This biography of Madame du Deffand describes the life of this highly intelligent libertine and the role she played in the social and cultural life of 18th-century France. Quoting extensively from her subject's correspondence, Craveri attempts to relive the world of the philosophes of the Enlightment, centred around Voltaire and d'Alembert, and unravels a complex world of extreme intelligence, taste and sensibility, revealing a new view of reality, full of foreboding for the future.

Now in paperback, an award-winning look at French salons and the women who presided over them In the seventeenth and eighteenth centuries, between the reign of Louis XIII and the Revolution, French aristocratic society developed an art of living based on a refined code of good manners. Conversation, which began as a way of passing time, eventually became the central ritual of social life. In the salons, freed from the rigidity of court life, it was women who dictated the rules and presided over exchanges among socialites, writers, theologians, and statesmen. They contributed decisively to the development of the modern French language, new literary forms, and debates over philosophical and scientific ideas. With a cast of characters both famous and unknown, ranging from the Marquise de Rambouillet to Madame de Sta‘l, and including figures like Ninon de Lenclos, the Marquise de Sevigne, and Madame de Lafayette, as well as Pascal, La Rochefoucauld, Diderot, and Voltaire, Benedetta Craveri traces the history of this worldly society that carried the art of sociability to its supreme perfection–and ultimately helped bring on the Revolution that swept it all away.

This volume is the twelfth to date in a series of works in French or English presenting the epochs and movements of a Comparative History of Literatures in European Languages (Histoire Comparée des Littératures de Langues Européennes). The original intention of the editors was to publish a four-volume history of European literature from 1760-1820, and the first of these volumes, Des Lumières au Romantisme. Genres en Vers, appeared as long ago as 1982. The volumes Genres en Prose and Théâtre are still awaited. In their absence the present volume, Epoche im _berblick, attempts a more comprehensive and rigorous treatment of the period and its historiographical problems than was initially planned, providing the reader with an overview of sixty eventful years of European literary history — years in which German Classicism coincided with the birth, initially in Germany and England, of Romanticism. And at the centre of this turbulent period of European intellectual and literary history stands the French Revolution.

The World of the Salons is a revisionist study of the French salon of the eighteenth century, arguing that it was a place governed by social hierarchy, not equality, connected to the world of the Court, and not the fount of the Enlightenment as has traditionally been believed.

The life story of Marie-Madeleine Jodin opens an exciting new perspective on the world of 18th-century women, European court theatres, and, most strikingly, entails the remarkable discovery of a previously unknown French feminist. In 1790, Jodin, a protégée of Denis Diderot and a former actress, published a treatise entitled Vues législatives pour les femmes (Legislative Views for Women), which can lay claim to being the first signed, female-authored feminist manifesto of the French Revolutionary period, and which reveals Jodin's wide reading in women's history and feminist writing since ancient times. This new critical and contextual biography traces the turbulent life of an extraordinary woman, focusing particularly on her transformation from artisan's daughter, to tragic actress, to Enlightenment intellectual and feminist. The authors analyze the confrontations and scandals that beset her career, and read her feminist treatise-here reproduced, for the first time in English, in its entirety-as the summation of a chaotic but passionate existence. Also presented for the first time in English, fully set in their biographical and historical context, are the twenty-one letters that constitute Diderot's correspondence with Jodin. The varied and fascinating documentation concerning Jodin, which has only recently been discovered, provides a window on the world of 18th-century women. While memoirs and biographies of aristocratic women and upwardly mobile salonières such as Mme. Geoffrin and Mme. Roland are legion, chronicles of the lives of individual women lower down the social ladder are far fewer in number. A contemporary of Mary Wollstonecraft and Olympe de Gouges, Jodin argued for the social reform of working-class women, particularly prostitutes, to render them worthy to exercise the rights of citizenship.

"Eighteenth-century French cultural life was often characterised by quarrels, and the arrival of Viennese composer Christoph Willibald Gluck in Paris in 1774 was no exception, sparking a five-year pamphlet and press controversy which featured a rival Neapolitan composer, Niccolo Piccinni. However, as this study shows, the Gluck-Piccinni controversy was about far more than which composer was better suited to lead French operatic reform. A consideration of cultural politics in 1770s Paris shows that a range of issues were at stake: court versus urban taste as the proper judge of music, whether amateurs or specialists should have the right to speak of opera, whether the epic or the tragic mode is more suited for drama reform, and even: why should the public argue about opera at all? Mark Darlow is Senior Lecturer in French at the University of Cambridge."