The insightful, gorgeously illustrated first volume of the most important publication to date on Ellsworth Kelly’s work Written by Ellsworth Kelly scholar Yve-Alain Bois in direct collaboration with the artist, this comprehensive multivolume publication contains exhaustive documentation of each of Kelly's paintings, sculptures, and reliefs. The catalogue includes insightful texts and high-quality images of individual works and preparatory drawings, along with provenance information, exhibition history, and bibliographic information. Encompassing Kelly's work up to his return to the United States from France in 1954, the present volume covers the artist's formative years as a student at the School of the Museum of Fine Arts in Boston and as a young artist living in Paris, where he began painting the abstract forms which would later define his career. Kelly’s remarkable pace of production during this early period resulted in an especially diverse oeuvre, which is discussed in depth throughout this publication. In Bois’s words, “This diversity is the main reason many of the works examined in this volume are discussed at such length and in such detail: In almost every case, the particular question the artist was addressing, and the formal solution he devised for it, was entirely novel to him.”

The insightful, gorgeously illustrated first volume of the most important publication to date on Ellsworth Kelly’s work Written by Ellsworth Kelly scholar Yve-Alain Bois in direct collaboration with the artist, this comprehensive multivolume publication contains exhaustive documentation of each of Kelly's paintings, sculptures, and reliefs. The catalogue includes insightful texts and high-quality images of individual works and preparatory drawings, along with provenance information, exhibition history, and bibliographic information. Encompassing Kelly's work up to his return to the United States from France in 1954, the present volume covers the artist's formative years as a student at the School of the Museum of Fine Arts in Boston and as a young artist living in Paris, where he began painting the abstract forms which would later define his career. Kelly’s remarkable pace of production during this early period resulted in an especially diverse oeuvre, which is discussed in depth throughout this publication. In Bois’s words, “This diversity is the main reason many of the works examined in this volume are discussed at such length and in such detail: In almost every case, the particular question the artist was addressing, and the formal solution he devised for it, was entirely novel to him.”

Ellsworth Kelly, a distinguished contemporary American artist, is one of the great talents of his generation. His work, with its array of flat, sharp-edged forms and unmodulated color, figures significantly in the history of nongestural abstraction-a hybrid of the geometric and biomorphic traditions.

The insightful, gorgeously illustrated first volume of the most important publication to date on Ellsworth Kelly’s work Written by Ellsworth Kelly scholar Yve-Alain Bois in direct collaboration with the artist, this comprehensive multivolume publication contains exhaustive documentation of each of Kelly's paintings, sculptures, and reliefs. The catalogue includes insightful texts and high-quality images of individual works and preparatory drawings, along with provenance information, exhibition history, and bibliographic information. Encompassing Kelly's work up to his return to the United States from France in 1954, the present volume covers the artist's formative years as a student at the School of the Museum of Fine Arts in Boston and as a young artist living in Paris, where he began painting the abstract forms which would later define his career. Kelly’s remarkable pace of production during this early period resulted in an especially diverse oeuvre, which is discussed in depth throughout this publication. In Bois’s words, “This diversity is the main reason many of the works examined in this volume are discussed at such length and in such detail: In almost every case, the particular question the artist was addressing, and the formal solution he devised for it, was entirely novel to him.”

This multi-volume publication contains exhaustive documentation of each work by of one of the world's greatest living painters and sculptors.

The definitve study of Ellsworth Kelly's equisite series of plant, fruit, and flower lithographs.

Ernst Beyeler (1921-2010) was a titan of the international art scene in the twentieth century. Born in Basel, Switzerland, he began his career as an apprentice in an antiquarian bookstore, eventually taking over the business and shifting his focus from books to dealing and collecting art. Through his discerning eye for art, his close relationships with many of the twentieth century's great artists, and his role in the foundation of Art Basel, the world's largest art fair, Beyeler transformed his hometown into a hub for international art. Published in English for the first time, A Passion for Art tells Beyeler's unusually personal story, through interviews with Christophe Mory. Beyeler describes the evolution of his career and his encounters with artists such as Picasso, Alberto Giacometti, and Francis Bacon. He also speaks in detail about his own collection, which focuses mainly on twentieth-century artists like Matisse, Mondrian, Klee, and Dubuffet. This art collection is the basis for the Fondation Beyeler, a museum designed by Renzo Piano that houses over 150 pieces of art handpicked by Beyeler. Offering deep insight into the contemporary art trade and presenting an intimate portrait of Beyeler himself, A Passion for Art provides a new and distinctive perspective on the postwar European art world.