«He aquí el dios desolado» es un poemario en que el autor hace una íntima radiografía del dolor humano. Se nos muestra a un hombre contemporáneo, valdría decir postmoderno, aturdido por la soledad, la muerte, el silencio y el sufrimiento. Un hombre que, a ratos, pareciera rescatar la entereza de ánimo y espíritu que lo habitó en otros tiempos.

Los mitos, frecuentemente representaciones humanas de seres irracionales, inanimados o abstractos, sirven para liberar fantasías, miedos e ilusiones; además de ayudarnos a comprender algunas claves de nuestra cultura occidental.

2014 “Christian Retailing’s Best” award finalist! What did Jesus really mean when he said, “Follow Me”? In this new book, David Platt, author of the New York Times bestselling book, Radical: Taking Back Your Faith from the American Dream, contends that multitudes of people around the world culturally think they are Christians yet biblically are not followers of Christ. Scores of men, women, and children have been told that becoming a follower of Jesus simply involves believing certain truths or saying certain words. As a result, churches today are filled with people who believe they are Christians . . . but aren’t. We want to be disciples as long as doing so does not intrude on our lifestyles, our preferences, our comforts, and even our religion. Revealing a biblical picture of what it means to truly be a Christian, Follow Me explores the gravity of what we must forsake in this world, as well as the indescribable joy and deep satisfaction to be found when we live for Christ. The call to follow Jesus is not simply an invitation to pray a prayer; it’s a summons to lose your life—and to find new life in him. This book will show you what such life actually looks like.

Wolfgang Amadeus Mozart es la expresión, no de una personalidad aislada, sino de un ambiente. Es el ejemplo de la expresión natural, la manifestación del espíritu, espontánea y sin el menor rebuscamiento o alteración. No hay problema revolucionario en la obra de Mozart. La rebeldía de Beethoven, el erotismo de Wagner, la religiosidad de Juan Sebastián Bach, la caracterología de Ricardo Strauss, la languidez romántica de Chopin, la filosofía dubitativa de Schumann, contrastan con la fluidez del pensamiento y de la emoción de Mozart, todos ellos llevan el dolor en el parto, el sentimiento propio sufre los más crueles tormentos. Hay en ellos la excelsitud de la creación y la vulgaridad de la frase. Instantes en que los soles presentan la majestuosidad de la idea con significativa y desbordante claridad. ~Adalberto García de Mendoza

An extraordinary retelling of the passionate and tragic love between the conquistador Cortez and the Indian woman Malinalli, his interpreter during his conquest of the Aztecs. Malinalli's Indian tribe has been conquered by the warrior Aztecs. When her father is killed in battle, she is raised by her wisewoman grandmother who imparts to her the knowledge that their founding forefather god, Quetzalcoatl, had abandoned them after being made drunk by a trickster god and committing incest with his sister. But he was determined to return with the rising sun and save her tribe from their present captivity. Wheh Malinalli meets Cortez she, like many, suspects that he is the returning Quetzalcoatl, and assumes her task is to welcome him and help him destroy the Aztec empire and free her people. The two fall passionately in love, but Malinalli gradually comes to realize that Cortez's thirst for conquest is all too human, and that for gold and power, he is willing to destroy anyone, even his own men, even their own love.