A newly single woman discovers that small-town grudges die hard in a series debut that “had me in its spell from page one” (Leslie Meier, New York Times bestselling author). After dumping her cheating fiancé and cancelling the wedding, Mallory Shepard can't bear another disaster. So when the former bride-to-be unexpectedly inherits Thistle Park, a ramshackle mansion in her ex's hometown of Port Quincy, Pennsylvania, it's a problem she can't afford—literally. Abound with stray cats, peeling wallpaper, and nosy neighbors, Mallory is dying to sell it off—once she finally fixes up both the place and her messy life . . . Turns out, Thistle Park has its charms. But the honeymoon phase is abruptly cut short when an unwanted visitor is found dead on the front lawn. Enlisting the help of her sister Rachel, Mallory vows to unveil the killer before she herself becomes married to the suspect list . . . “I had great fun reading the adventures of nouveau sleuth Mallory Shepard as she wrangles corpses, kittens, and a cheating fiancé in this charming debut mystery.” —Laura Levine, author of the Jaine Austen Mysteries “[A] cozy combination of mystery, romance, and recipes, with a little extra bite supplied by the timely fracking controversy.” —Kirkus Reviews

An ageing heiress’s surprise engagement leads to murder in the Agatha Award–winning author’s New York Times bestselling series. Wealthy, widowed art patron Virginia Neville has fallen head over heels for Jake O’Neill, her handsome, charming, and much younger fiancé. But when she announces their engagement at a gala gallery opening, not all the gathered friends and stepfamily are pleased. And before the last champagne bubble pops, murder disrupts the grand celebration. Bookstore owner Annie Darling is shocked to learn that her employee Chloe Martin is the prime suspect. Now she’s determined to untangle an unholy marriage of jealousy, blackmail, and malicious mischief to clear Chloe’s name—even if it means having to cross swords with her policeman hubby Max and cross paths with a cruelly clever stalker.

Celebration's in the air as heiress Virginia Neville hosts a lavish party at her late husband's art gallery. But her selfish step-children aren't feeling so festive, for they know that Virginia--who inherited everything--is also planning to announce her engagement to the much younger Jake O'Neill. Annie Darling is also in the midst of felicitations--her assistant Chloe has fallen in love with a nameless admirer. Yet Annie fears he may not be entirely honorable. Her suspicions are confirmed when Annie recognizes Jake as Chloe's mystery man. But before she can tell him off, Jake is found dead--with a piece of Chloe's green tafetta dress under him. Now it's up to Annie to prove her friend's innocence--and solve a real mystery.

Mrs. Louise Mallard, afflicted with a heart condition, reflects on the death of her husband from the safety of her locked room. Originally published in Vogue magazine, “The Story of an Hour” was retitled as “The Dream of an Hour,” when it was published amid much controversy under its new title a year later in St. Louis Life. “The Story of an Hour” was adapted to film in The Joy That Kills by director Tina Rathbone, which was part of a PBS anthology called American Playhouse. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.

First published in 1996. This new book gives voice to an emerging consensus among bereavement scholars that our understanding of the grief process needs to be expanded. The dominant 20th century model holds that the function of grief and mourning is to cut bonds with the deceased, thereby freeing the survivor to reinvest in new relationships in the present. Pathological grief has been defined in terms of holding on to the deceased. Close examination reveals that this model is based more on the cultural values of modernity than on any substantial data of what people actually do. Presenting data from several populations, 22 authors - among the most respected in their fields - demonstrate that the health resolution of grief enables one to maintain a continuing bond with the deceased. Despite cultural disapproval and lack of validation by professionals, survivors find places for the dead in their on-going lives and even in their communities. Such bonds are not denial: the deceased can provide resources for enriched functioning in the present. Chapters examine widows and widowers, bereaved children, parents and siblings, and a population previously excluded from bereavement research: adoptees and their birth parents. Bereavement in Japanese culture is also discussed, as are meanings and implications of this new model of grief. Opening new areas of research and scholarly dialogue, this work provides the basis for significant developments in clinical practice in the field.

Otherwise Engaged is Suzanne Finnamore's wickedly funny account of an intelligent, rational woman's transformation into the harpy of anxieties that is the bride-to-be. When Michael pops the question, Eve is deliriously happy. She tells grocery clerks. She subscribes to bridal magazines. She delights in the rainbows that shower from the one-carat (okay, .81-carat) ring on her hand. For two days. As the cumulative stresses of ordering invitations, finding a dress, and organizing the Perfect Honeymoon fry Eve's nerves, the very real prospect of being with one man for the rest of her days reverberates through her consciousness like a Chinese gong. Suddenly the sight of Michael's discarded socks on the floor and his passing mentions of his former live-in French girlfriend incite doubt, argument, and public fainting. Uproarious, insightful, tender, Otherwise Engaged dashes our soap-bubble fantasies in favor of a hilariously realistic walk to the alter.

The notion that neutrality is a phenomenon only relevant to the Cold War is false in many ways. The Cold War was about building blocks, neutrality about staying out of them. From 1975 until the end of the Cold War, neutral states offered mediation and good offices and fought against the stagnation of the détente policy especially in the framework of the CSCE. After the end of the Cold War, neutral states became active in peace-operations outside of military alliances. The concept of neutrality has proven time and again that it can adapt to new situations. In many ways, small neutral states have more room to maneuver than members of alliances or big powers. They have more acceptance and fewer geopolitical interests. Neutrality has been declared obsolete many times in its long and layered history., yet it has also made many comebacks in varying forms and contexts. Neutrality in the 21st century does not involve to staying out but engaging. In contrast to disengagement and staying out, engaged neutrality entails active participation in the international security policy in general and in international peace operations in particular. Engaged neutrality means involvement whenever possible and staying out only if necessary.