A fascinating exposé of the global revolution you've never heard of: a deep-pocketed, tech-savvy Christian movement reshaping our societies from within. How has a Christian movement, founded at the turn of the twentieth century by the son of freed slaves, become the fastest-growing religion on Earth? Pentecostalism has 600 million followers; by 2050, they'll be one in ten people worldwide. This is the religion of the Holy Spirit, with believers directly experiencing God and His blessings: success for the mind, body, spirit and wallet. Pentecostalism is a social movement. It serves impoverished people in Africa and Latin America, and inspires anti-establishment leaders from Trump to Bolsonaro. In Australia, Europe and Korea, it throws itself into culture wars and social media, offering meaning and community to the rootless and marginalised in a fragmenting world. Reporting this revolution from twelve countries and six US states, Elle Hardy weaves a timeless tale of miracles, money and power, set in our volatile age of extremes. By turns troubling and entertaining, Beyond Beliefexposes the Pentecostal agenda: not just saving souls, but transforming societies and controlling politics. These modern prophets, embedded in our institutions, have the cash and the influence to wage their holy war.

This one-of-a-kind picture book is a colorful introduction to Unitarian Universalism for children ages ?ve to nine. Simple language and appealing illustrations offer children accessible answers to commonly asked questions such as: Who are we? What do we believe? How do we worship? Who leads us? Do we read the Bible? What is our religious symbol? Do we pray? What is Sunday school? How do we celebrate.

Raising Freethinkers offers solutions to the unique challenges secular parents face and provides specific answers to common questions, as well as over 100 activities for both parents and their children. Covers every important topic nonreligious parents need to know to help their children with their own moral and intellectual development.

Few, if any, thinkers and writers today would have the imagination, the breadth of knowledge, the literary skill, and-yes-the audacity to conceive of a powerful, secular alternative to the Bible. But that is exactly what A.C. Grayling has done by creating a non-religious Bible, drawn from the wealth of secular literature and philosophy in both Western and Eastern traditions, using the same techniques of editing, redaction, and adaptation that produced the holy books of the Judaeo-Christian and Islamic religions. The Good Book consciously takes its design and presentation from the Bible, in its beauty of language and arrangement into short chapters and verses for ease of reading and quotability, offering to the non-religious seeker all the wisdom, insight, solace, inspiration, and perspective of secular humanist traditions that are older, far richer and more various than Christianity. Organized in 12 main sections----Genesis, Histories, Widsom, The Sages, Parables, Consolations, Lamentations, Proverbs, Songs, Epistles, Acts, and the Good----The Good Book opens with meditations on the origin and progress of the world and human life in it, then devotes attention to the question of how life should be lived, how we relate to one another, and how vicissitudes are to be faced and joys appreciated. Incorporating the writing of Herodotus and Lucretius, Confucius and Mencius, Seneca and Cicero, Montaigne, Bacon, and so many others, The Good Book will fulfill its audacious purpose in every way.

"As the twentieth century draws to a close, Maria is at the start of a life she never thought possible. She and Khalil, her college sweetheart, are planning their wedding. They are the perfect couple, 'King and Queen of the Racially Nebulous Prom.' Their skin is the same shade of beige. They live together in a black bohemian enclave in Brooklyn, where Khalil is riding the wave of the first dot-com boom and Maria is plugging away at her dissertation on the Jonestown massacre ... Everything Maria knows she should want lies before her--yet she can't stop daydreaming about another man, a poet she barely knows"--Back cover.