Damian Nettoyer is the Empire's go-to gun. He kills whoever they want him to kill. In exchange, he and his rag-tag gang of crooks get to live, and Damian's psychokinetic partner and lover, Aris, isn't issued a one-way ticket to an Empire-sanctioned lobotomy. Then Damian's latest mark, a suave revolutionary named Raeyn, kicks his ass and demands his help. The first item on the new agenda: take out Damian's old boss--or Raeyn will take out Damian's crew. To protect his friends and save his own skin, Damian teams up with Raeyn to make his revolution work. As Aris slips away from Damian and his control over his powers crumbles, the Watch catches on. Damian gets way too close to Raeyn, torn between the need to shoot him one minute and kiss him the next. With the Empire, Damian had two policies: shoot first and don't ask questions. But to save the guy he loves, he'll set the world on fire.

The gripping history of electricity and how the fateful collision of Thomas Edison, Nikola Tesla, and George Westinghouse left the world utterly transformed. In the final decades of the nineteenth century, three brilliant and visionary titans of America’s Gilded Age—Thomas Edison, Nikola Tesla, and George Westinghouse—battled bitterly as each vied to create a vast and powerful electrical empire. In Empires of Light, historian Jill Jonnes portrays this extraordinary trio and their riveting and ruthless world of cutting-edge science, invention, intrigue, money, death, and hard-eyed Wall Street millionaires. At the heart of the story are Thomas Alva Edison, the nation’s most famous and folksy inventor, creator of the incandescent light bulb and mastermind of the world’s first direct current electrical light networks; the Serbian wizard of invention Nikola Tesla, elegant, highly eccentric, a dreamer who revolutionized the generation and delivery of electricity; and the charismatic George Westinghouse, Pittsburgh inventor and tough corporate entrepreneur, an industrial idealist who in the era of gaslight imagined a world powered by cheap and plentiful electricity and worked heart and soul to create it. Edison struggled to introduce his radical new direct current (DC) technology into the hurly-burly of New York City as Tesla and Westinghouse challenged his dominance with their alternating current (AC), thus setting the stage for one of the eeriest feuds in American corporate history, the War of the Electric Currents. The battlegrounds: Wall Street, the 1893 Chicago World’s Fair, Niagara Falls, and, finally, the death chamber—Jonnes takes us on the tense walk down a prison hallway and into the sunlit room where William Kemmler, convicted ax murderer, became the first man to die in the electric chair.

”Denis Johnson seems to be the abiding spirit of the novel, which achieves the incendiary strangeness of his prose . . . Bible offers us a remarkable vision of adolescence as not just a time of extreme exposure but one of visionary longing.” — THE NEW YORK TIMES After an adolescent prank leads to a stranger’s death, Alvis Maloney rambles westward. He lands in a small North Carolina town and falls in love—in love with his neighbor Molly, with a lonesome quarterback called Miles, with a whole community of enduring misfits and losers. But at the same time, another life takes shape in Maloney’s dreamlike visions: a horse named Forever, a princess with hypochondria, and an electric city that’s always just out of reach. As these two promises of home fight for their hold on Maloney, the story careens toward disaster, and in the end Maloney must choose between love and redemption. From the author Electric Literature called “one of the most interesting and exciting new novelists in years,” Michael Bible’s Empire of Light blooms with mystical imagination and a hopeful heart.

In Empire of Light, Sidney Perkowitz combines the expertise of a physicist with the vision of an art connoisseur and the skill of an accomplished writer to offer a unique view of the most fundamental feature of the universe: light. Empire of Light discusses the nature of light, how the eye sees, and how our understanding of these phenomena have emerged over the ages, including the role of light in the development of quantum physics. The author examines the making of electrical light and its integration into commerce, telecommunications, entertainment, medicine, warfare, and every other aspect of our daily lives. And he presents the role of light in the search for the beginning and the end of the universe, as astronomers with their instruments penetrate ever deeper into the sky. Visible light spans the spectrum between infrared and ultraviolet, but this book reaches across many other spectra as well--from the cave paintings at Lascaux to Mark Rothko's stark blocks of color in today's art museums, from Plato's speculation that the eye sends out rays to Ramon y Cajal's discovery that vision actually works in the opposite way, from Tycho Brahe's elegant antetelescope measurements of planet positions to the Hubble telescope's exquisite sensitivity to light from billions of light years away. What are the biological and neurological processes of perceiving visible light? How does a person typically scan a scene? Do you see red or blue the same way I do? What are our physiological reactions and emotional responses to light? Perkowitz explores these and many other fascinating questions, drawing together the experiences, achievements, and perspectives of a diverse cast of characters, including Galileo, Einstein, Newton, Van Gogh, and Edison. Empire of Light is written so that lay readers will readily grasp the scientific principles and science professionals will readily appreciate the human experience. It will impart new wonder to the daily experience of light in our world. Sidney Perkowitz is the Charles Howard Candler Professor of Physics at Emory University. His work has appeared in national publications such as The Sciences, The Washington Post, The Los Angeles Times, The American Prospect, and Technology Review.

"Matt Kelly is stunned when his ex-girlfriend Anna Barrett informs him that she has joined Imperium Luminis and is now a member of the Light. A powerful organization, Imperium Luminus is dedicated to "sanctifying the world," and it operates by recruiting, instructing, and supervising a growing legion of devoted members. Torn between his suspicion of the group and his love for Anna, Matt researches Imperium Luminis - and finds himself strangely attracted to its aspirations. But after he uncovers some of the group's questionable practices - such as its locking up of new members in a dark room for several days - Matt is convinced that Imperium Luminus is something other than it claims to be, and he seeks to persuade Anna that she has been deceived." "When Anna disappears, Matt resolves to do whatever it takes to find her - even going so far as to pretend to join Imperium Luminis himself. At the same time he must come to terms with his father's past, which includes a secret that the group may try to use against him. But is it possible to pretend to join? As Matt enters more deeply into the world of Imperium Luminis, it is increasingly unclear which of his words are his own, and which are due to his association with the organization. And what is the ultimate purpose of Imperium Luminis's interest in Matt - does the group simply want to save his soul, or is he being maneuvered into the center of a larger and more disturbing conspiracy?"--BOOK JACKET.

MAGIC. MURDER. MAYHEM. But keep it in the family. Shine’s life is usually dull: an orphan without magic in a family of powerful mages, she’s left to run the family estate with only an eccentric aunt and telepathic cat for company. But when the family descend on the house for the annual Fertility Festival, Shine is plunged into intrigue; stolen letters, a fugitive spy and family drama mix with an unexpected murder, and Shine is forced to decide both her loyalties and future...

Detailed textual analysis of films from Spielberg's entire career reveal that alongside conventional commercial appeal, his movies function as a self-reflexive, they invite divergent readings and self-conscious spectatorship which contradict assumptions about their ideological tendencies.