La desgarradora historia de la conquista de Guatemala por Pedro de Alvarado y sus huestes de soldados mercenarios y el heroico intento de Tecun Uman, el ultimo principe Maya -K'iche, heroe de Guatemala, de salvar su reino y sus subditos de la derrota y la esclavitud. La obra mezcla sin esfuerzo historia y ficcion. Una novela de suspenso dramatico. Provocativa. Pagina tras pagina la historia cobra vida. Una lectura imperativa para los aficionados a la literatura historica."

A wealth of background and analytical material makes Sor Juana's proto-feminist writings, newly translated, all the more compelling. 2014 PEN USA Literary Award for Translation Finalist This Norton Critical Edition includes: · Edith Grossman’s acclaimed translations of the Tenth Muse’s best-known works. · Introductory materials and explanatory footnotes by Anna More along with numerous images. · Additional works by Sor Juana, related writings by Ovid, Saint Teresa of Ávila, and Diego Calleja, and historical interpretations. · Seven critical essays by Marcelino Menéndez y Pelayo, Irving Leonard, Octavio Paz, Georgina Sabat de Rivers, Yolanda Martinez-San Miguel, Emilie Bergmann, and Charlene Villasenor Black. · Diana Taylor’s interview with Jesusa Rodríguez about performing “First Dream.” · A Chronology and Selected Bibliography.

Awe-inspiring Mayan cities, framed by majestic mountains, serve as background for ancient feuds among three kingdoms vying for supremacy, exploited by the invading Spaniard, Pedro de Alvarado. Was Alvarado the envoy of the white feathered serpent as prophesied in the sacred book, the Popol Vuh? Or was he a mere opportunist? Witness the titanic struggle of the K'iche warlord, Tecun Uman, to save his kingdom from annihilation by the hordes of greedy Spaniards. A moving love story with many unexpected twists mixed with betrayal, anguish, and search for glory. History comes alive in this fascinating novel.

Mexico’s indigenous people speak a number of rich and complex languages today, as they did before the arrival of the Spanish. Yet a common misperception is that Mayas have no languages of their own, only dialectos, and therefore live in silence. In reality, contemporary Mayas are anything but voiceless. Chiapas Maya Awakening, a collection of poems and short stories by indigenous authors from Chiapas, Mexico, is an inspiring testimony to their literary achievements. A unique trilingual edition, it presents the contributors’ works in the living Chiapas Mayan languages of Tsotsil and Tseltal, along with English and Spanish translations. As Sean S. Sell, Marceal Méndez, and Inés Hernández-Ávila explain in their thoughtful introductory pieces, the indigenous authors of this volume were born between the mid-1970s and the mid-1990s, a time of growing cultural awareness among the native communities of Chiapas. Although the authors received a formal education, their language of instruction was Spanish, and they had to pursue independent paths to learn to read and write in their native tongues. In the book’s first half, devoted to poetry, the writers consciously speak for their communities. Their verses evoke the quetzal, the moon, and the sea and reflect the identities of those who celebrate them. The short stories that follow address aspects of modern Maya life. In these stories, mistrust and desperation yield violence among a people whose connection to the land is powerful but still precarious. Chiapas Maya Awakening demonstrates that Mayas are neither a vanished ancient civilization nor a remote, undeveloped people. Instead, through their memorable poems and stories, the indigenous writers of this volume claim a place of their own within the broader fields of national and global literature.