Martha Finley (April 26, 1828 - January 30, 1909) was a teacher and author of numerous works, the most well known being the 28 volume Elsie Dinsmore series which was published over a span of 38 years. The daughter of Presbyterian minister Dr. James Brown Finley and his wife and cousin Maria Theresa Brown Finley, she was born on April 26, 1828, in Chillicothe, Ohio. Finley wrote many of her books under the pseudonym Martha Farquharson. She died in 1909 in Elkton, Maryland, where she moved in 1876.Elsie does not live with her parents but with her paternal grandfather, his second wife (Elsie's step-grandmother), and their six children: Adelaide, Lora, Louise, Arthur, Walter, and Enna (Enna was the youngest). Elsie's mother died soon after giving birth to her, leaving her in the care of her grandfather. Before her father comes back she becomes good friends with Rose Allison, with whom she studies the Bible. Her father was in Europe until she was almost eight years old as the first book begins. The first Elsie books deal with a constant moral conflict between Christian principles and familial loyalty. Deeper still is the warring between Christ centered principles and the "worldly" inclinations of both her Father and his family. Elsie's father is a strict disciplinarian who dictates inflexible rules by which his daughter must live. Any infraction is severely and often unjustly punished. In her father's absence Elsie has become a Christian and abides by what she has been taught is Biblical law, especially the Ten Commandments (also known as the Decalogue)- as taught to her by her dead Mother's housekeeper and then her own Nanny,

Offering readers an inebriating swig from the great cocktail shaker of the Roaring Twenties—the Jazz Age, the age of Gatsby—Bohemians, Bootleggers, Flappers, and Swells showcases unforgettable writers in search of how to live well in a changing era. Vanity Fair editor Graydon Carter introduces these fabulous pieces written between 1913 and 1936, when the magazine published a Murderers’ Row of the world’s leading literary lights, including: F. Scott Fitzgerald on what a magazine should be Clarence Darrow on equality e. e. cummings on Calvin Coolidge D. H. Lawrence on women Djuna Barnes on James Joyce John Maynard Keynes on the collapse in money value Dorothy Parker on a host of topics, from why she hates actresses to why she hasn’t married

Architecture and Modern Literature explores the representation and interpretation of architectural space in modern literature from the early nineteenth century to the present, with the aim of showing how literary production and architectural construction are related as cultural forms in the historical context of modernity. In addressing this subject, it also examines the larger questions of the relation between literature and architecture and the extent to which these two arts define one another in the social and philosophical contexts of modernity. Architecture and Modern Literature will serve as a foundational introduction to the emerging interdisciplinary study of architecture and literature. David Spurr addresses a broad range of material, including literary, critical, and philosophical works in English, French, and German, and proposes a new historical and theoretical overview of this area, in which modern forms of "meaning" in architecture and literature are related to the discourses of being, dwelling, and homelessness.

"The Victorian cup on my shelf--a present from my mother--reads 'Love the Giver.' Is it because the very word patronage implies the authority of the father that we have treated American women patrons and activists so unlovingly in the writing of our own history? This pioneering collection of superb scholarship redresses that imbalance. At the same time it brilliantly documents the interrelationship between various aspects of gender and the creation of our own culture."--Judith Tick, author of Ruth Crawford Seeger: A Composer's Search for American Music "Together with the fine-grained and energetic research, I like the spirit of this book, which is ambitious, bold, and generous minded. Cultivating Music in America corrects long-standing prejudices, omissions, and misunderstandings about the role of women in setting up the structures of America's musical life, and, even more far-reaching, it sheds light on the character of American musical life itself. To read this book is to be brought to a fresh understanding of what is at stake when we discuss notions such as 'elitism, ' 'democratic taste, ' and the political and economic implications of art."--Richard Crawford, author of The American Musical Landscape "We all know we are indebted to royal patronage for the music of Mozart. But who launched American talent? The answer is women, this book teaches us. Music lovers will be grateful for these ten essays, sound in scholarship, that make a strong case for the women philanthropists who ought to join Carnegie and Rockefeller as household words as sponsors of music."--Karen J. Blair, author of The Torchbearers: Women and Their Amateur Arts Associations in America

The story of Gertrude Flint, an abandoned and mistreated orphan rescued at the age of eight by Trueman Flint, a lamplighter, from her abusive guardian, Nan Grant. Gerty is lovingly raised and taught virtues and religious faith, forming her to become a moral woman. In adulthood, she is rewarded for her many tribulations by marriage to a childhood friend.