A biographical encyclopedia of American and British Christian-themed writers from World War II to the present, covering acclaimed literary works and popular evangelical fiction. Encyclopedia of Contemporary Christian Fiction: From C.S. Lewis to Left Behind spans the entire breadth of Christian-themed British and American writing from World War II to the present—well-known and less familiar authors, acclaimed literary novels, and popular writing in a variety of genres (mysteries, thrillers, romances), works that explore matters of faith, works that challenge orthodoxy and church practices, and works wholly written by and for devout evangelicals. Encyclopedia of Contemporary Christian Fiction offers 90 alphabetically organized entries covering the field's most important writers. Each entry includes a brief biography, religious and educational background, a survey of major works and themes, and a summary of critical response, as well as a bibliography of major works and criticism. By examining evocative, sometimes overlooked Christian elements in modern fiction, and by exploring the depth and scope of popular evangelical fiction, Encyclopedia of Contemporary Christian Fiction offers the richest, most complete portrait of the role of faith in modern English writing ever published.

A biographical encyclopedia of American and British Christian-themed writers from World War II to the present, covering acclaimed literary works and popular evangelical fiction. Encyclopedia of Contemporary Christian Fiction: From C.S. Lewis to Left Behind spans the entire breadth of Christian-themed British and American writing from World War II to the present--well-known and less familiar authors, acclaimed literary novels, and popular writing in a variety of genres (mysteries, thrillers, romances), works that explore matters of faith, works that challenge orthodoxy and church practices, and works wholly written by and for devout evangelicals. Encyclopedia of Contemporary Christian Fiction offers 90 alphabetically organized entries covering the field's most important writers. Each entry includes a brief biography, religious and educational background, a survey of major works and themes, and a summary of critical response, as well as a bibliography of major works and criticism. By examining evocative, sometimes overlooked Christian elements in modern fiction, and by exploring the depth and scope of popular evangelical fiction, Encyclopedia of Contemporary Christian Fiction offers the richest, most complete portrait of the role of faith in modern English writing ever published.

The first comprehensive overview of contemporary inspirational music, covering its historical roots and dramatic growth into one of America's most vital music genres. The Encyclopedia of Contemporary Christian Music: Pop, Rock, and Worship is the first comprehensive reference work on a form of American music that is far more popular than nonfans may realize. It fills a major gap in the literature on American music and Christian culture, looking at this increasingly popular genre in the context of the overall history of religious music in the United States. With over 200 entries, The Encyclopedia of Contemporary Christian Music covers important performers and industry figures, songs and albums, concerts and festivals, the rise of Christian radio and television, and other issues related to the growth of inspirational music. Scholars and fans alike will find a wealth of revealing information and insightful coverage illustrating the influence of gospel on modern American music with musicians such as Elvis, Sam Cooke, Johnny Cash, Bob Dylan, and U2.The work also examines the use of fundamental rock, pop, and rap music templates in the service of songs of faith.

This comprehensive reference volume covers every key issue, person, and concept related to Christian apologetics from Anselm to Zen.

This book is an exploration of how the relationship of evangelicals to the arts has been portrayed in fiction for the last century. The author argues that evangelicals are consistently seen as enemies of the arts by non-evangelical writers. The artist (typically represented by a literal artist, occasionally by a scientist or reluctant messiah) typically has to fight for liberation from such cliched character types as the failed evangelical artist, the rube or the hypocritical pastor. Rather than resist the cliche of anti-art evangelicalism, the book contends that evangelicals should embrace it: this stereotype is only hurtful so long as one assumes that the arts represent a positive force in human society. This work, built off the scholarship of John Carey, does not make that assumption. Surveying the current pro-artistic views of most evangelicals, the author advances the argument that evangelicals need to return to their anti-art roots. By doing so they would align themselves with the most radical artistic elements of modernism rather than with the classicists that the movement currently seems to prefer, and provide space for themselves to critique how secular artistic stereotypes of evangelicals have economically and artistically marginalized the evangelicals' community.

First Published in 2009. Routledge is an imprint of Taylor & Francis, an informa company.

Christian popular culture has tremendous influence on many American churchgoers. When we have a choice between studying the Bible and reading novels, downloading movies, or watching television, we become less familiar with Numbers than with Narnia. This book examines popular Christian narratives with rigorous scholarly methods and assumes that they are just as complex, fascinating, and worthy of investigation as the latest secular Netflix series or dystopian novel. While most scholars focus on the religious aspects of Christian texts, this study takes a new approach by analyzing their social responsibility in portraying the complex dynamics of race, class, and gender in a profoundly unequal America. Close readings of six case studies--The Chronicles of Narnia, Francine Rivers's Redeeming Love, Jan Karon's Mitford novels, Left Behind, the films of the Sherwood Baptist Church, and Duck Dynasty--uncover both harmful stereotypes and Christians serving as leaders in social justice.