In Rites of August First, J.R. Kerr-Ritchie provides the first detailed analysis of the origins, nature, and consequences of August First Daythe most important annual celebration of the emancipation of colonial slavery throughout the British Empire. Spanning the Western hemisphere, Kerr-Ritchie successfully unravels the cultural politics of emancipation celebrations, analyzing the social practices informed by public ritual, symbol, and spectacle designed to elicit feelings of common identity among blacks in the Atlantic world.

"Grady's novel reads with the velvety tempo of the jazz music of its day. . . . Grady fearlessly explores heated race relations and the masks we all assume." —Chatelaine With his curly black hair and his wicked grin, everyone swoons and thinks of Frank Sinatra when Navy musician Jackson Lewis takes the stage. It's World War II, and while stationed in St. John's, Newfoundland, Jack meets the well-heeled Vivian Clift, a local girl who has never stepped off the Rock and longs to see the world. They marry against Vivian's family's wishes—there's something about Jack that they just don't like—and as the war draws to a close, the couple travels to Windsor to meet Jack's family. But when Vivian meets Jack's mother and brother, everything she thought she knew about her husband gets called into question. They don't live in the dream home Jack depicted, they all look different from one another—different from anyone Vivian has ever seen--and after weeks of waiting to meet Jack's father, he never materializes. Steeped in jazz and big-band music, spanning pre- and post-war Windsor-Detroit, St. John's, Newfoundland, and 1950s Toronto, this is an arresting, heartwrenching novel about fathers and sons, love and sacrifice, race relations and a time in our history when the world was on the cusp of momentous change.

This revised edition of award-winning author and historian Clark-Lewis's 1998 volume, published to commemorate the 140th anniversary of Emancipation in the District of Columbia, provides readers with critical research and information about this often overlooked and underexamined aspect of local and national history.

With the abolition of the transatlantic slave trade in 1808, many African Americans began calling for "a day of publick thanksgiving" to commemorate this important step toward freedom. During the ensuing century, black leaders built on this foundation and constructed a distinctive and vibrant tradition through their celebrations of the end of slavery in New York State, the British West Indies, and eventually the United States as a whole. In this revealing study, Mitch Kachun explores the multiple functions and contested meanings surrounding African American emancipation celebrations from the abolition of the slave trade to the fiftieth anniversary of U.S. emancipation. Excluded from July Fourth and other American nationalist rituals for most of this period, black activists used these festivals of freedom to encourage community building and race uplift. Kachun demonstrates that, even as these annual rituals helped define African Americans as a people by fostering a sense of shared history, heritage, and identity, they were also sites of ambiguity and conflict. Freedom celebrations served as occasions for debate over black representations in the public sphere, struggles for group leadership, and contests over collective memory and its meaning. Based on extensive research in African American newspapers and oration texts, this book retraces a vital if often overlooked tradition in African American political culture and addresses important issues about black participation in the public sphere. By illuminating the origins of black Americans' public commemorations, it also helps explain why there have been increasing calls in recent years to make the "Juneteenth" observance of emancipation an American -- not just an African American -- day of commemoration.

In 1865, members of a family start their day as slaves, working in a Texas cotton field, and end it celebrating their freedom on what came to be known as Juneteenth.

Discover the main features of Emancipation Day celebrations, learn about the people of African ancestry’s struggle for freedom, and the victories achieved in the push for equality into the 21st century. On August 1, 1834, 800,000 enslaved Africans in the British colonies, including Canada, were declared free. The story of Emancipation Day, a little-known part of Canadian history, has never been accessible to the teen reader through either the school curriculum or classroom resources, despite its significance in the story of Canada. Talking About Freedom closes this gap by exploring both the background to August 1 commemorations across Canada and the importance of these long-established annual celebrations. What is the connection between the Caribana festivities in Toronto and emancipation? Why are some communities restoring Emancipation Day to their roster of annual events? Talking About Freedom introduces a range of personalities and happenings through historical facts, memorable personal recollections, vivid images, and detailed narratives. Included are connections to the ongoing struggles of people of African ancestry as they seek to achieve equality, with insightful links woven across the past, present, and future.

The historical memory of the Civil War and Reconstruction has earned increasing attention from scholars. Only recently, however, have historians begun to explore African American efforts to interpret those events. With Defining Moments, Kathleen Clark shines new light on African American commemorative traditions in the South, where events such as Emancipation Day and Fourth of July ceremonies served as opportunities for African Americans to assert their own understandings of slavery, the Civil War, and Emancipation--efforts that were vital to the struggles to define, assert, and defend African American freedom and citizenship. Focusing on urban celebrations that drew crowds from surrounding rural areas, Clark finds that commemorations served as critical forums for African Americans to define themselves collectively. As they struggled to assert their freedom and citizenship, African Americans wrestled with issues such as the content and meaning of black history, class-inflected ideas of respectability and progress, and gendered notions of citizenship. Clark's examination of the people and events that shaped complex struggles over public self-representation in African American communities brings new understanding of southern black political culture in the decades following Emancipation and provides a more complete picture of historical memory in the South.