The J. Paul Getty Museum Journal 13 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, decorative arts, drawings, paintings, and photographs. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 13 includes articles written by Helayna I. Thickpenny, Michael Pfrommer, Klaus Parlasca, Heidemaire Koch, Jean-Dominique Augarde, Colin Streeter, Gillian Wilson, Charissa Bremer-David, C. Gay Nieda, Adrian Sassoon, Selma Holo, Marcel Roethlisberger, Louise Lippincott, Mark Leonard, Burton B. Fredericksen, Nigel Glendinning, Eleanor Sayre, and William Innes Homer.

Examines the way in which Sophocles' play "Oedipus Tyrannus" and its hero, Oedipus, King of Thebes, were probably received in their own time and place, and relates this to twentieth-century receptions and interpretations, including those of Sigmund Freud.

In contrast to the role traditionally fulfilled by secular rulers, the pope has been perceived as an individual person existing in a body subject to decay and death, yet at the same time a corporeal representation of Christ and the Church, eternity and salvation. Using an array of evidence from the eleventh through the fifteenth centuries, Agostino Paravicini- Bagliani addresses this paradox. He studies the rituals, metaphors, and images of the pope's body as they developed over time and shows how they resulted in the expectation that the pope's body be simultaneously physical and metaphorical. Also included is a particular emphasis on the thirteenth century when, during the pontificate of Boniface VIII (1294-1303), the papal court became the focus of medicine and the natural sciences as physicians devised ways to protect the pope's health and prolong his life. Masterfully translated from the Italian, this engaging history of the pope's body provides a new perspective for readers to understand the papacy, both historically and in our own time.

Mitchell Greenberg explores the significance of fantasies of the body in seventeenth-century France through provocative and subtle readings of some of the most intriguing texts of the period. Beginning with an eloquent invocation of the status of the king in classical France, Greenberg surveys the complex sociopolitical history of Louis XIV's reign, analyzing both Moliere and the entire corpus of Racine. The central chapters of Baroque Bodies deal with such fascinating texts as the Memoires of the abbe de Choisy (the first existing account of a male cross-dresser); two founding texts of the modern pornographic genre, L'ecole des filles and L'academie des dames; and the "autobiography" of Marie de l'Incarnation, the famous "mystic" and founder of the first Ursuline convent in Canada. In addition to his richly nuanced readings, Greenberg integrates into his argument material from a broad array of disciplines, including psychoanalysis, feminism, epistemology, and history. He also points out the implications of his argument for the political, theological, and historical thought of the period, moving effortlessly from witch trials in France to discussions of bodies in Renaissance English literary criticism to the works of Bakhtin, Foucault, Freud, and Lacan.

Much of Francophone literature is a response to an elaborate discourse that served to bolster colonial French notions of national grandeur and to justify expansion of French territories overseas. A form of colonial exoticism saw the colonized subject as a physical, cultural, aesthetic and even sexual singularity. Francophone writers sought to rehabilitate the status of non-Western peoples who, through the use of anthropometric techniques, had been racially classified as inferior or primitive. Drawing on various Francophone texts, this collection of new essays offers a compelling study of the literary body--both corporeal and figurative. Topics include the embodiment of diasporic identity, the body politic in prison writing, women's bodies, and the body's expression of trauma inflicted by genocidal violence.