Born and brought up on a space ship that is slowly deteriorating, Linc discovers its secrets and the way to get the remaining occupants to their ultimate destination.

And their home is nothing like she'd expected, like nothing the Freds had prepared them for."--Back cover

An original study of exile, told through the biography of Austrian writer Stefan Zweig By the 1930s, Stefan Zweig had become the most widely translated living author in the world. His novels, short stories, and biographies were so compelling that they became instant best sellers. Zweig was also an intellectual and a lover of all the arts, high and low. Yet after Hitler’s rise to power, this celebrated writer who had dedicated so much energy to promoting international humanism plummeted, in a matter of a few years, into an increasingly isolated exile—from London to Bath to New York City, then Ossining, Rio, and finally Petrópolis—where, in 1942, in a cramped bungalow, he killed himself. The Impossible Exile tells the tragic story of Zweig’s extraordinary rise and fall while it also depicts, with great acumen, the gulf between the world of ideas in Europe and in America, and the consuming struggle of those forced to forsake one for the other. It also reveals how Zweig embodied, through his work, thoughts, and behavior, the end of an era—the implosion of Europe as an ideal of Western civilization.

N. T. Wright is well known for his view that the majority of Second Temple Jews saw themselves as living within an ongoing exile. This book engages a lively conversation with this idea, beginning with a lengthy thesis from Wright, responses from eleven New Testament scholars, and a concluding essay from Wright responding to his interlocutors.

Matthew crowds more Old Testament quotations and allusions into the prologue than anywhere else in his gospel. In this volume, Nicholas G. Piotrowski demonstrates the narratological and rhetorical effects of such frontloading. Particularly, seven formula-quotations constellate to establish a redemptive-historical setting inside of which the rest of the narrative operates. This setting is defined by Old Testament expectations for David’s great son to end Israel’s exile and rule the nations. Piotrowski contends that the rhetorical effect of this intertextual storytelling was to provide the Matthean community with an identity—in a contentious atmosphere—in terms of God’s historical design for the ages, now fulfilled in Jesus and his followers.

Mavis Gallant is the modern master of what Henry James called the international story, the fine-grained evocation of the quandaries of people who must make their way in the world without any place to call their own. The irreducible complexity of the very idea of home is especially at issue in the stories Gallant has written about Montreal, where she was born, although she has lived in Paris for more than half a century. Varieties of Exile, Russell Banks's extensive new selection from Gallant's work, demonstrates anew the remarkable reach of this writer's singular art. Among its contents are three previously uncollected stories, as well as the celebrated semi-autobiographical sequence about Linnet Muir—stories that are wise, funny, and full of insight into the perils and promise of growing up and breaking loose.

Carolyn Ives Gilman's Exile's End is a complex, sometimes uncomfortable examination of artifact repatriation and cultural appropriation. An artifact of indescribable and irreplaceable beauty created by an "extinct" culture has been the basis of another culture's origin stories. The race who created the artifact has survived on a distant world and has sent a representative to reclaim it, throwing everything into question. Inspired by the SF camp in Danzhai, China, which is co-hosted by the Future Administration Authority (FAA) and Wanda Group. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.