El Pocho is coming home, and he will establish El Cartel De Culiacan by any means necessary in San Bernardino, California. Annihilating all street gangs, the competition and City Police. He will unleash his wrath and descend evil in creating his Narco State.

La opinión pública mundial posiciona a México y Colombia como líderes de la existencia, creación y vigencia de los más emblemáticos carteles de la droga, nadie habla de los super carteles enmarañados en entidades oficiales encubridoras y con todas las instancias de poder a su servicio para viabilizar operaciones ilícitas de toneladas de cocaína. Bolivia con su hoja de coca es el "Génesis" del tráfico de cocaína, "Sin COCA no hay COCAÍNA". Estos hechos a su vez dieron inicio a las más horrendas organizaciones criminales que cometieron asesinatos, secuestros, torturas y perversiones a nivel internacional. Damian Merkher expone a todos nosotros a través de una novela estos hechos con un alto nivel histórico y fineza investigativa, con un lenguaje sencillo, claro y ordenado que invita al lector a disfrutar de cada capítulo de una fascinante verdad encubierta por un gobierno corrupto.

Teun Voeten was originally born in the Netherlands. After a year as an exchange student in New Jersey, he travelled for a while all over Europe. Later, he studied at the School of Visual Arts, New York. Over the years to follow, Voeten covered the conflicts in the former Yugoslavia, Haiti and Rwanda for Dutch, Belgian, German and American publications. Voeten soon developed a taste for the so called 'forgotten wars' and went out to document the ongoing crises in Colombia, Afghanistan, Sudan and Sierra Leone. More recently, he focused his camera on the Gaza strip, the DR Congo and North Korea (design and architecture) as well as Chad (Darfur crisis), Iran, China (pollution) and more recently, in 2012, the Arab Spring in Egypt and Libya. Voeten has been published in Vanity Fair, The New Yorker, NY Times Magazine, National Geographic Magazine, Newsweek, Time, Granta, Village Voice, Frankfurter Allgemeine, among others. His photos are used worldwide by relief organisations such as the International Red Cross, Doctors without Borders, UNICEF, UNHCR, Amnesty International and Human Rights Watch. AUTHOR: Howard Campbell is Professor of Sociology and Anthropology at the University of Texas at El Paso. He is the co-editor of the University of Texas Press Inter-America Series. Previously he published Drug War Zone: Frontline Dispatches from the Streets of El Paso and Juárez, University of Texas Press. Javier Valdez Cadenas is a Mexican reporter and author who received several international awards for his writing on drug trafficking and organised crime in the Mexican drug war. In 2003, he and other reporters from the daily newspaper Noroeste founded Ríodoce, a weekly dedicated to crime and corruption in Sinaloa, considered one of Mexico's most violent states. He is also the author of several books on drug trafficking, including Miss Narco, which chronicles the lives of the girlfriends and wives of drug lords. In 2011, Valdez Cardenas was awarded the International Press Freedom Award of the Committee to Protect Journalists, "an annual recognition of courageous journalism". In his acceptance speech, he called the violence of Mexican drug trafficking "a tragedy that should shame us", blaming the citizenry of Mexico for giving the drug war its deaths. SELLING POINTS: *Intriguing photo book on drug violence in Mexico *War photographer Teun Voeten investigates the dark side of the Mexican society: murder, violence, criminality and mafia practices *Over the past 5 years, over 50,000 people have been killed in the Mexican drugs war. With over 3100 casualties each year, Ciudad Juarez is the most violent city in the world *Poignant, distressing, harsh images in a colourful, southern setting ILLUSTRATIONS: 120 colour

Dentro de un Estado, el régimen político, las instituciones públicas, los políticos, la policía, el ejército, pierden credibilidad y así la legitimidad que deberían tener por el desarrollo del narcotráfico; el narcotráfico puede llegar a competir y sobrepasar la soberanía del Estado, la formación de un Narco-Estado es una amenaza para la seguridad nacional y la estabilidad sociopolítica de cualquier país. El narcotráfico tiene relevancia como fenómeno social, influye en todos los aspectos de la sociedad, en el contexto económico, político, cultural e internacional.En este breve trabajo de investigación, se analiza cómo esta empresa se desarrolla, como se desenvuelve; este libro tuvo como inspiración los Estados en los cuales el narcotráfico se ha desarrollado de manera rampante, como ser México, Colombia y Bolivia; se analiza lo que es el narcotráfico en la política, lo que es el crimen organizado, el narcotráfico en la cultura y el poder económico que esta industria obtiene, poder económico que se usa para fines políticos, llegando a corromper a las diferentes autoridades del Estado y sus instituciones. (44 paginas)

