After decades of opposition, the Latter-day Saints have dedicated the Salt Lake Temple, a mighty symbol of their industry and faith. Now, with a new century on the horizon, the Saints are optimistic about the future and ready to spread the Savior’s message of peace across the globe. But the world is rapidly changing. Advances in transportation and communication allow people and information to cross vast distances in record time. And young people are venturing far from home as never before, seeking educational and professional opportunities their parents and grandparents could hardly imagine. As the Church begins to take root in Europe, South America, and Asia, the Saints rejoice in the rise of the global Church. Yet many are wary of the challenges the changing world poses to the cause of Zion. While the promise of the new century is bright, it comes with dire economic hardships, brutal global wars, and other unprecedented trials. Boldly, Nobly, and Independent is the third book in Saints, a new, four-volume narrative history of The Church of Jesus Christ of Latter-day Saints. Fast-paced, meticulously researched, and written under the direction of the First Presidency, Saints recounts true stories of Latter-day Saints across the globe and answers the Lord’s call to write a history “for the good of the Church, and for the rising generations” (Doctrine and Covenants 69:8).

Historically, photographs of Indigenous Australians were produced in unequal and exploitative circumstances. Today, however, such images represent a rich cultural heritage for descendants, who see them in distinctive and positive ways. Calling the shots brings together researchers who are using this rich archive to explore Aboriginal history, to identify relatives, and to reclaim culture. It reverses the colonial gaze to focus on the interactions between photographer and Indigenous people — and the living meanings the photos have today. The result is a fresh perspective on Australia’s past, and on present-day Indigenous identities. Innovative in three ways, Calling the shots incorporates Indigenous perspectives on the photographic process and especially the meaning of the photographic archive. It also explores the history of photography in each colony, thus providing a rich and varied series of historical social landscapes. Lastly, it examines the active role played by Indigenous people in photography as a process of encounter and exchange. Contributors include Julie Gough, Jane Lydon, Sari Braithwaite, Shauna Bostock-Smith, Lawrence Bamblett, Michael Aird, Karen Hughes and Aunty Ellen Trevorrow, Donna Oxenham, Laurie Baymarrwangga and Bentley James.