The first two books in R.S. Penney's 'Epic Literary Universe', a series of science fiction novels, now available in one volume! Jack And Anna - Back To Winnipeg: Forgotten by those he once knew, Jack Hunter is surprised when his father reaches out to him, revealing strange happenings in Winnipeg. Reports of apparitions and mythical creatures have surfaced, and the police are displaying unusual aggression. Unmarked cars with mysterious government agents roam the streets. Determined to uncover the truth, Jack and Anna embark on a thrilling journey to trace the origin of the events. As the city teeters on the brink, they must act swiftly to prevent the chaos from consuming everything they hold dear. The New Ka'Adri: In a world plagued by injustice and inequality, Kezia Berel, a determined Justice Keeper on Ragnos, seeks to rally her colleagues to shape a better future. When a brave act catches the attention of a powerful figure, Kez is drawn into a clandestine world of telepaths and techno-savants, joining forces with the enigmatic Miri Nin Valia and their misfit crew. United by purpose, they embark on a perilous mission to prevent a devastating war between Leyria and Ragnos. As Kez uncovers hidden truths about herself, they have to confront their inner demons and navigate a treacherous path in order to survive. The fate of Ragnos hangs in the balance, and only they hold the key to its destiny.

Ken Follett’s magnificent historical epic begins as five interrelated families move through the momentous dramas of the First World War, the Russian Revolution, and the struggle for women’s suffrage. A thirteen-year-old Welsh boy enters a man’s world in the mining pits. . . . An American law student rejected in love finds a surprising new career in Woodrow Wilson’s White House. . . . A housekeeper for the aristocratic Fitzherberts takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with a German spy. . . . And two orphaned Russian brothers embark on radically different paths when their plan to emigrate to America falls afoul of war, conscription, and revolution. From the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty, Fall of Giants takes us into the inextricably entangled fates of five families—and into a century that we thought we knew, but that now will never seem the same again. . . .

Fourteen essays on epic, oral and literary, from ancient to modern, from the Americas to India.

This book adopts a broad and multifaceted approach to that most preeminent of classical literature genres: the Epic. Set in the ancient world, from archaic Greece to imperial Rome, the scope of interest here extends, for comparative purposes, to Vedic and Sanskrit poetry, as well as the Medieval epic. This collection of papers by classicists from the University of Santiago de Compostela, Spain, embraces key themes in recent scholarship, such as the character of the hero, defined in terms of the conflict of power central to the epos, the metapoetic function of the bard as a literary reflection of epic style, and the manipulation of epic myth to fulfil new functions, such as retelling contemporary history and conveying mystic symbology. Topics rooted in archaic poetry, such as the reutilisation of the ogre character embodied in the Cyclops and the journey into the Underworld, are also explored in great detail. In all these studies, the intertextual nature of ancient writing is consistently addressed through discussions of the revisiting of Homeric poetry by authors such as the Greek tragedians, Empedocles, Plato, Virgil, Ovid, Seneca, Lucan, and Valerius Flaccus. The analysis of the heroic narrative offered in this volume includes both literary phenomena and the language of the epic itself; the reader is thus afforded the widest possible view of current critical perspectives in classical literature and linguistics. Such a comprehensive treatment of the most important genre in the ancient world grants the reader powerful insights into the way in which ancient literature was composed. This collection of studies, while making a substantial contribution to scholarship in this field, will also appeal to a varied academic readership, including researchers in classical literature and linguistics, as well as students of literary theory.

In the ancient world Homer was recognised as the fountainhead of culture. His poems, the Iliad and the Odyssey, were universally admired as examples of great literature which could never be surpassed. In this study, Richard Jenkyns re-examines the two Homeric epics and the work that is perhaps their closest rival, the Aeneid of Virgil. A wide range of topics is covered, including chapters on heroism and tragedy in the Iliad, morality in the Odyssey and Virgil's skilful reworking of elements from the two earlier epics. Essential reading for those who are unfamiliar with the works of Homer and Virgil, the author's lively and provocative approach will also appeal to more experienced scholars of classical literature.

Books 3-4 in R.S. Penney's 'Epic Literary Universe', a series of science fiction novels, now available in one volume! Desa and Kalia - The Sin Thief: Ten years ago, Desa Nin Leean put away her guns and settled into a quiet life with her partner, Kalia. Now, an assassin wielding the ancient power of the Void is turning ordinary people into zealots. Desa has no choice but to confront the enemy, but in doing so, she will come face to face with an enemy far more deadly than any fanatic: the guilt and grief she's suppressed for so long. Jack And Anna - The Price of Fear: Settling back into life on Earth isn’t easy for newly-weds Anna Lenai and Jack Hunter. Things get even more dicey when a wormhole opens in Missouri, bringing a visitor to our world. Soon, Anna learns that the real threat may not be the alien, but the CIA agents who are trying to capture it.

Lord Sarahu Nagarazan 1st June 1988 was born as a human incarnation to the earth. And he has come for the welfare of world. What he has suffered in this human incarnation is as follows. Beginning with the vicissitude of his Love. He did continuously 8 years DhyÃna or hypnotism for his first lover Uma. In these 8 years, last 4 year's Suma came into his life and infringed in DhyÃna or hypnotism. Then he continued DhyÃna or hypnotism for Uma. After 8 years instead of getting the power of hypnotism, he received the grace of illumination on god and world. After his matriculation he knocked the door of Kannada film industry. There he cheated by film writers, directors and technicians. Then at the age of 18 and 20 he worked in 3 movies (sandalwood, Kannada) as writer and assistant director. And also worked in some documentary projects. At the age of 18 to 33 he written and published 151 novels, 5 short stories, 1 drama, and 30 English Articles. And at the age of 26 to 30 he research and published 92 research articles and he received 260 research awards and honorary doctorate awards and at the age of he achieved 1926 new world records and breaking world records. He have a deep imagination power at the time he was studying 5th standard. The proof for this is the only novels he have written when he was in the 8th, 9th and 10th standard. But, here, there is no provision to explain the summary of said novels. The scope of my imagination can understand the only those people who have studied his novels, because that novels contains the series of imaginations and subjects that the Hollywood films can also take inspiration from this work. He can write story, screenplay, dialogues and scene paper within 4 hours. However you demand he can write in that style in Hollywood. Example: if you give a subject likes 'stone' or 'stick' or any other think or you just show anything around us by pointing finger, he can write on the topic story, screenplay, dialogues and scene paper within 4 hours in a day only by pen or he tell it orally as your wish. He can write as you say within 4 hours in a day. And he can direct Hollywood movies without a script, it's my confidence. If you provide an opportunity to write a Hollywood story with any theme he can write it in front of you spontaneously without giving time for thinking. Lonely without anybody's help. He can write that Hollywood script within fraction of second's right from foundation to climax.