Bateau me enseñó a comprender las cosas que pasan a nuestro lado... que fluyen por nuestra vida...Bateau me enseñó a distinguir entre los seres luminosos que le dan sentido a nuestro existir... y los seres parásitos, esos que absorben nuestra luz interior...Bateau me enseñó que la energía que fluye por nosotros, son nuestras actitudes, creencias más arraigadas, miedos, reacciones, auto-profecías...Bateau me enseñó a comprender que el mundo no es lo que creemos, ni lo que nos educaron...Bateau me permitió observar nuestro mundo desde una óptica diferente... el mundo de los seres invisibles a los ojos, el mundo en donde predomina la lógica de los sentimientos, la lógica de la energía divina que todos tenemos dentro... una lógica muy distinta a la lógica matemática o física, más real, una lógica que no es cultural ni caprichosa, no es lo que deseamos ni lo que creemos merecer, en donde la realidad no es como los entendemos los humanos, porque la realidad se toca con el sexto sentido...

Since the beginning of the Divine Creation, since water, earth, air and fire com-bined to form life, since early vegetation covered the land, since animals developed into dinosaurs, since giants (vegetable and animal) disappeared giving way to the world as we know it today, since the first man understood that he was no longer an ape and learned to use his intelligence, which is forever, the Kabala Judeo-Christian was present, revealing every step and every line of this Logic Divine Plan. This book answers the four most difficult questions us humans ask ourselves, the easiest way possible: Which is the Divine Logic Plan for each one of us? What should we do to find our Path? Who are we really and what is our goal? What is free will and how does it benefit us?

"We fancied each other and that's that. Now it's over." Georges Duroy (the protagonist of

This field-defining collection establishes unfinished film projects—abandoned, interrupted, lost, or open-ended—as rich and underappreciated resources for feminist film and media studies. In deeply researched and creatively conceived chapters, scholars join with film practitioners in approaching the unfinished film as an ideal site for revealing the lived experiences, practical conditions, and institutional realities of women's film production across historical periods and national borders. Incomplete recovers projects and practices marginalized in film industries and scholarship alike, while also showing how feminist filmmakers have cultivated incompletion as an aesthetic strategy. Objects of loss and of possibility, incomplete films raise profound historiographical and ethical questions about the always unfinished project of film history, film spectatorship, and film studies.

This book explores the emerging forms and functions of contemporary mobile borders. It deals with issues of security, technology, migration and cooperation while addressing the epistemological and political questions that they raise. The 'borderities' approach illuminates the question of how borders can be the site of both power and counter-power.

Nunzio è il classico bravo ragazzo. Studioso, corretto e, soprattutto, ottimista, come il Candido di Voltaire si lascia coinvolgere in grandi amicizie e profondi amori. Avvocato di successo, deve lasciare la toga ed emigrare in Germania dove è costretto a lavorare come operaio in un'azienda di stoccaggio e commercializzazione del pesce. Poi, improvvisamente, succede qualcosa che cambierà tutta la sua vita. Vince in premio con una bibita una bellissima Rolls e torna al suo paese natio. Al suo arrivo viene accolto come un esule che torna vittorioso e non ha il coraggio di spiegare come la vita sia dura per un emigrante e come non sia possibile riscattare le proprie origini nè metter soldi da parte. La mattina seguente, al suo risveglio, si rende conto di essere rimasto solo. Lui, le galline e pochi vecchi che non avevano più la forza di mettersi in viaggio.