Although Olga Orozco has won almost every major literary award from her native Argentina and her work has been translated into 15 languages, no single volume of her poetry exists in English--until now. Award-winning translator/Colorado Poet Laureate Mary Crow has chosen the finest of Orozco's poems for this long-awaited Spanish-English bilingual collection, Engravings Torn from Insomnia. Olga Orozco is the author of 20 books of poetry. Her work makes use of surrealist techniques as well as the vatic voice of primitive poetry. She died in 1999. Mary Crow has published several award-winning translations. She teaches at Colorado State University and is the Poet Laureate of Colorado. Crow is the author of Borders and I Have Tasted the Apple.

The first English translation of poems from a major 20th-century South American writer.

Forced to bury their heartbreak and loss, Ember and Evadne prepare to leave for the Moores. But when unusually horrific nightmares plague Ember, and Evadne is attacked, they sense a deeply sinister force at work. Someone is pulling the strings to drag them down a darker path. Their quest to save Faye could be doomed from the start, luring them into an elaborate trap. Meanwhile, desperate to escape, Faye has devised a dangerous ruse to get out of Jeremiah's compound. When things go horribly wrong, Ronan finally reveals the painful truth that binds their fates. As they endure Jeremiah's growing madness, will Faye allow his revelation to drive them apart, or will it strengthen their fragile alliance in the midst of the rising storm?

This wide-ranging collection of inspirational poetry and prose offers readers solace, perspective, and the courage to persevere. In times of personal hardship or collective anxiety, words have the power to provide comfort, meaning, and hope. The past year has seen a resurgence of poetry and inspiring quotes—posted on social media, appearing on bestseller lists, shared from friend to friend. Honoring this communal spirit, How Lovely the Ruins is a timeless collection of both classic and contemporary poetry and short prose that can be of help in difficult times—selections that offer wisdom and purpose, and that allow us to step out of our current moment to gain a new perspective on the world around us as well as the world within. The poets and writers featured in this book represent the diversity of our country as well as voices beyond our borders, including Maya Angelou, W. H. Auden, Danez Smith, Rumi, Emily Dickinson, Naomi Shihab Nye, Alice Walker, Adam Zagajewski, Langston Hughes, Wendell Berry, Anna Akhmatova, Yehuda Amichai, and Robert Frost. And the book opens with a stunning foreword by Elizabeth Alexander, whose poem “Praise Song for the Day,” delivered at the inauguration of President Barack Obama, ushered in an era of optimism. In works celebrating our capacity for compassion, our patriotism, our right to protest, and our ability to persevere, How Lovely the Ruins is a beacon that illuminates our shared humanity, allowing us connection in a fractured world. Includes poetry, prose, and quotations from: Elizabeth Alexander • Marcus Aurelius • Karen Armstrong • Matthew Arnold • Ellen Bass • Brian Bilston • Gwendolyn Brooks • Elizabeth Barrett Browning • Octavia E. Butler • Regie Cabico • Dinos Christianopoulos • Lucille Clifton • Ta-Nehisi Coates • Leonard Cohen • Wendy Cope • E. E. Cummings • Charles Dickens • Mark Doty • Thomas Edison • Albert Einstein • Ralph Ellison • Kenneth Fearing • Annie Finch • Rebecca Foust • Nikki Giovanni • Stephanie Gray • John Green • Hazel Hall • Thich Nhat Hanh • Joy Harjo • Václav Havel • Terrance Hayes • William Ernest Henley • Juan Felipe Herrera • Jane Hirshfield • John Holmes • A. E. Housman • Bohumil Hrabal • Robinson Jeffers • Georgia Douglas Johnson • James Weldon Johnson • Paul Kalanithi • Robert F. Kennedy • Omar Khayyam • Emma Lazarus • Li-Young Lee • Denise Levertov • Ada Limón • Henry Wadsworth Longfellow • Nelson Mandela • Masahide • Khaled Mattawa • Jamaal May • Claude McKay • Edna St. Vincent Millay • Pablo Neruda • Anaïs Nin • Olga Orozco • Ovid • Pier Paolo Pasolini • Edgar Allan Poe • Claudia Rankine • Adrienne Rich • Rainer Maria Rilke • Alberto Ríos • Edwin Arlington Robinson • Eleanor Roosevelt • Christina Rossetti • Muriel Rukeyser • Sadhguru • Carl Sandburg • Vikram Seth • Charles Simic • Safiya Sinclair • Effie Waller Smith • Maggie Smith • Tracy K. Smith • Leonora Speyer • Gloria Steinem • Clark Strand • Wisława Szymborska • Rabindranath Tagore • Sara Teasdale • Alfred, Lord Tennyson • Vincent van Gogh • Ocean Vuong • Florence Brooks Whitehouse • Walt Whitman • Ella Wheeler Wilcox • William Carlos Williams • Virginia Woolf • W. B. Yeats • Saadi Youssef • Javier Zamora • Howard Zinn

Yes, There Will Be Singing brings together Marilyn Krysl’s essays on the origins of language and poetry, poetic form, the poetry of witness, and poetry’s collaboration with the healing arts. Beginning with pieces on her own origins as a poet, she branches into poetry’s profound spiritual and political possibilities, drawing on rich examples from poets such as Anna Akhmatova, W.S. Merwin, and Vénus Khoury-Ghata. Krysl concludes with a selection of stories of her nursing and humanitarian work, powerfully connecting poetic expression with a generous and compassionate worldview.

A bilingual anthology, Fierce Voice / Voz feroz features Argentine and Uruguayan women poets published after their countries' return to democracy in the eighties. These twenty-six poets introduced innovative, invigorating styles and established new directions in literature, providing an essential addition to the development of Latin American poetry. This anthology includes established poets as well as emerging poets just gaining attention in their countries and abroad. Fierce Voice / Voz feroz serves to showcase their work and give an English-speaking readership the opportunity to experience the breadth and power of this fierce talent.

Marosa di Giorgio has one of the most distinct and recognizable voices in Latin American poetry. Her surreal and fable-like prose poems invite comparison to Franz Kafka, Julio Cortázar, or even contemporary American poets Russell Edson and Charles Simic. But di Giorgio's voice, imagery, and themes—childhood, the Uruguayan countryside, a perception of the sacred—are her own. Previously written off as "the mad woman of Uruguayan letters," di Giorgio's reputation has blossomed in recent years. Translator Adam Giannelli's careful selection of poems spans the enormous output of di Giorgio's career to help further introduce English-language readers to this vibrant and original voice. Marosa di Giorgio was born in Salto, Uruguay, in 1932. Her first book Poemas was published in 1953. Also a theater actress, she moved to Montevideo in 1978, where she lived until her death in 2004.