This book contains more than 70 articles and presents international trends in structural glazing and facade construction. Renowned authors from all over the world report on current research results and innovative construction projects.

Glass is one of the most ubiquitous and extensively researched building materials. Despite the critical role it has played inmodern architecture in the last century, we have yet to fully comprehend the cultural and technological effects of thiscomplex and sophisticated building material. Engineered Transparency brings together an extraordinary, multidisciplinary group of international architects, engineers, manufacturers, and critics to collectively reconsider glasswithin the context of recent engineering and structural achievements. In light of these advancements, glass hasreemerged as a novel architectural material, offering new and previously unimaginable modes of visual pleasure andspatial experience. Engineered Transparency presents a portfolio of projects featuring cutting-edge glass designs by todays most innovative architects, including SANAA's acclaimed Glass Pavilion at the Toledo Museum of Art, Yoshio Taniguchi's MoMA expansion in New York City, and Steven Holl's Nelson-Atkins Museum in Kansas City. With contributions by foremost thinkers in the field of architecture and design including historians Kenneth Frampton, Antoine Picon, and DetlefMertins; cultural critics Beatriz Colomina, Joan Ockman, and Reinhold Martin; engineers Werner Sobek, Guy Nordenson,and Richard Tomasetti; and architects Kazuyo Sejima, Steve Holl, and Elizabeth Diller, Engineered Transparency redefines glass as a 21st century building material and challenges our assumptions about its aesthetic, structural, and spatial potential.

Exploring the design of innovative building enclosure systems (or skins) in contemporary architecture and their precedents in earlier twentieth century modern architecture, this book examines the tectonics, the history and the influence of translucency as a defining characteristic in architecture. Highly illustrated throughout with drawings and full colour photographs, the book shows that translucency has been and continues to be a fertile ground for architectural experimentation. Each chapter presents a comparative analysis of two primary buildings: a recent project, paired with a historical precedent, highlighting how architects in different eras have realized the distinctive effects of translucency. The included buildings span a variety of program types, ranging from a single-family residence, to a factory, to a synagogue. Whether it is Pierre Chareau’s glass-lens curtain wall at the Maison de Verre, Frank Lloyd Wright’s wall of stacked glass tubes at the Johnson Wax Research Tower, or Peter Zumthor’s use of acid-etched glass in a double-skin envelope at the Kunsthaus Bregenz, the included projects each offer an exemplary case study of innovations in materiality and fabrication techniques. Today, among many contemporary architects, there is an engagement with new technologies, new material assemblies, and new priorities such as sustainability and energy-efficiency. A resurgent interest in translucency as a defining quality in buildings has been an important part of this recent dialogue and this book makes essential reading for any architect looking to incorporate aspects of translucency into their buildings.

This book constitutes the refereed proceedings of the 5th International Conference on Security, Privacy, and Applied Cryptography Engineering, SPACE 2015, held in Jaipur, India, in October 2015. The 17 full papers presented in this volume were carefully reviewed and selected from 57 submissions. The book also contains 4 invited talks in full-paper length. The papers are devoted to various aspects of security, privacy, applied cryptography, and cryptographic engineering.

This book considers key ethical questions in museum policy and practice, particularly those related to issues of collection and display. What does a collection signify in the twenty-first century museum? How does an engagement with immateriality challenge museums’ concept of ownership, and how does that immateriality translate into the design of exhibitions and museum space? Are museums still about safeguarding objects, and what does safeguarding mean for diverse individuals and communities today? How does the notion of the museum as a performative space challenge our perceptions of the object? The scholarship represented in this volume is a testament to the range and significance of critical inquiry in museum ethics. Together, the chapters resist a legalistic interpretation, bound by codes and common practice, to advance an ethics discourse that is richly theorized, constantly changing and contingent on diverse external factors. Contributors take stock of innovative research to articulate a new museum ethics founded on the moral agency of museums, the concept that museums have both the capacity and the responsibility to create social change. This book is based on a special issue of Museum Management and Curatorship.

There are two things everybody knows about glass: it is transparent, and it breaks! These are also the properties that constitute the challenge of glass as an architectural and structural material. This book presents papers from the third Challenging Glass Conference (CGC3), held at the Technical University (TU) Delft, the Netherlands, in June 2012. The conference brings together glass engineering, research and design specialists. Papers are grouped under seven topic headings: project and case studies; joints, fixings and adhesives; strength, stability and safety (a category which includes a quarter of all the papers presented at the conference); laminates and composite design; curved and bended glass; architectural design and lighting and finally, glass in facades. Glass remains one of the most exciting materials available to designers and architects today. This book will be of interest to all those involved in working with glass in an architectural and structural context.

This special issue of the Advances in Experimental Medicine and Biology presents much of the research described at the recent 2nd International Tissue Engineering Conference held in Crete in May 2005. The conference brought together over 150 researchers from around the world to examine the emerging and most advanced aspects of their particular field. The chapters reflect a diverse group of authors, including both clinicians and academicians.