Elizabeth Grant has stood at the helm of her beauty empire for more than sixty years, regaling admirers with personal stories, notably one event that nearly killed her. When a German rocket dropped soundlessly from the sky on a peaceful Sunday in wartime London, its impact and resultant bomb blast damage took her down, damaged her face and rendered her almost deaf in one ear. A young makeup artist at Ellstree Studios, she thought herself so repulsively scarred, she could no longer face acting luminaries like Vivien Leigh, Margaret Leighton, and Robert Taylor with any degree of confidence. "I honestly thought my life was over," Elizabeth says. But as readers will learn, she easily has more than nine lives. From that misfortune came salvation. With Elizabeth you will sense a wealth of wisdom and experience lurking beneath her self-deprecating wit. A more profound history - one that had lain hidden for decades - was waiting to be unearthed. Revealing the multiple sides of Elizabeth was a painstaking labour of love, and one of our most rewarding journeys. Little by little, she emerged from self-imposed shadows with shocking and disturbing accounts of her nightmarish childhood. Years of abuse and neglect had spawned crushing self-doubt, yet she soldiered on, nursing a remarkable will to survive at any cost - even daring to reach for the unreachable. The Elizabeth Grant story spins a cinematic voyage on three continents, through Heaven and Hell. Compelling, tragic, wistful and humourous, it charts a unique woman's determination to overcome every boulder in her path. Her survival is a raw and powerful testament to human perseverance and her ultimate success provides inspiration that transcends time.

The New York Times bestselling debut book of poetry from Lana Del Rey, Violet Bent Backwards Over the Grass. “Violet Bent Backwards Over the Grass is the title poem of the book and the first poem I wrote of many. Some of which came to me in their entirety, which I dictated and then typed out, and some that I worked laboriously picking apart each word to make the perfect poem. They are eclectic and honest and not trying to be anything other than what they are and for that reason I’m proud of them, especially because the spirit in which they were written was very authentic.” —Lana Del Rey Lana’s breathtaking first book solidifies her further as “the essential writer of her times” (The Atlantic). The collection features more than thirty poems, many exclusive to the book: Never to Heaven, The Land of 1,000 Fires, Past the Bushes Cypress Thriving, LA Who Am I to Love You?, Tessa DiPietro, Happy, Paradise Is Very Fragile, Bare Feet on Linoleum, and many more. This beautiful hardcover edition showcases Lana’s typewritten manuscript pages alongside her original photography. The result is an extraordinary poetic landscape that reflects the unguarded spirit of its creator. Violet Bent Backwards Over the Grass is also brought to life in an unprecedented spoken word audiobook which features Lana Del Rey reading fourteen select poems from the book accompanied by music from Grammy Award–winning musician Jack Antonoff.

With kaleidoscopic, trenchant, path-breaking insights, Elizabeth D. Samet has produced the most ambitious edition of Ulysses Grant’s Memoirs yet published. One hundred and thirty-three years after its 1885 publication by Mark Twain, Elizabeth Samet has annotated this lavish edition of Grant’s landmark memoir, and expands the Civil War backdrop against which this monumental American life is typically read. No previous edition combines such a sweep of historical and cultural contexts with the literary authority that Samet, an English professor obsessed with Grant for decades, brings to the table. Whether exploring novels Grant read at West Point or presenting majestic images culled from archives, Samet curates a richly annotated, highly collectible edition that will fascinate Civil War buffs. The edition also breaks new ground in its attack on the “Lost Cause” revisionism that still distorts our national conversation about the legacy of the Civil War. Never has Grant’s transformation from tanner’s son to military leader been more insightfully and passionately explained than in this timely edition, appearing on the 150th anniversary of Grant’s 1868 presidential election.

​This Handbook provides the first comprehensive international overview of significant contemporary Indigenous architecture, practice, and discourse, showcasing established and emerging Indigenous authors and practitioners from Australia, Aotearoa New Zealand, the Pacific Islands, Canada, USA and other countries. It captures the breadth and depth of contemporary work in the field, establishes the historical and present context of the work, and highlights important future directions for research and practice. The topics covered include Indigenous placemaking, identity, cultural regeneration and Indigenous knowledges. The book brings together eminent and emerging scholars and practitioners to discuss and compare major projects and design approaches, to reflect on the main issues and debates, while enhancing theoretical understandings of contemporary Indigenous architecture.The book is an indispensable resource for scholars, students, policy makers, and other professionals seeking to understand the ways in which Indigenous people have a built tradition or aspire to translate their cultures into the built environment. It is also an essential reference for academics and practitioners working in the field of the built environment, who need up-to-date knowledge of current practices and discourse on Indigenous peoples and their architecture.

Edited and Introduced by Patricia Pelly and Andrew Tod. ‘They have made an Irishwoman of you now, and may they know the value of the daughter they adopted into their country.’ Elizabeth Grant’s sister The early life of Elizabeth Grant of Rothiemurchus, so memorably recorded in her Memoirs of a Highland Lady has had an avid readership since the book’s first publication in 1898. This volume takes up the story after she arrives in Ireland, following her marriage to Colonel Smith of Baltiboys. This journal, begun in 1840, will be recognisable to her many followers by the charm, vigour and intelligence that fill every page. They vividly depict the day to day life of her family, her immense efforts to improve the Baltiboys estate and how she coped with the terrible ravages of famine. Her sharp observations of all classes of society however, from corrupt landowners to the poor and often dissolute farm-workers, make this book a memorable and important chronicle of her times and a unique contribution to the social history of Ireland.