Their friends are in search of a Southern utopia. But Hayden is seeking revenge--relentlessly. And Magnolia is seeking a way out--desperately. Falling in love was never part of their plans. . . .

Sébastien Cuvelier?s journey to Iran was inspired by a manuscript written on travels to Persepolis made by his late uncle in 1971. In this book, the photographs from Sébastien?s time in Iran are layered on top of his late uncle?s diary as a conversation between the two journeys. The book follows Sébastien?s search through both the contemporary and ancient landscapes of Iran to locate an elusive, dreamlike version of paradise.

The first edited collection to bring ecocritical studies into a necessary dialogue with postcolonial literature, this volume offers rich and suggestive ways to explore the relationship between humans and nature around the globe, drawing from texts from Africa and the Caribbean, as well as the Pacific Islands and South Asia. Turning to contemporary works by both well- and little-known postcolonial writers, the diverse contributions highlight the literary imagination as crucial to representing what Eduoard Glissant calls the "aesthetics of the earth." The essays are organized around a group of thematic concerns that engage culture and cultivation, arboriculture and deforestation, the lives of animals, and the relationship between the military and the tourist industry. With chapters that address works by J. M. Coetzee, Kiran Desai, Derek Walcott, Alejo Carpentier, Zakes Mda, and many others, Postcolonial Ecologies makes a remarkable contribution to rethinking the role of the humanities in addressing global environmental issues.

This book deals directly with issues of consciousness within works of postcolonial and diasporic writers. It discusses fiction, autobiography and theory to re-formulate a "writing of consciousness", addressing contemporary cultural theory related to a wide range of dynamic writers and ground-breaking novels. A critical analysis of literature contextualises consciousness (understood here as the source of language and human creativity), and explores ways in which consciousness is involved in the creative process. Tackling the controversial nature of consciousness itself, the book argues that consciousness must be understood in its philosophical and social contexts. The idea of relocating consciousness calls for a new aesthetics and ethics of living in the diasporic world where we are all to some extent "migrant". The book explores notions of consciousness as alternative narrative structures to society, while expanding contemporary postcolonial theory beyond the limited dimension of power-based-on-violence to a more visionary exploration of experience based on consciousness as unity-in-diversity. Themes explored include sacred experience as empowerment; trauma, terror and the impact of consciousness; cosmopolitanism and globalisation; and the literature of human survival. Written in a lively and accessible manner the book will appeal to all readers who enjoy being on the cutting-edge of contemporary world literature.

Theorising Literary Islands is a literary and cultural study of both how and why the trope of the island functions within contemporary popular Robinsonade narratives. It traces the development of Western “islomania” – or our obsession with islands – from its origins in Daniel Defoe’s Robinson Crusoe right up to contemporary Robinsonade texts, focusing predominantly on American and European representations of fictionalized Pacific Island topographies in contemporary literature, film, television, and other media. Theorising Literary Islands argues that the ubiquity of island landscapes within the popular imagination belies certain ideological and cultural anxieties, and posits that the emergence of a Western popular culture tradition can largely be traced through the development of the Robinsonade genre, and through early European and American fascination with the Pacific region.

We've all got one. A secret, special place. Hidden. Enclosed. A little greener and more fertile than the world outside. Here the birds are slightly more exotic, slightly more confiding, the grass greener and the fruit sweeter. To know such a place, to love such a place, is part of being human. Sometimes it's a place of myth, like the Garden of Eden. Sometimes it exists in fictional form, like Narnia or Shangri-La. Sometimes it comes in memories of a golden day in childhood, or in a glorious, doomed love affair. Sometimes it's a real place that we daren't go back to, for fear that it – or we – had changed. And just occasionally it's a real place. A place where you leave a small piece of your heart and return as often as you can so as not to lose it. It's a place of privilege. Simon Barnes found such a place when he woke in his first morning in the Luangwa Valley in Zambia to find elephants eating the roof of his hut. It was a homecoming, and he has been faithful to that passion ever since. Here he has known peace, danger, discomfort, fear and a profound sense of oneness with the Valley, with all nature and with the world. With the Valley he found completion. This book explores the special places of the mind and the world, with special reference to the Luangwa Valley and the glorious support of the Valley's great artist, Pam Carr. It's a book about the quest for paradise, and the eternal human search to find such a paradise everywhere.