Preliminary Material /John A. Ramsaran -- Preface /John A. Ramsaran -- Introduction /John A. Ramsaran -- The European Background /John A. Ramsaran -- The Indian Background /John A. Ramsaran -- Religious Practice and Poetic Expression /John A. Ramsaran -- Middle English Lyrics and Saguṇa Bhakti /John A. Ramsaran -- The Baroque in English and Hindi Religious Poetry /John A. Ramsaran -- Divine Infatuation /John A. Ramsaran -- The Metaphysical Vision /John A. Ramsaran -- English Metrical Psalms, Donne's Holy Sonnets and Tulasī Dāsa's Vinaya Patrikā /John A. Ramsaran -- Allegory and the Religious Epic /John A. Ramsaran -- Conclusion /John A. Ramsaran -- Bibliography /John A. Ramsaran -- Index /John A. Ramsaran.

Based on an exhaustive study of the manuscripts and printed editions in which these poems have appeared, the eighth in the series of The Variorum Edition of the Poetry of John Donne presents newly edited critical texts of thirteen Divine Poems and details the genealogical history of each poem, accompanied by a thorough prose discussion. Arranged chronologically within sections, the material is organized under the following headings: Dates and Circumstances; General Commentary; Genre; Language, Versification, and Style; the Poet/Persona; and Themes. The volume also offers a comprehensive digest of general and topical commentary on the Divine Poems from Donne's time through 2012.

Praise for previous volumes: "This variorum edition will be the basis of all future Donne scholarship." -- Chronique This is the 4th volume of The Variorum Edition of the Poetry of John Donne to appear. This volume presents a newly edited critical text of the Holy Sonnets and a comprehensive digest of the critical-scholarly commentary on them from Donne's time through 1995. The editors identify and print both an earlier and a revised authorial sequence of sonnets, as well as presenting the scribal collection -- which contains unique authorial versions of several of the sonnets -- inscribed by Donne's friend Rowland Woodward in the Westmoreland manuscript.

Can we love God and others without our desires eclipsing the very beauty, integrity and diversity toward which we are drawn; that is, can we love without trying to possess? Spanning centuries, continents, and religious traditions, Longing and Letting Go looks to Christian writer Hadewijch and Hindu songstress Mirabai to explore their inextricable practices of longing and letting go, and more particularly, the interreligious possibilities of passionate non-attachment for an interconnected, pluralistic world.

Yu's essays juxtapose Chinese and Western texts - Cratylus next to Xunzi,for example - and discuss their relationship to language and subjects, such as liberal Greek education against general education in China. He compares a specific Western text and religion to a specific Chinese text and religion. He considers the Divina Commedia in the context of Catholic theology alongside The Journey to the West as it relates to Chinese syncretism, united by the theme of pilgrimage. Yet Yu's focus isn't entirely tied to the classics. He also considers the struggle for human rights in China and how this topic relates to ancient Chinese social thought and modern notions of rights in the West.