He thought I owned him. He thought he loved me, that I was enough. But this animal, this sex god who could drive me crazy and steal my heart in the same breath, he would never fully be mine. It was impossible. No one ever owned a God... One year. I have one year to find out more about this man I am marrying. More about his family. More about our sex, and all of the dirty, delicious places it will take me. I thought I'd spend this year making a decision. I never thought the decision would be taken from me, snatched right from my naive little hands. The final book in the Innocence Trilogy. PRAISE: "Julia Campbell, a college intern in a law office, becomes sexually involved with Brad, one of the senior partners, while working for another. Evidently nonorgasmic before she met Brad, Julia is enjoying her sexual awakening with him in threesomes, sex parties, and anything and everything (except S and M)—until her boss is murdered, and she finds out that she’s on a hit list for having overheard a conversation involving his representation of Mob families. Brad, the son of one of those mobsters, though not involved in the family “business,” has to figure out how to protect her. Torre gives readers erotica with a plot, despite the bromide of the alpha male introducing the naïve young woman to sex and a variant of the marriage of convenience. Julia is a classic “spunky Suzy,” and unlike Fifty Shades of Grey, the story is plausible." —Mary K. Chelton, Booklist, on Masked Innocence (Book 2 in The Innocence Trilogy) "Torre’s erotic sequel to the indie digital hit Blindfolded Innocence returns to the dangerous, decadent world of divorce lawyer Brad De Luca and law student Julia Campbell. In the bedroom, Brad is slowly pushing Julia to the very edges of her sexual limits, including threesomes and sex parties. At the office, Julia accidentally overhears her boss, Brad’s business partner, engaging in a shady Mafia-related deal, and her new knowledge could get her killed. When she tells Brad about the conversation, it becomes clear that he’s hiding a big secret that could drive him and Julia apart forever. Will losing her inhibitions also mean losing her life? Despite a dead end or two and a cliffhanger conclusion, Torre keeps readers engaged with this fast-moving tale of deceit, treachery, and love." —Publishers Weekly on Masked Innocence (Book 2 in The Innocence Trilogy)

From April 1964 to October 1965, some 52 million people from around the world flocked to the New York World’s Fair, an experience that lives on in the memory of many individuals and in America’s collective consciousness. Taking a perceptive look back at “the last of the great world’s fairs,” Samuel offers a vivid portrait of this seminal event and of the cultural climate that surrounded it. He also counters critics’ assessments of the fair as the “ugly duckling” of global expositions. Opening five months after President Kennedy’s assassination, the fair allowed millions to celebrate international fellowship while the conflict in Vietnam came to a boil. This event was perhaps the last time so many from so far could gather to praise harmony while ignoring cruel realities on such a gargantuan scale. This world’s fair glorified the postwar American dream of limitless optimism even as a counterculture of sex, drugs, and rock `n` roll came into being. It could rightly be called the last gasp of that dream: The End of the Innocence. Samuel’s work charts the fair from inception in 1959 to demolition in 1966 and provides a broad overview of the social and cultural dynamics that led to the birth of the event. It also traces thematic aspects of the fair, with its focus on science, technology, and the world of the future. Accessible, entertaining, and informative, the book is richly illustrated with contemporary photographs.

End of the Innocence By: Tracy McDonald After the death of their daughter, Paul and Laura relocated to Cold Spring, New York, a tranquil town where they would begin to reconstruct their shattered lives. During the same time, profound changes to the country’s educational and penal systems began to take place, and society norms were shifting as online shopping and food delivery services replaced brick-and-mortar restaurants and stores and the population began adopting an antisocial mentality. Most importantly, an experimental and secretive pilot program conducted by the U.S. government to abolish prisons and incorporate inmates back into society was being implemented. This new way of living hadn’t been adopted yet in the town of Cold Spring, where life was simple and largely untouched by the country’s newest changes. At the same time, the Larson brothers, sadistic psychopaths with their own agenda, had just found their way back into society, undetected, due to a glitch in the government program’s computer system. Paul and Laura and their friends of Cold Spring couldn’t anticipate the events that followed as the Larson brothers took over an isolated piece of property and began wreaking havoc on this peaceful town. The unexplained disappearance of men, women, and children in Cold Spring soon turned to unspeakable acts of carnage and bloodshed too morbid to even imagine. When the devil comes knocking at your door, where do you hide? What do you do when you discover monsters are real? What happens when the darkness takes over and fear finds you? Do you stay for the fight and get busy living, or do you die? Paul and Laura were about to find out.

From April 1964 to October 1965, some 52 million people from around the world flocked to the New York World’s Fair, an experience that lives on in the memory of many individuals and in America’s collective consciousness. Taking a perceptive look back at “the last of the great world’s fairs,” Samuel offers a vivid portrait of this seminal event and of the cultural climate that surrounded it. He also counters critics’ assessments of the fair as the “ugly duckling” of global expositions. Opening five months after President Kennedy’s assassination, the fair allowed millions to celebrate international fellowship while the conflict in Vietnam came to a boil. This event was perhaps the last time so many from so far could gather to praise harmony while ignoring cruel realities on such a gargantuan scale. This world’s fair glorified the postwar American dream of limitless optimism even as a counterculture of sex, drugs, and rock `n` roll came into being. It could rightly be called the last gasp of that dream: The End of the Innocence. Samuel’s work charts the fair from inception in 1959 to demolition in 1966 and provides a broad overview of the social and cultural dynamics that led to the birth of the event. It also traces thematic aspects of the fair, with its focus on science, technology, and the world of the future. Accessible, entertaining, and informative, the book is richly illustrated with contemporary photographs.

It is the twilight of innocence: America 1914. As Europe goes to war, Helen, a Boston bluestocking, begins her studies at Harvard-Radcliffe. Riley, a carefree British playboy more interested in chasing women than studying, sets his sights on her. He is surprised to find that his adversary in love is not Helen's protective brother, but Riley's own cousin, Wils Brandl, a brooding poet and German noble. As distant conflict begins to penetrate the quiet walls of Harvard, Wils must return to Europe and face a war for which he is not prepared. Set in Boston and Flanders Fields, Harvard 1914 explores love, war, and a new social imagination.

Companion to the author's Blindfolded innocence.