This book examines the diverse prosody of compound nouns in Kansai Japanese, with a special focus on a class of compounds with particularly variable prosody, whose unique prosody is potentially endangered due to their structure and influence from Tokyo Japanese. These compounds serve as important evidence for recursion in prosodic structure in theories of the syntax-prosody interface, as they simultaneously resemble not only other compound words but also non-compound phrases, making them valuable test cases for compound prosodic structure. This book discusses potential reasons for these compounds' prosodic variabilty and what may condition their unique prosody, based on results from novel fieldwork. A unified account of compound prosody in Kansai and three other Japanese dialects is also presented.

This is the first comprehensive work on word and sentence prosody in Koshikijima Japanese, a dialect of Japanese not fully documented in the literature. It is an endangered dialect spoken by about 2,000 speakers on a small southern island in Japan. Being separated from mainland dialects by the sea, this dialect exhibits unique prosodic features not shared by other Japanese dialects. It also exhibits considerable regional variations among the ten or more small villages that were isolated from each other until recently. Based on the author’s fieldwork, the book analyzes word accent and intonation, the two linguistic areas in which this endangered dialect exhibits unique features and remarkable regional variations within itself. They include the emergence and development of a secondary H tone, postlexical deletion of the primary H tone, and the L boundary tone in question and vocative intonation. These phenomena bear crucially on general issues in prosody, including postlexical tonal neutralizations, competitions between lexical and postlexical tones, and the number of tones that a syllable can maximally bear. The book thus demonstrates the relevance of studying an endangered language/dialect in general linguistic contexts.

The linguistic study of Japanese, with its rich syntactic and phonological structure, complex writing system, and diverse sociohistorical context, is a rapidly growing research area. This book, designed to serve as a concise reference for researchers interested in the Japanese language and in typological studies of language in general, explores diverse characteristics of Japanese that are particularly intriguing when compared with English and other European languages. It pays equal attention to the theoretical aspects and empirical phenomena from theory-neutral perspectives, and presents necessary theoretical terms in clear and easy language. It consists of five thematic parts including sound system and lexicon, grammatical foundation and constructions, and pragmatics/sociolinguistics topics, with chapters that survey critical discussions arising in Japanese linguistics. The Cambridge Handbook of Japanese Linguistics will be welcomed by general linguists, and students and scholars working in linguistic typology, Japanese language, Japanese linguistics and Asian Studies.

This work is an annotated edition of a ritual manuscript, written in the traditional Zhuang character script. The Hanvueng epic is a narrative in verse about murderous enmity between two royal step-brothers, recited when there is fraternal feuding, death by violence, outbreaks of smallpox, or other such disasters. The theme of enmity is an important one that resonates deeply in the Tai societies on the periphery of the Chinese empire. The narrative touches on many other aspects of life in the valley-kingdoms in the highlands of Guangxi: marriage and inheritance, match-making, slavery and social stratification, agriculture, hunting, fishing, raiding, livestock raising dye-making, wild animals and plants, and the use of ritual to put things to rights.

Etymology as the principle of Chinese writing -- Introducing Chinese characters -- Deerpark hermitage -- River snow: part one-the other Greek -- River snow: part two-word-building -- River snow: part three-rhythm -- Windows -- Stars and seething pots -- The ballad of the ancient cypress -- On releasing a wild goose -- Ware, ware, snares for hares -- "The way": Lao Tzu, Chuang Tzu and Lieh Tzu -- When I was green -- Snow and plum -- Farewell to the god of plagues

Genre studies and genre approaches to literacy instruction continue to develop in many regions and from a widening variety of approaches. Genre has provided a key to understanding the varying literacy cultures of regions, disciplines, professions, and educational settings. GENRE IN A CHANGING WORLD provides a wide-ranging sampler of the remarkable variety of current work. The twenty-four chapters in this volume, reflecting the work of scholars in Europe, Australasia, and North and South America, were selected from the over 400 presentations at SIGET IV (the Fourth International Symposium on Genre Studies) held on the campus of UNISUL in Tubarão, Santa Catarina, Brazil in August 2007—the largest gathering on genre to that date. The chapters also represent a wide variety of approaches, including rhetoric, Systemic Functional Linguistics, media and critical cultural studies, sociology, phenomenology, enunciation theory, the Geneva school of educational sequences, cognitive psychology, relevance theory, sociocultural psychology, activity theory, Gestalt psychology, and schema theory. Sections are devoted to theoretical issues, studies of genres in the professions, studies of genre and media, teaching and learning genre, and writing across the curriculum. The broad selection of material in this volume displays the full range of contemporary genre studies and sets the ground for a next generation of work.

In Japanese Morphography, Gordian Schreiber takes an in-depth look at texts from pre-modern Japan written exclusively in Chinese characters as morphograms and demonstrates why the language behind the script is, in fact, to be identified as Japanese rather than Chinese.