Incluye audio del autor. ¿Quién es Odette? ¿Existió? ¿Fue producto de la pluma fantástica de René Aviles Fabila? Odette es un personaje deslumbrante, misterioso, con poderes mágicos. Se trata de una mujer nostálgica y solitaria que logra envolver a los seres que ama en sus peregrinajes nocturnos. La novela no es precisamente de amor, es más bien de desamor. Es una triste historia de desencuentros en los que la pareja no logra consolidarse debido a valores trillados y falsos que culminan con la destrucción del amor debido a los celos y la desconfianza. “A través de las líneas y las frase, los diálogos y los lugares extraños, esos que sólo pueden ser visitados de noche, Odette y sus amigos nocturnos viven, narran, existen como en una caja llena de sueños, algunas veces sobrios y otras emborrachados por su esencia. La estructura de la obra se compone de capítulos sin título; algunos largos, otros pequeños y todos contienen un ingrediente de continuidad, el hilo conductor que jala es la duda. Con un final sorpresivo el autor logra unificar dos mundos, dos realidades que convergen en un punto cercano al mar” afirma la crítica literaria Dolores González Cáceres sobre esta novela.

This resource compiles and locates biographical and bibliographical information of over 700 prominent Latin American dramatists of the late 20th century and their plays in 20 different countries, and it lists over 7,000 plays arranged by country and by author. Author biographies consist of year and place of birth, education, careers, other literary genres, and awards and prizes. The bibliographic listings include various editions of plays, followed by references to the plays in anthologies, collections, or periodicals. Latin American theater is rooted in the rich historical traditions of both the indigenous cultures of the region and those of Spain. In the second half of the 20th century, immigration to Latin America from Europe, the Middle East, Africa, and Asia also proved influential, and theater became a means of social protest. The military and political dictatorships of the late 20th century often censored plays and persecuted playwrights. This resource compiles and locates biographical and bibliographical information about over 700 prominent Latin American dramatists and their plays in 20 different countries, and it lists over 7,000 plays arranged by country and by author. Author biographies consist of year and place of birth, education, careers, other literary genres, and awards and prizes. The bibliographic listings include various editions of plays, followed by references to the plays in anthologies, collections, or periodicals.

Set in New Mexico, Arizona, Colorado, and northern Mexico, this timeless material offers lessons about life and how to triumph over its hardships: from making a bargain with the devil to gaining peace through true love; from dealing with inexplicable, even supernatural events to accepting special gifts that transform pain into joy; and from overcoming jealousy, anger, or stinginess to accepting others just as they are."--BOOK JACKET.

One of the most important ballet choreographers of all time, Marius Petipa (1818 - 1910) created works that are now mainstays of the ballet repertoire. Every day, in cities around the world, performances of Swan Lake and The Sleeping Beauty draw large audiences to theatres and inspire new generations of dancers, as does The Nutcracker during the winter holidays. These are his best-known works, but others - Don Quixote, La Bayadère - have also become popular, even canonical components of the classical repertoire, and together they have shaped the defining style of twentieth-century ballet. The first biography in English of this monumental figure of ballet history, Marius Petipa: The Emperor's Ballet Master covers the choreographer's life and work in full within the context of remarkable historical and political surroundings. Over the course of ten well-researched chapters, Nadine Meisner explores Marius Petipa's life and legacy: the artist's arrival in Russia from his native France, the socio-political tensions and revolution he experienced, his popularity on the Russian imperial stage, his collaborations with other choreographers and composers (most famously Tchaikovsky), and the conditions under which he worked, in close proximity to the imperial court. Meisner presents a thrilling and exhaustive narrative not only of Petipa's life but of the cultural development of ballet across the 19th and early 20th centuries. The book also extends beyond Petipa's narrative with insightful analyses of the evolution of ballet technique, theatre genres, and the rise of male dancers. Richly illustrated with archival photographs, this book unearths original material from Petipa's 63 years in Russia, much of it never published in English before. As Meisner demonstrates, the choreographer laid the foundations for Soviet ballet and for Diaghilev's Ballets Russes, the expatriate company which exercised such an enormous influence on ballet in the West, including the Royal Ballet and Balanchine's New York City Ballet. After Petipa, Western ballet would never be the same.