This book provides a comprehensive and accessible introduction to the key aspects of Norbert Elias's work.

2021 Edmund White Award for Debut Fiction — Finalist A modern queer tragedy about a pilot's last words, an interrupted celebration, and the fear of losing everything. “Utterly engrossing. Coen is a hero for our era, darkly struggling amid the aftershocks of loss, but doing so with dignity, humanity, and passion.” — Timothy Taylor, author of The Rule of Stephens When the airplane piloted by Elias Santos crashes one week before their wedding day, Coen Caraway loses the man he loves and the illusion of happiness he has worked so hard to create. The only thing Elias leaves behind is a recording of his final words, and even Coen is baffled by the cryptic message. Numb with grief, he takes refuge on the Mexican island that was meant to host their wedding. But as fragments of the past come to the surface in the aftermath of the tragedy, Coen is forced to question everything he thought he knew about Elias and their life together. Beneath his flawed memory lies the truth about Elias — and himself. From the damp concrete of Vancouver to the spoiled shores of Mexico, After Elias weaves the past with the present to tell a story of doubt, regret, and the fear of losing everything.

“Terrific . . . Rayya’s stories blew mine away.” —Elizabeth Gilbert “A classic, blood-stained love letter to bohemian NYC.” —Craig Marks “Much more than a recovery memoir, this big-hearted, funny book is a truthful American story.” —Piper Kerman, author of Orange Is the New Black When she was seven, Rayya Elias and her family fled the political conflict in their native Syria, settling in Detroit. Bullied in school and caught between the world of her traditional family and her tough American classmates, she rebelled early. Elias moved to New York City to become a musician and kept herself afloat with an uncommon talent for cutting hair. At the height of the punk movement, life on the Lower East Side was full of adventure, creative inspiration, and temptation. Eventually, Elias’s passionate affairs with lovers of both sexes went awry, her (more than) occasional drug use turned to addiction, and she found herself living on the streets—between her visits to jail. This debut memoir charts four decades of a life lived in the moment, a path from harrowing loss and darkness to a place of peace and redemption. Elias’s wit and lack of self-pity in the face of her extreme highs and lows make Harley Loco a powerful read that’s sure to appeal to fans of Patti Smith, Augusten Burroughs, and Eleanor Henderson.

Elias Cornelius Boudinot provides the first full account of a man who was intimately and prominently involved in the life of the Cherokee Nation in the second half of the nineteenth century and was highly influential in the opening of the former Indian Territory to white settlement and the eventual formation of the state of Oklahoma. Involved in nearly every aspect of social, economic, and political life in Indian Territory, he was ostracized by many Cherokees, some of whom also threatened his life. Born into the influential Ridge-Boudinot-Watie family, Boudinot was raised in the East after the assassination of his father, who helped found the first newspaper published by an Indian nation. He returned to the Cherokee Nation, affiliating with his uncle Stand Watie and serving in the Confederate Army and as a representative of the Cherokees in the Confederate Congress. He was involved with treaty negotiations after the war, helped open the railroads into the Indian Territory, and founded the city of Vinita in Oklahoma. He also became a political figure in Washington, DC, a newspaper editor and publisher, and a prominent orator.

This book locates Elias's work clearly within the development of sociology and also against the background of current debates. Between the 1930s and the 1980s he developed a unique approach to social theory which is now beginning to take root in contemporary social research and theory. Since the translation of his work into English began to accelerate in the 1980s, a growing number of books and articles on topics including health, sexuality, crime, national and ethnic identity, femininity and globalization, in a variety of disciplines, make positive reference to Elias as an authority on the history of emotions, identity, violence, the body and state formation.

In analyses of Auto da Fe, Crowds and Power, and the aphorisms, the authors elucidate key aspects of Canetti's interrogation of human existence and human history across five thematic complexes: individual and social psychology, totalitarian politics, religion and politics, theories of society, and power and culture. They thus trace the movement of Canetti's thought from an apocalyptic sense of crisis to his search for cultural resources to set against the holocaust of European civilization."--BOOK JACKET.

New essays providing a comprehensive scholarly introduction to the great writer and thinker Canetti. The Bulgarian-born scholar and author Elias Canetti was one of the most astute witnesses and analysts of the mass movements and wars of the first half of the 20th century. Born a Sephardic Jew and raised at first in the Bulgarianand Ladino languages, he chose to write in German. He was awarded the 1981 Nobel Prize in Literature for his oeuvre, which includes dramas, essays, diaries, aphorisms, the novel Die Blendung (Auto-da-Fé) and the long interdisciplinary treatise Masse und Macht (Crowds and Power). These works express Canetti's thought-provoking ideas on culture and the human psyche with special focus on the phenomena of power, conflict, and survival. Canetti'smasterful prose, his linguistic innovations, his brilliant satires and conceits continue to fascinate scholars and general readers alike; his challenging, genre-bending writings merge theory and literature, essay and diary entry.This Companion volume contains original essays by renowned scholars from around the world who examine Canetti's writing and thought in the context of pre- and post-fascist Europe, providing a comprehensive scholarly introduction. Contributors: William C. Donahue, Anne Fuchs, Hans Reiss, Julian Preece, Wolfgang Mieder, Sigurd P. Scheichel, Helga Kraft, Harriet Murphy, Irene S. Di Maio, Ritchie Robertson, Johannes G. Pankau, Dagmar C.G. Lorenz, Penka Angelova and Svoboda A. Dimitrova, Michael Mack. Dagmar C. G. Lorenz is Professor of Germanic Studies at the University of Illinois-Chicago.