Entertainment media comprises one of the worlds largest industries and this collection is important not just for explaining what is happening in Indonesian entertainment media, but also for establishing a theoretical framework for the study of entertainment media in other societies.

This book focuses on the visual media, one of the key factors in shaping the contemporary ecology of colliding environments, in the fourth most populous country in the world, Indonesia. It deals with creative actors, including literary authors, television producers, video artists and community media activists, who demonstrate, reflect on, criticise and rework the multidimensional impact of the visual media in imaginative and innovative ways. Combining contemporary art and media theory with the detailed analysis of authentic texts and contexts, the author analyses the multidimensional ecological impact of the media in its role as one of the key forces of Integrated World Capitalism (IWC).

Indonesia is a fascinating archipelago of over 17,000 islands in Southeast Asia. With a population of over 270 million, it’s the fourth most populous country in the world, and is home to a diverse range of ethnic groups, languages, and cultures. Indonesia is also one of the world’s fastest-growing economies, with a rapidly developing tourism industry, and is a member of the G20. But despite its cultural and economic diversity, Indonesia is also a country of contrasts. While some parts of the country are modern and developed, others are still very much rural and traditional. Additionally, Indonesia faces a range of social, environmental, and political challenges, including poverty, corruption, deforestation, and natural disasters. So while Indonesia may seem like a dream destination for travelers, its complexities and contradictions make it a particularly interesting place to explore. As a tourist, there are many amazing things to discover in Indonesia, including the world-class beaches and surf breaks, crystal clear waters and coral reefs, stunning volcanoes and mountains, rich cultural heritage and ancient temples, bustling cities and vibrant nightlife, and delicious food and local markets. However, it’s also important to be aware of the challenges that the country faces, including the fact that Indonesia is particularly vulnerable to climate change and natural disasters, and has a complex political situation that is still evolving. With this in mind, it’s important for visitors to Indonesia to be respectful and responsible, and to take the necessary precautions to ensure a safe and enriching trip.

span, SPAN { background-color:inherit; text-decoration:inherit; white-space:pre-wrap }This book places Indonesia at the forefront of the global debate about the impact of ‘disruptive’ digital technologies. Digital technology is fast becoming the core of life, work, culture and identity. Yet, while the number of Indonesians using the Internet has followed the upward global trend, some groups — the poor, the elderly, women, the less well-educated, people living in remote communities — are disadvantaged. This interdisciplinary collection of essays by leading researchers and scholars, as well as e-governance and e-commerce insiders, examines the impact of digitalisation on the media industry, governance, commerce, informal sector employment, education, cybercrime, terrorism, religion, artistic and cultural expression, and much more. It presents groundbreaking analysis of the impact of digitalisation in one of the world’s most diverse, geographically vast nations. In weighing arguments about the opportunities and challenges presented by digitalisation, it puts the very idea of a technological ‘revolution’ into critical perspective.

This book examines popular culture in Indonesia, the world’s most populous Muslim nation, and the third largest democracy. It provides a full account of the key trends since the collapse of the authoritarian Suharto regime (1998), a time of great change in Indonesian society more generally. It explains how one of the most significant results of the deepening industrialization in Southeast Asia since the 1980s has been the expansion of consumption and new forms of media, and that Indonesia is a prime example of this development. It goes on to show that although the Asian economic crisis in 1997 had immediate and negative impacts on incumbent governments, as well as the socioeconomic life for most people in the region, at the same time popular cultures have been dramatically reinvigorated as never before. It includes analysis of important themes, including political activism and citizenship, gender, class, age and ethnicity. Throughout, it shows how the multilayered and contradictory processes of identity formation in Indonesia are inextricably linked to popular culture. This is one of the first books on Indonesia's media and popular culture in English. It is a significant addition to the literature on Asian popular culture, and will be of interest to anyone who is interested in new developments in media and popular culture in Indonesia and Asia.

Every political aspirant and activist knows the media are important. But there is little agreement on how an increasingly diversified media operate in post-authoritarian transitions and how they might promote, or impede, the pathways to a sustainable liberal democracy in the 21st century. This book examines the role of the media during Indonesia’s longest experiment with democratisation. It addresses two important and related questions: how is the media being transformed, both in terms of its structure and content, by the changing political economy of Indonesia after the fall of Suharto? And what is the potential impact of this media in enabling or hampering the development of democracy in Indonesia? The book explores the relation between the working of democratisation, by examining the role of ethnic identity and nationalism; increasingly cheaper and diversified means of media production, challenging state monopolies of the media; the reality of personalised and globalised media; and the challenging of the connection between a free media and democracy by global capitalism and corporate control of the media. The book argues that the dominant forces transforming Indonesia today did not arise from the singular point of Suharto’s resignation, but from a set of factors which are independent from, but linked to, Indonesia’s internal politics and which shape its cultural industries.

Elevates global entertainment to an area of worthy media study that was previously reserved for global news and takes a worldwide approach, encompassing Nigeria, Egypt, Brazil, and India - in addition to the more high-profile, heavily researched areas of Europe and East Asia.