This is a new release of the original 1960 edition.

A young woman of mixed African, Native American and White heritage journeys across the Southwest in search of her father.

How rich is the Queen and where did her wealth come from? Have you ever wondered where the funding for the Queen's priceless jewellery, gilded carriages and opulent palaces comes from? Not to mention the lavish royal weddings that we have seen over recent years... as well as divorce settlements. Senior Royals are not allowed to earn their own private income. But how far down the royal bloodline do you need to be before you can work? The question has certainly become more poignant since the announcement that Prince Harry and his recent bride Meghan are stepping back from royal duties. This book casts fresh light onto the finances of the current Queen and many of her predecessors, explaining the many ways in which funds are secured to maintain their lifestyles, including a £100 million stamp collection, a £10 million fleet of vintage cars, a valuable horse-racing stud and a small fortune in wedding and other semi-private gifts. And what of her descendants? Children, grandchildren, nieces and nephews? Where do they fit into the intricate financial rulings for royalty? Drawing on previously-unseen state papers and interviews with palace insiders, David McClure's investigation leaves no stone unturned, in this quest to find out just how much our Queen is worth and where the royal 'coffers' come from.

The Folger Shakespeare Library includes among its holdings the largest collection of materials in North America relating to Elizabeth I, including 38 documents signed by the queen. On the occasion of the 400th anniversary of Elizabeth's death in March 1603, the Folger Library mounted an ambitious exhibition of more than one hundred books, manuscripts, and works of art from its collections. stunning detail, as affectionate stepdaughter and censorious cousin, as humanist prince, as powerful and often capricious patroness, and as a private person. She was the centre not only of national culture but also of a vibrant court culture with complex ritual practices such as elaborate New Year's gift exchanges and summertime progresses through the countryside. Her self-fashioning literally involved the use of fashion. She dressed to be seen; her clothes made a statement about her power as a female ruler and about the stability and strength of her nation. The many portraits of Elizabeth which survive, including the 1579 Sieve portrait featured on the cover, suggest the complex interplay between the queen's politics of self-display and her powerful vanity. Sheila Ffolliott, and Barbara Hodgdon explore Elizabeth's life, her books, her portraits, the many documents in the Folger Library relating to her, and her continuing charismatic power in British and American culture.

This long-awaited and masterfully edited volume contains nearly all of the writings of Queen Elizabeth I: the clumsy letters of childhood, the early speeches of a fledgling queen, and the prayers and poetry of the monarch's later years. The first collection of its kind, Elizabeth I reveals brilliance on two counts: that of the Queen, a dazzling writer and a leading intellect of the English Renaissance, and that of the editors, whose copious annotations make the book not only essential to scholars but accessible to general readers as well. "This collection shines a light onto the character and experience of one of the most interesting of monarchs. . . . We are likely never to get a closer or clearer look at her. An intriguing and intense portrait of a woman who figures so importantly in the birth of our modern world."—Publishers Weekly "An admirable scholarly edition of the queen's literary output. . . . This anthology will excite scholars of Elizabethan history, but there is something here for all of us who revel in the English language."—John Cooper, Washington Times "Substantial, scholarly, but accessible. . . . An invaluable work of reference."—Patrick Collinson, London Review of Books "In a single extraordinary volume . . . Marcus and her coeditors have collected the Virgin Queen's letters, speeches, poems and prayers. . . . An impressive, heavily footnoted volume."—Library Journal "This excellent anthology of [Elizabeth's] speeches, poems, prayers and letters demonstrates her virtuosity and afford the reader a penetrating insight into her 'wiles and understandings.'"—Anne Somerset, New Statesman "Here then is the only trustworthy collection of the various genres of Elizabeth's writings. . . . A fine edition which will be indispensable to all those interested in Elizabeth I and her reign."—Susan Doran, History "In the torrent of words about her, the queen's own words have been hard to find. . . . [This] volume is a major scholarly achievement that makes Elizabeth's mind much more accessible than before. . . . A veritable feast of material in different genres."—David Norbrook, The New Republic

Historical-fiction based on the young life of Elizabeth "Libba" Cotten, the noted African American folksinger, who wrote the famous song "Freight Train" when she was just eleven years old. Elizabeth's Song is the true-life story of Elizabeth (Libba) Cotten, the noted African American folksinger, guitarist, and songwriter. Against all odds, young Elizabeth teaches herself to play guitar left-handed on a borrowed instrument. Eventually, she earns enough money to buy a guitar of her very own, and is then inspired to write her first song--the folk classic "Freight Train," written when she was eleven years old. Elizabeth's unique style of playing guitar (upside down and backwards), from which the term "cotten picking" is derived, has influenced countless other artists. Elizabeth's story is one that will inspire people of all ages.