Hispanic travelers to the United States, English-speaking Canada, and other English-speaking countries will value this quick-reference vocabulary and phrase builder. Hundreds of color photos and cartoon-style illustrations present visual images of words and phrases that travelers typically need when they are getting around in English-speaking countries. Here's how to ask for gasoline when driving into a service station—with pictures and bilingual phrases and answers to dramatize the situation. Here too are words and pictures depicting all kinds of food and drink—a pineapple, a mug of cold beer, a sandwich, a fresh apple. The book is color-coded along page edges according to topics to help travelers find what they're looking for in a hurry. General topics include transportation, accommodations, food shopping, department store shopping, furniture and appliances, sports and recreation, and many others. This good-looking book also makes a handy reference source for language students.

MuVi4 is part of the Fifth International Congress “Synaesthesia: Science & Art” Palacio Abacial and Convento Capuchinos, Alcalá la Real, Jaén, Spain, 16-19th May 2015 Museo Casa de lo Tiros, Granada, 19-23th May 2015

To create a comic is not to illustrate words, but to create narrative diagrams and transform strokes into imaging words. The infinite array of possibilities that the merging of text and pictures provides is a garden of forking paths that critics have just started to explore. This is an art that operates as the crossroads of various disciplines, but whose specifications require a thorough understanding of its unique mechanisms. The explosion of experimental works and the incorporation of previously marginal (or nonexistent) genres and themes in comics have enriched an already fruitful art in ways that continue to surprise both readers and critics. This collection of essays offers a space of reflection on the cultural, social, historical, and ideological dimensions of comics. With this in the background, the book focuses on three main areas: the origins and definitions of comics; the formal tools of the medium; and authors and their works. The historical and formal approach to comics, as shown here, is still essential and the debate about the origins and definition is still present, but two thirds of this collection formulate other treatments that scholars had not started to tackle until recently. Does this mean that the study of comics has finally reached the necessary confidence to abandon the artistic legitimization of the medium? Or are they just new self defense mechanisms through alliances with other fields of academic interest? This book will add to the debate on comics, as did the international conference that led to it. It provides a channel of communication with an art, a two-headed medium that, like the god Janus, operates as a hinge, as a meeting point, as a bridge between pictorial and literary expression.

Intertwining art history, aesthetic theory, and Latin American studies, Aarnoud Rommens challenges contemporary Eurocentric revisions of the history of abstraction through this study of the Uruguayan artist Joaquín Torres-García. After studying and painting (for decades) in Europe, Torres-García returned in 1934 to his native home, Montevideo, with the dream of reawakening and revitalizing what he considered the true indigenous essence of Latin American art: "Abstract Spirit." Rommens rigorously analyses the paradoxes of the painter's aesthetic-philosophical doctrine of Constructive Universalism as it sought to adapt European geometric abstraction to the Americas. Whereas previous scholarship has dismissed Torres-García's theories as self-contradictory, Rommens seeks to recover their creative potential as well as their role in tracing the transatlantic routes of the avant-garde. Through the highly original method of reading Torres-García's artworks as a critique on the artist's own writings, Rommens reveals how Torres-García appropriates the colonial language of primitivism to construct the artificial image of "pure" pre-Columbian abstraction. Torres-García thereby inverts the history of art: this book teases out the important lessons of this gesture and the implications for our understanding of abstraction today.

In extensive sense, the content of the book treats aspects related to the concurrent systems and distributed of investigators or lines of emerging work that have a quality very remarcabale, all they presented in the XI Days of Assembly, that took place in Benicassim you gave them 11, 12 and 13 of June of 2003