A spellbinding reimagining of the story of Elektra, one of Greek mythology’s most infamous heroines, from Jennifer Saint, the author of the beloved international bestseller, Ariadne. Three women, tangled in an ancient curse. When Clytemnestra marries Agamemnon, she ignores the insidious whispers about his family line, the House of Atreus. But when, on the eve of the Trojan War, Agamemnon betrays Clytemnestra in the most unimaginable way, she must confront the curse that has long ravaged their family. In Troy, Princess Cassandra has the gift of prophecy, but carries a curse of her own: no one will ever believe what she sees. When she is shown what will happen to her beloved city when Agamemnon and his army arrives, she is powerless to stop the tragedy from unfolding. Elektra, Clytemnestra and Agamemnon’s youngest daughter, wants only for her beloved father to return home from war. But can she escape her family’s bloody history, or is her destiny bound by violence, too?

Interprets the poetic and dramatic features of "Electra" and establishes it as relevant to the readers of today. The volume contains a critical introduction, commentary on the text, full stage directions and a glossary of the mythical and geographical references used in the play.

This is an English translation of Sophocles’ tragedy of Electra, and the vengeance that she and her brother Orestes take on their mother and step father for the murder of their father. This edition also includes an "afterlife" essay that discusses adaptations of the play, as well as touches on other ways Electra has had influence (Jung's identification of the Electra Complex, O'Neill's "Mourning Becomes Electra"). Focus Classical Library provides close translations with notes and essays to provide access to understanding Greek culture.

Theatrical performance is the most ephemeral of arts. Once a production closes, the living work of art disappears. Fortunately, some productions leave behind enough evidence to reconstruct in words and pictures what a performance was like and to conjecture what the audience saw and heard. Between 1889 and 1995 in America, productions of Sophocles' Electra became the project of some of the most significant directors, actresses, and producers of their day. In reconstructing eleven major productions, this book seeks to accomplish two goals: first, to preserve, albeit in imperfect written form, the productions themselves; and, second, by tracing the history of Electra's production, to highlight some of the most pivotal figures in the development of American theater, including several key women often neglected by theater historians. Along the way, for those who celebrate Greek tragedy in production, this book will allow the reader to sit vicariously in the audience and enjoy eleven Electra productions on the American stage. E. Teresa Choate is an Associate Professor and Assistant Chair at the Department of Theatre in the School of Visual and Performing Arts at Kean University.

FROM EXCITING AUTHOR OF LGBTQ+ ROMANCE APRIL C. GRIFFITH Electra Rex, self-appointed &‘galaxy's greatest starship captain' and last known human, is going to save humanity or get rich trying! Electra Rex, the last human in known space, is broke—worse than broke, deeply in debt and out of options. After a desperate, drunken attempt to fix her faltering life, she finds herself in a deeper hole after stealing the most stylish starship she's ever seen, but it comes with a massive lien. She's left with a fast ship, a nearly indestructible debt-enforcement robot named Letterman watching her every move and a lead on a lucrative job with the mysterious organization known as Bi-MARP, which is set to rebuild Earth on the two-thousand-year anniversary of its destruction. Across two galaxies, she struggles to stay one step ahead of space pirates and creditors, all while trying to catch the eye of a beautiful, vivacious bisexual clone named Treasure, who was recently rescued from a top-secret university lab run by academic squids. She succeeds in seducing Treasure—or perhaps it's the other way around—while they run scams to find earthling relics like the original formula for Coca-Cola, a 1968 Volkswagen Beatle, a mostly complete Monopoly board game and a largely accurate, if not small and green, clone of an elephant. All the while, Electra has to hide the fact that Treasure is actually the most valuable item on the Bi-MARP list—a fertile human female. When the truth of humanity's demise and the goals of Bi-MARP are uncovered, Electra, the galaxy's foremost transgender hero, decides that the riches and fame aren't worth the sacrifices, and she turns on her former employer to rescue Treasure a third time, completing her search for money, what it means to be human without the rest of humanity and, most of all, love.

This new introduction to Euripides' fascinating interpretation of the story of Electra and her brother Orestes emphasizes its theatricality, showing how captivating the play remains to this day. Electra poses many challenges for those drawn to Greek tragedy – students, scholars, actors, directors, stage designers, readers and audiences. Rush Rehm addresses the most important questions about the play: its shift in tone between tragedy and humour; why Euripides arranged the plot as he did; issues of class and gender; the credibility of the gods and heroes, and the power of the myths that keep their stories alive. A series of concise and engaging chapters explore the functions of the characters and chorus, and how their roles change over the course of the play; the language and imagery that affects the audience's response to the events on stage; the themes at work in the tragedy, and how Euripides forges them into a coherent theatrical experience; the later reception of the play, and how an array of writers, directors and filmmakers have interpreted the original. Euripides' Electra has much to say to us in our contemporary world. This thorough, richly informed introduction challenges our understanding of what Greek tragedy was and what it can offer modern theatre, perhaps its most valuable legacy.

This study of Euripides' Electra approaches the text through the lens of modern linguistics, marrying it with traditional literary criticism in order to provide new and informative means of analysing and interpreting what is considered to be one of the playwright's most controversial works. It is the first systematic attempt to apply a variety of modern linguistic theories, including conversation analysis, pragmatics, sociolinguistics (on gender and politeness), paroemiology, and discourse studies, to a single Greek tragedy. The volume focuses specifically on issues of characterization, demonstrating how Euripides shaped his figures through their use of language, while also using the same methodology to tackle some of the play's major textual issues. An introductory chapter treats each of the linguistic approaches used throughout the book, and discusses some of the general issues surrounding the play's interpretation. This is followed by chapters on the figures of the Peasant, Electra herself, and Orestes, in each case showing how their characterization is determined by their speaking style and their 'linguistic behaviour'. Three further chapters focus on textual criticism in stichomythia, on the messenger speech, and on the agon. By using modern linguistic methodologies to argue for a balanced interpretation of the Electra's main characters, the volume both challenges dominant scholarly opinion and enhances the literary interpretation of this well-studied play. Taking full account of recent and older work in both linguistics and classics, it will be of use to readers and researchers in both fields, and includes translations of all Greek cited and a glossary of linguistic terminology to make the text accessible to both.