A glorious companion volume to Historical Fashion in Detail- The 17th and 18th Centuries and Modern Fashion in Detail, this book captures the opulence and variety of nineteenth-century fashion through an authoritative text, exquisite colour photography and line drawings of the complete garments. From the delicate embroidery on neoclassical gowns to the vibrant colours of crinolines and the elegant tailoring of men's coats, the richness of the period is revealed in breathtaking detail. The garments showcased here, drawn from the V&A Museum's world famous collection, were at the height of fashion in their time. They display a remarkable range of colours, materials and construction details- from the intricate boning on women's corsets to the patterned silk of men's waistcoats. Seen in close-up for the first time and further illuminated by detailed commentary and line drawings that show the ingenuity of the underlying construction, these carefully chosen garments illustrate some of the major themes of nineteenth-century dress.

Remarkably thorough descriptions, information about hundreds of fashions: morning dresses, riding outfits, bridal gowns, more. Also millinery, footwear, etc. Based on contemporary sources. Indispensable for costume and fashion students. Bibliography.

De ontwikkeling van de maatschappelijke positie van de Engelse vrouw in de negentiende eeuw, inclusief beschrijvingen van kledingstijlen en -stukken en de redenen hiervoor.

A pioneering study of the importance of dress to the collective and individual identities of the nineteenth-century English poor.

Follow high-style couture trends over a 100-year period from 1800 to 1900, as illustrated in 374 color photographs of original, hand-colored fashion plates from the author's private collection. The 11 chapters (organized by decade) include a brief survey of the subtle changes in clothing design through each decade and a social history of the times. Follow the whims of fashion on this promenade through the 1800s, when high-society women sported beribboned toques and turbans and crinolines, capes, and extravagant sleeves. Based mostly on original French artwork, the fashion plates, which appeared in magazines of the day, also document fashion illustration as an evolving art form, making this book an invaluable resource for historians, scholars, theater costume designers, artists, and fashion enthusiasts.

By the middle of the century, men were prompted to disdain the decadent and gaudy colors of the pre-Revolutionary period and wear unrelievedly black frock coats suitable to the manly and serious world of commerce. Their wives and daughters, on the other hand, adorned themselves in bright colors and often uncomfortable and impractical laces and petticoats, to signal the status of their family.