Love turns to deadly suspense and horror in this "fresh take on a murder mystery thriller" (VOYA's Teen Perspectives) from Natasha Preston, #1 New York Times bestselling author of The Cellar ROSES ARE RED VIOLETS ARE BLUE WATCH YOUR BACK I'M COMING FOR YOU Lylah and her friends can't wait to spend a night out together. Partying is the perfect way to let loose from the stress of life and school, and Lylah hopes that hitting the dance floor with Chace, her best friend, will bring them closer together. She's been crushing on him since they met. If only he thought of her the same way... The girls are touching up their makeup and the guys are sliding on their coats when the doorbell rings. No one is there. An envelope sits on the doormat. It's an anonymous note addressed to their friend Sonny. A secret admirer? Maybe. They all laugh it off. Except Sonny never comes home. And a new note arrives: YOUR TURN A deliciously twisty thriller, You Will Be Mine is perfect for readers looking for masterful young adult suspense novels heart-stoppingly good horror books unputdownable murder mysteries for teens More teen thrillers by Natasha Preston: The Cellar Awake The Cabin The Lost The Twin

"Raising the Living Dead is a new history of Puerto Rico's carceral rehabilitation system in the middle decades of the twentieth century that brings to life the interactions of incarcerated people, their wider social networks, and health care professionals. The book addresses key issues in the history of prisons and the histories of medicine and belief, including how prisoners' different racial, class, and cultural identities shaped their incarceration and how professionals living in a colonial society dealt with the challenge of rehabilitating prisoners for citizenship. The main idea of the book is that, in the region, multiple communities of care came together both inside and outside of prisons to imagine and imperfectly enact solution-oriented cultures of rehabilitation. Specifically, Alberto Ortiz Díaz argues that scientific and humanistic approaches to well-being were deliberately fused to raise the "living dead" (an expression that reemerged in the modern Caribbean to refer to prisoners). These reform groups sought to raise incarcerated people physically, mentally, socially, spiritually, and civically. The book is based on deep, original archival research into the Oso Blanco (White Bear) penitentiary in Puerto Rico, yet it situates its study within Puerto Rico's broader carceral archipelago and other Caribbean prisons. The agents of this history include not only physical health professionals, but also their mental health counterparts (psychologists and psychiatrists), social workers, spiritual and religious practitioners, and, of course, the prisoners and their families. By following all these groups and emphasizing the interpersonal exercise of power, Ortiz Díaz is able to tell a story that goes beyond structural and social control debates. Raising the Living Dead is not just about convicts, their immediate interlocutors, and their contexts, however, but about how together these open a window into the history of social uplift projects within the (neo)colonial societies of the Caribbean. There is no book like this in Caribbean historiography and few examine these themes in the larger literature on the history of prisons"--

Publisher Description

In the late nineteenth through mid-twentieth centuries, the anarchist effort to promote free thought, individual liberty, and social equality relied upon an international Spanish-language print network. These channels for journalism and literature promoted anarchist ideas and practices while fostering transnational solidarity and activism from Buenos Aires to Los Angeles to Barcelona. Christopher J. Castañeda and Montse Feu edit a collection that examines many facets of Spanish-language anarchist history. Arranged chronologically and thematically, the essays investigate anarchist print culture's transatlantic origins; Latina/o labor-oriented anarchism in the United States; the anarchist print presence in locales like Mexico's borderlands and Steubenville, Ohio; the history of essential publications and the individuals behind them; and the circulation of anarchist writing from the Spanish-American War to the twenty-first century.Contributors: Jon Bekken, Christopher Castañeda, Jesse Cohn, Sergio Sánchez Collantes, María José Domínguez, Antonio Herrería Fernández, Montse Feu, Sonia Hernández, Jorell A. Meléndez-Badillo, Javier Navarro Navarro, Michel Otayek, Mario Martín Revellado, Susana Sueiro Seoane, Kirwin R. Shaffer, Alejandro de la Torre, and David Watson

Hidden Out in the Open is the first English-language volume on Spanish migration to the United States in the late nineteenth and early twentieth centuries. This panoramic study covers a period defined by the crucial transformations of the Progressive Era in the United States, and by similarly momentous changes in Spain following the Restoration of the Bourbon monarchy under Alfonso XII. The chapters in this volume are geographically wide-ranging, reflecting the transnational nature of the Spanish diaspora in the Americas, encompassing networks that connected Spain, Cuba, Latin American countries, the United States, and American-controlled territories in Hawai’i and Panama. The geographic diversity reveals the different jobs immigrants engaged in, from construction gangs in the Panama Canal to mining crews in Arizona and West Virginia. Contributors analyze the Spanish experience in the United States from a variety of perspectives, discussing rural and urban enclaves, the role of the state, and the political mobilization of migrants, using a range of methodological approaches that examine ethnicity, race, gender, and cultural practices through the lenses of sociology, history, and cultural studies. The mention of the Spanish influence in the United States often conjures up images of conquistadores and padres of old. Forgotten in this account are the Spanish immigrants who reached American shores in the late nineteenth and early twentieth centuries. Hidden Out in the Open reveals the role of the modern migration of Spaniards in this "land of immigrants" and rectifies the erasure of Spain in the American narrative. The book will be of interest to scholars and students of US history and the history of modern Spain and Europe, as well as those interested ethnic and migration/diaspora studies, Hispanic/Latino studies, and the study of working class and radicalism. Contributors: Brian D. Bunk, Christopher J. Castañeda, Thomas Hidalgo, Beverly Lozano, Phylis Cancilla Martinelli, Gary R. Mormino, George E. Pozzetta†, Ana Varela-Lago.

Beatriz Luengo discovers us the most intimate part of twelve creative muses, who weren't recognized at their times, and in which, as in a mirror, she reflects herself confessing her own truth as a woman and artist. This sincere self portrait, in which she undresses before the reader, is an admirable literary mosaic that joins history, fiction, poetry and personal thoughts and vindicates the need to understand the feminist plight as it truly is: a movement for human rights.