds and gender roles. Together the essays demonstrate that European romances not only helped to promulgate the ideals of elite societies in formation, but also held those values up for questioning. An introduction, a chronology and a bibliography of texts and translations complete this lively, useful overview.

Child Christopher and Goldilind the Fair is a fantasy novel by William Morris, perhaps the first modern fantasy writer to unite an imaginary world with an element of the supernatural, and thus the precursor of much of present-day fantasy literature. It was first published in hardcover by Morris' Kelmscott Press in 1895. The novel, with its development of a royal character unaware of their true status, had an influence on C.S. Lewis’ Prince Caspian in the Narnia series. Set in the forested land of Oakenrealm, it was Morris' reimagining and recasting of the medieval Lay of Havelock the Dane with the displaced royal heirs Christopher and Goldilind standing in for the original story's Havelock and Goldborough. However, unlike the original, Morris puts more emphasis on the romantic side of the story giving a prominent place to the heroine's misfortunes and bringing to the forefront the love story between her and the hero; the warfare by which the hero regains his heritage is relegated to a secondary role. Also unlike both the source and most of Morris's other fantasies, there is little or no supernatural element in this version of the story. Christopher is initially ignorant of his true identity, leading to an emotional conflict between the protagonists to reconcile their mutual love and attraction with what they believe to be the profound disparity in their social status and shame of their forced marriage. This situation is resolved when the two fall in with Jack of the Tofts, who gives refuge to Christopher after his sons rescue the hero from an assassination attempt by a servant of the usurper Earl Rolf. Jack informs Christopher of his true station and gathers together an army to help him challenge the usurper. When the hosts meet, the commander of Rolf's forces, Baron Gandolf of Brimside, challenges Jack to single combat, but Christopher claims the honor from Jack and proves his worth by defeating the opposing champion. 10% of the profit from the sale of this book will be donated to charity. ================= KEYWORDS/TAGS: Child Christopher, Goldilind the Fair, lay of Havelock, Dane, royalty, Oakenrealm, Goldborough, William Morris, romance, misfortune, knights, warfare, regains, crown, king, queen, love, Jack of the Tofts, refuge, usurper, Earl Rolf, army, challenge, Baron Gandolf, Brimside, single combat, King Of Oakenrealm, Wife And Child, Son, King Of Meadham, Daughter, Maiden Goldilind, Greenharbour, Dreams, Castle, Journey, Wild Wood, Squire Simon, Earl Marshal, Littledale, Abide, A While, May Morning, The Garth, Free, Found, Earl Geoffrey, Wedding, Woodland, Bride-Chamber, Friends, Counsel, Husting, Hosting, Hazeldale, Holm Of Hazeldale, Battle, Holm, Captains, Broadlees, Woodwall, Old Acquaintance, Evil Deed, King Christopher, Dealings, Matters, Meadham,

Unique in combining a comprehensive and comparative study of genre with a study of romance, this book constitutes a significant contribution to ongoing critical debates over the definition of romance and the genre and artistry of Malory's Morte Darthur. K.S. Whetter addresses the questions of how exactly romance might be defined and how such an awareness of genre impacts upon both the understanding and reception of the texts in question.

This compendium of Medieval folk tales and epic myths entertain and provide insight into the cultural lore of legendary stories. Containing seldom spoken hidden gems such as The Nibelung Hero together with widely circulated tales of Beowulf and Roland the Paladin, this book has a comprehensive selection of folk tales. Many of these originate from Germany and the Norse regions of Europe, and are rich with cultural allusions as well as captivating narratives. The virtues of knightly valour are present in many of the stories within, while the court customs of monarchs frequently appear. Fair maidens, and the practices of chivalry and courtship in their continental form are also a recurring theme. Enemies and nemeses whether human or mythical beast are rendered vicious and foreboding, just as the original storytellers intended. Originally published in 1884, this collection of stories was compiled by scholar of Medieval literature Wilhelm Wagner. The widely ranging stories within were chosen for their vivid imagery and emotive clout, as alluded to in this introductory passage: "As we write, the shadowy forms of terrific Alboin raising aloft his goblet fashioned from royal skull; the noble Siegfried with his loved Chriemhild and the jealous Brunhild; brave King Dietrich; the gentle, patient Gudrun and her beauteous mother Hilde, all flit before the mind, framing themselves into a vivid picture, such as must have lived in the imagination of our early forefathers, stirring them on to noble actions, restraining them from evil working.""