Contemporary popular culture is riddled with references to Mexican drug cartels, narcos, and drug trafficking. In the United States, documentary filmmakers, journalists, academics, and politicians have taken note of the increasing threats to our security coming from a subculture that appears to feed on murder and brutality while being fed by a romanticism about power and capital. Carlos Alberto Sánchez uses Mexican narco-culture as a point of departure for thinking about the nature and limits of violence, culture, and personhood. A Sense of Brutality argues that violent cultural modalities, of which narco-culture is but one, call into question our understanding of “violence” as a concept. The reality of narco-violence suggests that “violence” itself is insufficient to capture it, that we need to redeploy and reconceptualize “brutality” as a concept that better captures this reality. Brutality is more than violence, other to cruelty, and distinct from horror and terror—all concepts that are normally used interchangeably with brutality, but which, as the analysis suggests, ought not to be. In narco-culture, the normalization of brutality into everyday life is a condition upon which the absolute erasure or derealization of people is made possible. "The study is original, bringing a wide range of voices into dialogue to present a problem that is pressing and deserving of careful analysis. The study will contribute to the field of Latin American philosophy in important ways... This is the only book by a philosopher on the topic of narco-culture, and I think it’s an important contribution to a topic that should be addressed by philosophers." —Elizabeth Millán, DePaul University

* Mexico was named an Outstanding Academic Title of 2010 by Choice Magazine.Bloodshed connected with Mexican drug cartels, how they emerged, and their impact on the United States is the subject of this frightening book. Savage narcotics-related decapitations, castrations, and other murders have destroyed tourism in many Mexican communities and such savagery is now cascading across the border into the United States. Grayson explores how this spiral of violence emerged in Mexico, its impact on the country and its northern neighbor, and the prospects for managing it.Mexico's Institutional Revolutionary Party (PRI) ruled in Tammany Hall fashion for seventy-nine years before losing the presidency in 2000 to the center-right National Action Party (PAN). Grayson focuses on drug wars, prohibition, corruption, and other antecedents that occurred during the PRI's hegemony. He illuminates the diaspora of drug cartels and their fragmentation, analyzes the emergence of new gangs, sets forth President Felipe Calderi?1/2n's strategy against vicious criminal organizations, and assesses its relative success. Grayson reviews the effect of narcotics-focused issues in U.S.-Mexican relations. He considers the possibility that Mexico may become a failed state, as feared by opinion-leaders, even as it pursues an aggressive but thus far unsuccessful crusade against the importation, processing, and sale of illegal substances.Becoming a failed state involves two dimensions of state power: its scope, or the different functions and goals taken on by governments, and its strength, or the government's ability to plan and execute policies. The Mexican state boasts an extensive scope evidenced by its monopoly over the petroleum industry, its role as the major supplier of electricity, its financing of public education, its numerous retirement and health-care programs, its control of public universities, and its dominance

This “investigative magnum opus” offers a jaw-dropping history of Mexican drug cartels as it transports readers to the frontlines of the ‘war on drugs’ in Latin America (Los Angeles Times). “A riveting story . . . [from] an incredibly brave journalist.” —NPR The “war on drugs” has so far cost more than 60,000 lives. Hernández explains in riveting detail how Mexico became a base for the mega-cartels of Latin America and one of the most violent places on the planet. At every turn, Hernández names not just the narcos, but also the politicians, functionaries, judges, and entrepreneurs who have collaborated with them. In doing so, she reveals the mind-boggling depth of corruption in Mexico’s government and business elite. Hernández became a journalist after her father was kidnapped and killed and the police refused to investigate without a bribe. She gained national prominence in 2001 with her exposure of excess and misconduct at the presidential palace, and previous books have focused on criminality at the summit of power, under presidents Vicente Fox and Felipe Calderón. The product of 5 years’ investigative reporting—and the subject of intense national controversy—Narcoland is a publishing and political sensation in Mexico.