"English translation first published in 2015 by Sort Of Books, London"--Colophon.

The Encircling Trilogy comes thundering to a close as the man at the center is revealed The final book in Carl Frode Tiller’s groundbreaking Encircling Trilogy is here. In Barbara Haveland’s powerful translation, two new letters circle closer than ever to David, who allegedly lost his memory. One is from Marius, who has led the life of wealth and privilege that David was meant to live. And yet Marius does not appreciate it—desperate for attention, he lies to his girlfriend, with disastrous consequences. The other comes from Susanne, an ex-lover whose affair with David led to the breakup of her marriage. Humiliated by David’s unflattering portrayal of her in his novel, Susanne is determined to exact revenge on him in the most painful possible way. Last of all we come face-to-face with David himself: a frustrated writer whose early successes have faded. His therapy sessions seem to reveal a dangerous and violent individual bent on getting what he wants at any cost. With David’s own story told, the last piece falls into place, and his true character is unveiled. But as with books one and two, there are twists and turns that upset expectations and leave the reader wondering whom to believe. Across three books, Tiller’s incisive character portraits lay bare the inequalities of class and excesses of wealth in Norwegian society. With Encircling 3: Aftermath, Tiller sounds the unexplored depths of David’s life, in the culmination of this astonishing feat of psychological realism.

This study suggests the development of the cartouche was closely related to the monumental encircling symbolism incorporated into the architectural designs of the Old Kingdom pyramids. By employing a new architectural style and a new iconographic symbol, the pharaoh sought to elevate his status above that of the members of his powerful court.

These three hundred prayers from more than sixty countries reflect the ecumenical and international character of the Christian community. Themes include work and rest, war and peace, family and community, grief and joy, poverty and plenty, and churches and nations.

David has lost his memory. A newspaper advert appears asking friends and relatives to share their memories of him. Three respond: his two closest teenage friends, and his stepfather, now estranged, from his backwater hometown of Namsos. Their reminiscences of teenage nihilism and rebellion, the eroticism and uncertainties of first love, and intense experiments in art and music, are framed by present day scenes of lives run aground on thwarted ambition and intimacy. Told in letters, interleaved with internal monologues and commentaries, Encircling provides a dark, searingly honest portrait of life at the edges of provincial Norway. Yet for all its apparent bleakness, Tiller's remarkable opening novel of the Encircling Trilogy pulses with humanity and truth. As each narrative colours and reshapes the last, the enigma that is David continues to intrigue us.

"A collection of writings, essays, and calligrams, framed behind movement through the Encircling Lake, a Ho-Chunk way of describing the boundaries of the earth. The calligrams take the shape of effigy mounds and intaglios, and the writings maneuver between the complicated relationships of family, identity, and their intersections within Hopinka’s video work"--Author's website.