In this beautiful example of a child's innocence we are taught that a little imagination can take us a long way. What the rest of the world sees as a limitation becomes a great source of adventure and freedom. Little Elaina shows her dad there is much more to him than meets the eye, and in the process proves that love knows no limitations.

Follow Snail's shiny trail as she slowly makes her way home for dinner.

Claire Martinson and her sister Sophie are fighting to save Arden, the magical land they discovered by climbing up a chimney in their late aunt's house. They are the last descendants of Prince Martin of Arden, and only a prince or princess - with magic in their blood - can awaken the lost unicorns. As Claire struggles with her magical training, Sophie uncovers dangerous truths about the people they thought were their friends. Will Claire be able to prove she is the heir who was prophesied and unlock the magic of the unicorns - before it's too late?

Losing the only home, that Elaina Morgan had ever known, left the young woman confused as to what to do next. Her only living relative, that she was aware of, was her father's brother who lived in Texas. Elaina had no way of contacting him. With only one week to vacate the property, she accepted the position of caring for nine year old, Nancy Farley. Although the girl was a challenge, her father was an even greater one. Bitter, since his wife had walked out and left him with a blind child, eight years ago, Chase Farley did not welcome Elaina into his home. His pa, Howard Farley, brought Elaina home, one day informing Chase that she had nowhere else to go and that Nancy needed a woman's guidance. Chase did not try to hide the fact that he had no use for women. With help from the Lord, Elaina soon shows him that not all women are like his wife.

An exciting new strand in The Television Series, the ‘Moments in Television’ collections celebrate the power and artistry of television, whilst interrogating key critical concepts in television scholarship. Each ‘Moments’ book is organised around a provocative binary theme. Epic / everyday explores the presence within television of the epic and the everyday. It argues that attention to ideas of the epic and notions of the everyday can illuminate television programmes in new ways. The book explores an eclectic range of TV fictions, including Game of Thrones, Lost and Dr Who. Contributors from diverse perspectives come together to expand and enrich the kind of close analysis most commonly found in television aesthetics. Sustained, detailed programme analyses are sensitively framed within historical, technological, institutional, cultural, creative and art-historical contexts.

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