Uncovering, for the first time, the role played by home users in fostering energy changes, this book explores the effects of energy transitions between the medieval and industrial era on the everyday life of Europeans and considers how cultural, social and material changes in the home facilitated the transition towards a more energy-demanding world. This book delves deeper into the interactions between early modern consumers and the ecological constraints of the world surrounding them. Experts on specific aspects of domestic energy use departing from different case studies in early modern Europe confront these central issues. This book therefore offers a wide range of approaches within a long-term and comparative perspective. Different ‘material cultures of energy’ across time and space and across different climates in Europe are explored. Ultimately, this book aims to consider how the early modern home not just adapted to energy changes, but perhaps even prepared the way for our modern addiction to fossil energy. Energy in the Early Modern Home is the perfect resource for students and scholars of early modern Europe, premodern environmental history, the history of consumption and material culture, and the history of science and technology.

Song offers a vital case study for examining the rich interplay of music, gender, and representation in the early modern period. This collection engages with the question of how gender informed song within particular textual, social, and spatial contexts in sixteenth- and seventeenth-century England. Bringing together ongoing work in musicology, literary studies, and film studies, it elaborates an interdisciplinary consideration of the embodied and gendered facets of song, and of song’s capacity to function as a powerful-and flexible-gendered signifier. The essays in this collection draw vivid attention to song as a situated textual and musical practice, and to the gendered processes and spaces of song's circulation and reception. In so doing, they interrogate the literary and cultural significance of song for early modern readers, performers, and audiences.

Given the variety and richness of the sixteenth- and seventeenth-century English 'songscape', it might seem unsurprising to suggest that early modern song needs to be considered as sung. When a reader encounters a song in a sonnet sequence, a romance, and even a masque or a play, however, the tendency is to engage with it as poem rather than as musical performance. Opening up the notion of song from a performance-based perspective The Matter of Song in Early Modern England considers the implications of reading song not simply as lyric text but as an embodied and gendered musical practice. Animating the traces of song preserved in physiological and philosophical commentaries, singing handbooks, poetic treatises, and literary texts ranging from Mary Sidney Herbert's Psalmes to John Milton's Comus, the book confronts song's ephemerality, its lexical and sonic capriciousness, and its airy substance. These features can resist critical analysis but were vital to song's affective workings in the early modern period. The volume foregrounds the need to attend much more closely to the embodied and musical dimensions of literary production and circulation in sixteenth- and seventeenth-century England. It also makes an important and timely contribution to our understanding of women's engagement with song as writers and as performers. A companion recording of fourteen songs featuring Larson (soprano) and Lucas Harris (lute) brings the project's innovative methodology and central case studies to life.

Prague in the seventeenth century is known as home to a scintillating imperial court crammed with exotic goods, scientists, and artisans, receiving ambassadors from Persia, and also as a city suffering plagues, riots, and devastating military attacks. But Prague was also the setting for a complex and shifting spiritual world. At the beginning of the century it was a multiconfessional city, but by 1700 it represented one of the most archetypical Catholic cities in Europe. Through a material approach, Cosmos and Materiality pieces together how early modern men and women experienced this transformation on a daily basis. Cosmos and Materiality in Early Modern Prague presents a bold alternative understanding of the history of early modern religion in Central Europe. The history of religion in the early modern period has overwhelmingly been analysed through a confessional lens, but this book shows how Prague's spiritual worlds were embedded in their natural environment and social relations as much if not more than in confessional identity in the seventeenth century. While texts in this period trace emerging discourses around notions of religion, superstition, magic, and what it was to be Catholic or Protestant, a material approach avoids these category mistakes being applied to everyday practice. It is through a rich seam of material evidence in Prague - spoons, glass beakers, and amulets as much as traditional devotional objects like rosaries and garnet encrusted crucifixes - that everyday beliefs, practices, and identities can be recovered.

Emphasizing the voices of activists, this book’s diverse contributors examine communities’ common experiences with environmental injustice, how they organize to address it, and the ways in which their campaigns intersect with related movements such as Black Lives Matter and Indigenous sovereignty. The global COVID-19 pandemic exposed the ways in which BIPOC (Black, Indigenous, People of Color) communities and white working-class communities have suffered disproportionately from the crisis due to sustained exposure to toxic land, air, and water, creating a new urgency for addressing underlying conditions of systemic racism and poverty in North America. In addition to exploring the historical roots of the Environmental Justice movement in the 1980s and 1990s, the volume offers coverage of recent events such as the DAPL pipeline controversy, the Flint water crisis, and the rise of climate justice. The collection incorporates the experiences of rural and urban communities, Alaska Natives, Native Hawaiians, Puerto Ricans, and Indigenous peoples in the U.S., Canada, and Mexico. The chapters offer instructors, undergraduate and graduate students, and general readers a range of accessible case studies that create opportunities for comparative and intersectional analysis across geographical and ethnic boundaries.

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The book offers a concise introduction to the history of art, culture and everyday life of cities in the German cultural area between renaissance and revolution. References from sources and illustrations define the text; they are together useful resources for classes at schools and universities.