In Effing the Ineffable, Wesley J. Wildman confronts the human obsession with ultimate reality and our desire to conceive and speak of this reality through religious language, despite the seeming impossibility of doing so. Each chapter is a meditative essay on an aspect of life that, for most people, is fraught with special spiritual significance: dreaming, suffering, creating, slipping, balancing, eclipsing, loneliness, intensity, and bliss. These moments can inspire religious questioning and commitment, and, in extreme situations, drive us in search of ways to express what matters most to us. Drawing upon American pragmatist, Anglo-American analytic, and Continental traditions of philosophical theology, Wildman shows how, through direct description, religious symbolism, and phenomenological experience, the language games of religion become a means to attempt, and, in some sense, to accomplish this task.

What can philosophy contribute to the study of religion? This book argues that the study of religion needs philosophy in the form of multidisciplinary comparative inquiry. Contradicting the current tendency to regard philosophical reflection and the academic study of religion as independent endeavors best kept apart, Wesley J. Wildman brings them together, offering a broader vision than that of traditional "philosophy of religion" and surmounting many of its difficulties. His newer conception of "religious philosophy" is well suited to the modern, multicultural, secular university. Through multidisciplinary comparative inquiry, religious philosophy allows for a variety of approaches—from historical and analytical work to evocative description and theoretical evaluation of truth claims—and both secular and religious thinkers participate. The tasks and varieties of religious philosophy as they arc across the world's religions and philosophies are discussed along with religious philosophy's modern and postmodern contexts. Wildman's thoughtful and thought-provoking book will be essential reading for all those concerned with the study of religion, present and future.

Explores ultimate realities in a range of world religions and discusses the issue and philosophical implications of comparison itself.

How and when does there come to be an "an­thropology of the alien?” This set of essays, written for the eighth J. Lloyd Eaton Confer­ence on Fantasy and Science Fiction, is con­cerned with the significance of that question. "[Anthropology] is the science that must desig­nate the alien if it is to redefine a place for itself in the universe,” according to the Introduction. The idea of the alien is not new. In the Re­naissance, Montaigne’s purpose in describing an alien encounter was excorporation--man­kind was the "savage” because the artificial devices of nature controlled him. Shake­speare’s version of the alien encounter was in­corporation; his character of Caliban is brought to the artificial, political world of man and incor­porated into the body politic "The essays in this volume . . . show, in their general orientation, that the tribe of Shakespeare still, in literary studies at least, outnumbers that of Montaigne.” These essays show the interrelation of the excorporating pos­sibilities to the internal soundings of the alien encounter within the human mind and form. This book is divided into three parts: "Searchings: The Quest for the Alien” includes "The Aliens in Our Mind,” by Larry Niven; "Effing the Ineffable,” by Gregory Benford; "Border Patrols,” by Michael Beehler; "Alien Aliens,” by Pascal Ducommun; and "Metamorphoses of the Dragon,” by George E. Slusser. "Sightings: The Aliens among Us” includes "Discriminating among Friends,” by John Huntington; "Sex, Superman, Sociobiology,” by Joseph D. Miller; "Cowboys and Telepaths,” by Eric S. Rabkin; "Robots,” by Noel Perrin; "Aliens in the Supermarket,” by George R. Guffey; and "Aliens 'R’ U.S.,” by Zoe Sofia. "Soundings: Man as the Alien” includes "H. G. Wells’ Familiar Aliens,” by John R. Reed; "Inspiration and Possession,” by Clayton Koelb; "Cybernauts in Cyberspace,” by David Porush; "The Human Alien,” by Leighton Brett Cooke; "From Astarte to Barbie,” by Frank McConnell; and "An Indication of Monsters;” by Colin Greenland.

The J. Lloyd Eaton Conferences on Science Fiction and Fantasy Literature--long held at the University of California, Riverside--have been a major influence in the study of science fiction and fantasy for thirty years. The conferences have attracted leading scholars whose papers are published in Eaton volumes found in university libraries throughout the world. This collection brings together 22 of the best papers--most with new afterwords by the authors--presented in chronological order to show how science fiction and fantasy criticism has evolved since 1979.

Whether regarded as a perplexing object, a morally captivating force, an ineffable entity beyond language, or an inescapably embodied human practice, music has captured philosophically inclined minds since time immemorial. In turn, musicians of all stripes have called on philosophy as a source of inspiration and encouragement, and scholars of music through the ages have turned to philosophy for insight into music and into the worlds that sustain it. In this Handbook, contributors build on this legacy to conceptualize the rich interactions of Western music and philosophy as a series of meeting points between two vital spheres of human activity. They draw together key debates at the intersection of music studies and philosophy, offering a field-defining overview while also forging new paths. Chapters cover a wide range of musics and philosophies, including concert, popular, jazz, and electronic musics, and both analytic and continental philosophy.

Now available in paperback, this is perhaps the first comprehensive account of the nature and significance of music from the perspective of modern philosophy, and the only treatment of the subject which is properly illustrated with music examples. The book starts from the metaphysics of sound, distinguishes sound from tone, analyses rhythm, melody, and harmony, and develops a novel account of music, as the intentional object of an imaginative perception. The argument explores the various dimensions of musical organization and musical meaning, and shows exactly how and why music is an expressive medium. The Aesthetics of Music explains and criticizes many fashionable theories in the philosophy and theory of music, and mounts a case for the moral significance of music, its place in our culture, and the need for taste and discrimination in both performer and listener. The various schools of musical analysis are subjected to a critical examination, and recent criticism of tonality, as the foundation of musical order, are rehearsed and rejected. Scruton defends the objectivity of aesthetic values, lays down principles of criticism, and ends with an energetic critique of modern popular music.