A captivating work of cultural blending unlike anything created prior, Andrew Archer's Edo Ball must be seen to be believed. This series of paintings seamlessly fuses contemporary basketball imagery with Edo-period Japanese art and culture, with captivating results. Often front and centre, an NBA personality is dramatically reimagined and yet recognizable, surrounded by the myriad trappings of the 'floating' world. Brief accompanying texts describe the thematic connections between each painting's converging themes and explore the roles that culture, community, celebrity, and games play in our daily lives.

When Mio steals the family's katana - a priceless ancestral sword - from her parents' attic, she just wants to spice up a fancy-dress costume. But the katana is much more than some dusty antique and her actions unleash a terrible, ancient evil onto the streets of unsuspecting London. Soon Shinobu, a fearless warrior boy, appears to protect Mio - and threatens to steal her heart. With the gods and monsters of Japanese myth stalking her and her friends, Mio realizes that if she cannot keep the sword safe, and learn to control its legendary powers, she will lose not only her own life - but the love of a lifetime.

The unique amalgam of prayer and play at the Sensōji temple in Edo is often cited as proof of the “degenerate Buddhism” of the Tokugawa period. This investigation of the economy and cultural politics of Sensōji, however, shows that its culture of prayer and play reflected changes taking place in Tokugawa Japan, particularly in the city of Edo. Hur’s reappraisal of prayer and play and their inherent connectedness provides a cultural critique of conventional scholarship on Tokugawa religion and shows how Edo commoners incorporated cultural politics into their daily lives through the pursuit of prayer and play.

The diversity of stellar death is revealed in the energy, velocity and geometry of the explosion debris ("ejecta''). Using multi-wavelength observations of gamma-ray burst (GRB) afterglows I show that GRBs, arising from the death of massive stars, are marked by relativistic, collimated ejecta ("jets'') with a wide range of opening angles. These results suggest that various cosmic explosions are powered by a common energy source, an "engine'' (possibly an accreting stellar-mass black hole), with their diverse appearances determined solely by the variable high velocity output. On the other hand, using radio observations I show that local type Ibc core-collapse supernovae generally lack relativistic ejecta and are therefore not powered by engines. Instead, the highest velocity debris in these sources, typically with a velocity lower than 100,000 km/sec, are produced in the (effectively) spherical ejection of the stellar envelope. The relative rates of engine- and collapse-powered explosions suggest that the former account for only a small fraction of the stellar death rate. Using the first radio and submillimeter observations of GRB hosts, I show that some are extreme starburst galaxies with the bursts directly associated with the regions of most intense star formation. I suggest, by comparison to other well-studied samples, that GRBs preferentially occur in sub-luminous, low mass galaxies, undergoing the early stages of a starburst process. If confirmed with future observations, this trend will place GRBs in the forefront of star formation and galaxy evolution studies.

After three years in Japan, Fred Buchanan is broke, unemployed and engaged in a telepathic turf war with a feral cat behind an Okinawa convenience store. Thus begins his metaphysical odyssey back to Tokyo. Along the way, symbols and sages materialize in the form of a two-fingered jazz musician, the faded tattoo on an ex-yakuza lover, an odd brood of internet cafe refugees, the kite flyer of Kabukicho and Yukie, an alluring hostess with strips of delicious thigh and strange power imbued in the etched eye on her fingernail. Charging through Shinjuku’s neon jungle, enveloped in a boozy, nicotine-stained haze, past and present collide as an empty orchestra croons a slow dance of people and place, memory and madness, loss and love. All the while, Fred struggles to be an agent of his destiny and not another ball bearing bouncing through the cosmic pachinko. Rainy Day Ramen and the Cosmic Pachinko is told as a uniquely clever mix of Murakami-esque magical realism and gonzo Japan travelogue.

Takes you through the process of creating horror, including the art of suspending reader disbelief, the creation of atmosphere and believable characters, and the seven steps of plotting.

A Seattle Times Best Book of the Year A Buzzfeed Best Nonfiction Book of the Year "Nimura paints history in cinematic strokes and brings a forgotten story to vivid, unforgettable life." —Arthur Golden, author of Memoirs of a Geisha In 1871, five young girls were sent by the Japanese government to the United States. Their mission: learn Western ways and return to help nurture a new generation of enlightened men to lead Japan. Raised in traditional samurai households during the turmoil of civil war, three of these unusual ambassadors—Sutematsu Yamakawa, Shige Nagai, and Ume Tsuda—grew up as typical American schoolgirls. Upon their arrival in San Francisco they became celebrities, their travels and traditional clothing exclaimed over by newspapers across the nation. As they learned English and Western customs, their American friends grew to love them for their high spirits and intellectual brilliance. The passionate relationships they formed reveal an intimate world of cross-cultural fascination and connection. Ten years later, they returned to Japan—a land grown foreign to them—determined to revolutionize women’s education. Based on in-depth archival research in Japan and in the United States, including decades of letters from between the three women and their American host families, Daughters of the Samurai is beautifully, cinematically written, a fascinating lens through which to view an extraordinary historical moment.