Isaac Vose was well known in his day among style-conscious Bostonians, his name synonymous with furniture of the highest quality and advanced design. His shop, the "first on Boston Neck," was in a prominent location and served as a familiar landmark in his South End neighborhood. Throughout the 1820s, 1830s, and as late as 1843, some nineteen years after Vose's death, auction advertisements explicitly cited his name as the maker of select furniture, with the association connoting quality and calculated to increase its sale price. This book gathers in one volume the known works of Vose as well as those attributed to him, and it is gorgeously illustrated throughout. The authors hope that Isaac Vose's work will gain recognition for its outstanding contributions to an American vision of classicism, albeit in Boston's more conservative, less "dashy" style.

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.