Since its initial publication in 1981, Encyclopedia of Music in Canada has been recognized as a monumental record of the music of a country, an indispensable guide to all kinds of music: popular, folk, religious, concert, and other forms. The second edition advances this landmark work into the last decade of the twentieth century. It provides more than 3700 articles in all, with more than 500 pictures of people, places, scores, concert programs, and sheet music. Compiled by scores of experts, the Encyclopedia presents our musical heritage in all its aspects: historical, educational, critical, administrative, and commercial. Essays on modern composers and performers are accompanied by critical evaluations and complete discographies. The revisions in this edition reveal the vibrancy of the music scene in Canada today. A whole generation of new performers and composers emerged over the decade between the first and second editions. New technologies have had a profound impact; so have demographic changes and a heightened awareness of commercial realizties. These and other influences are reflected in 820 new entries, and in the expansion of such entries as ethnomusicology and of the discography sections throughout the Encyclopedia. Some 200 earlier entries have been eliminated, others condensed. Access throughout has been improved. The Encyclopedia of Music in Canada explores the nation's music in all its richness and variety, from school bands to rock superstar, from community music festivals to the great concert halls. It describes the development of music as it has been and is studied, performed, and composed throughout Canada.

Kwakwaka'wakw welcome songs, an aria from Joseph Quesnel's 1808 opera Lucas et Cécile, rubbaboos (a combination of elements from First Peoples, French, and English music), the Tin Pan Alley hits of Shelton Brooks, and the contemporary work of Claude Vivier and Blue Rodeo all dance together in Canada's rich musical heritage. Elaine Keillor offers an unprecedented history of Canadian musical expressions and their relationship to Canada's great cultural and geographic diversity. A survey of "musics" in Canada - the country's multiplicity of musical genres and rich heritage - is complemented by forty-three vignettes highlighting topics such as Inuit throat games, the music of k.d. lang, and orchestras in Victoria. Music in Canada illuminates the past but also looks to the future to examine the context within which Canadian music began and continues to develop. A CD by the author of previously unrecorded Canadian music is included.

This volume makes available the full range of the American/Canadian musical experience, covering-for the first time in print-all major regions, ethnic groups, and traditional and popular contexts. From musical comedy to world beat, from the songs of the Arctic to rap and house music, from Hispanic Texas to the Chinese communities of Vancouver, the coverage captures the rich diversity and continuities of the vibrant music we hear around us. Special attention is paid to recent immigrant groups, to Native American traditions, and to such socio-musical topics as class, race, gender, religion, government policy, media, and technology.

**** This monumental work, first published in 1981, is a comprehensive guide to all aspects, historical and current, of popular, folk, religious, concert, and other forms of music in Canada, and is cited in BCL3, Sheehy, and Walford. The present revised and updated edition adds 820 new entries, and expands such entries as ethnomusicology and the discography sections throughout. Some 200 old entries have been eliminated, others condensed. Warning: this reference is habit-forming. 9.25x12.25". Annotation copyright by Book News, Inc., Portland, OR

This database is based on and will update the Second Edition of The encyclopedia of Music in Canada (1992). It aims to describe Canada's musical heritage and culture in its breadth and depth: the historic and current manifestations of popular, folk, religious, concert, and other forms of music, as well as Canadian music's educational, critical, administrative, and commercial aspects. Bibliographies, lists and discographies may be more limited in this electronic form.

The critical importance of past for the present--of music histories in local and global forms--asserts itself. The history of world music, as each chapter makes clear, is one of critical moments and paradigm shifts.