This book compiles essays by over thirty urban pastors, community organizers, seminary professors, and church leaders. Their essays seek to present creative opportunities for urban ministries to bring hope and renewal to their congregations and communities.

Editor's NoteIntroduction by David Buisseret1: Mapping the Chinese City: The Image and the Reality Nancy Shatzman Steinhardt2: Mapping the City: Ptolemy's Geography in the Renaissance Naomi Miller3: Urbs and Civitas in Sixteenth- and Seventeenth-Century Spain Richard L. Kagan4: Military Architecture and Cartography in the Design of the Early Modern City Martha Pollak5: Modeling Cities in Early Modern Europe David Buisseret6: The Plan of Chicago by Daniel H. Burnham and Edward H. Bennett: Cartographic and Historical Perspectives Gerald A. DanzerContributors Index Copyright © Libri GmbH. All rights reserved.

Envisioning Better Cities: A Global Tour of Good Ideas takes readers on a world tour of useful, feasible, and novel ideas for making cities more livable and sustainable. The book visits cities of all sizes, on all continents, to share what people are doing - now - to tackle the economic, social and environmental challenges their communities face. The book travels to Denmark, Australia, Cuba, China, Canada, Germany, Israel, Brazil, the United States, and more for good ideas that will engage and empower people to take part in the future of their city. Whether describing the benefits of yarn bombs in Madrid, the creation of pollinator pathways in Seattle, or the transformative power of garbage-for-food programs in Curitiba, Brazil this book brings together a compelling collection of examples to shift how we think about improving cities. To do this, the chapters are organized around the essential ingredients for improving our cities: Inviting People, Inspiring People, Connecting People, Communicating with People, Moving People and Supporting People. The hope is that by taking readers on a tour of diverse cities - large and small, wealthy and struggling - that their imaginations will be triggered about what they can do to improve their own cities.

""Describes the emerging use of collaborative scenario planning practices in urban and regional planning, and includes case studies, an overview of digital tools, and a project evaluation framework. Concludes with a discussion of how scenarios can be used to address urban inequalities. Intended for a broad audience"--Provided by the publisher"--

For generations, New Yorkers have joked about "The City's" interminable tearing down and building up. The city that the whole world watches seems to be endlessly remaking itself. When the locals and the rest of the world say "New York," they mean Manhattan, a crowded island of commercial districts and residential neighborhoods, skyscrapers and tenements, fabulously rich and abjectly poor cheek by jowl. Of course, it was not always so; New York's metamorphosis from compact port to modern metropolis occurred during the mid-nineteenth century. Empire City tells the story of the dreams that inspired the changes in the landscape and the problems that eluded solution.Author David Scobey paints a remarkable panorama of New York's uneven development, a city-building process careening between obsessive calculation and speculative excess. Envisioning a new kind of national civilization, "bourgeois urbanists" attempted to make New York the nation's pre-eminent city. Ultimately, they created a mosaic of grand improvements, dynamic change, and environmental disorder. Empire City sets the stories of the city's most celebrated landmarks--Central Park, the Brooklyn Bridge, the downtown commercial center--within the context of this new ideal of landscape design and a politics of planned city building. Perhaps such an ambitious project for guiding growth, overcoming spatial problems, and uplifting the public was bound to fail; still, it grips the imagination.

Since cities emerged ten thousand years ago, they have become one of the most impressive artifacts of humanity. But their evolution has been anything but linear—cities have gone through moments of radical change, turning points that redefine their very essence. In this book, a renowned architect and urban planner who studies the intersection of cities and technology argues that we are in such a moment. The authors explain some of the forces behind urban change and offer new visions of the many possibilities for tomorrow’s city. Pervasive digital systems that layer our cities are transforming urban life. The authors provide a front-row seat to this change. Their work at the MIT Senseable City Laboratory allows experimentation and implementation of a variety of urban initiatives and concepts, from assistive condition-monitoring bicycles to trash with embedded tracking sensors, from mobility to energy, from participation to production. They call for a new approach to envisioning cities: futurecraft, a symbiotic development of urban ideas by designers and the public. With such participation, we can collectively imagine, examine, choose, and shape the most desirable future of our cities.

Viewing turn-of-the-century African American history through the lens of cinema, Envisioning Freedom examines the forgotten history of early black film exhibition during the era of mass migration and Jim Crow. By embracing the new medium of moving pictures at the turn of the twentieth century, black Americans forged a collective—if fraught—culture of freedom. In Cara Caddoo’s perspective-changing study, African Americans emerge as pioneers of cinema from the 1890s to the 1920s. Across the South and Midwest, moving pictures presented in churches, lodges, and schools raised money and created shared social experiences for black urban communities. As migrants moved northward, bound for Chicago and New York, cinema moved with them. Along these routes, ministers and reformers, preaching messages of racial uplift, used moving pictures as an enticement to attract followers. But as it gained popularity, black cinema also became controversial. Facing a losing competition with movie houses, once-supportive ministers denounced the evils of the “colored theater.” Onscreen images sparked arguments over black identity and the meaning of freedom. In 1910, when boxing champion Jack Johnson became the world’s first black movie star, representation in film vaulted to the center of black concerns about racial progress. Black leaders demanded self-representation and an end to cinematic mischaracterizations which, they charged, violated the civil rights of African Americans. In 1915, these ideas both led to the creation of an industry that produced “race films” by and for black audiences and sparked the first mass black protest movement of the twentieth century.