Since her execution at Holloway prison in 1923, Edith Thompson has haunted the conscience of the nation. Grave doubts were expressed at the time about the extent to which she was responsible for her husband's murder in Ilford by her handsome young lover Frederick Bywaters. The Home Office files on the case were marked not to be opened for 100 years. The case against her rested largely on the evidence provided by 70 letters which she wrote to Bywaters. The truth is that these letters offer a unique insight into the workings of an overwrought romantic imagination, ultimately unable to free itself from the constraints of a suburban marriage and respectability. Through this correspondence and a painstaking reconstruction of the era, the author argues that Mrs Thompson was innocent.

A riveting account of the notorious “Ilford murder” by the New York Times bestselling author of The Six. The death penalty is never without its ethical conflicts or moral questions. Never more so than when the person being led to the gallows may very well be innocent of the actual crime, if not innocent according social concepts of femininity. A Tale of Two Murders is an engrossing examination of the Ilford murder, which became a legal cause ce´le`bre in the 1920s, and led to the hanging of Edith Thompson and her lover, Freddy Bywaters. On the night of October 3, 1922, as Edith and her husband, Percy, were walking home from the theatre, a man sprang out of the darkness and stabbed Percy to death. The assailant was none other than Bywaters. When the police discovered his relationship with Edith, she—who had denied knowledge of the attack—was arrested as his accomplice. Her passionate love letters to Bywaters, read out at the ensuing trial, sealed her fate, even though Bywaters insisted Edith had no part in planning the murder. They were both hanged. Freddy was demonstrably guilty; but was Edith truly so? In shattering detail and with masterful emotional insight, Laura Thompson charts the course of a liaison with thrice-fatal consequences, and investigates what a troubling case tells us about perceptions of women, innocence, and guilt.

The case of Edith Thompson and her lover Frederick Bywaters, both hanged for murder in 1923.

Edith Thompson-Executed consists of two books: The Following Years is based on the true and tragic events, which occurred during 1922-1923 and ended in the deaths of two men and a woman. The Thompson and Bywaters Case. It is a semi-fictional story about how the family dealt with the the horror, guilt and shame of having a family member executed. A Live Lived is best described as counterfactual. It is based upon true events. Stepping into Edith's unchallenged life, we meet that which could have been. A life authentic, emotionally moving and even humorous. A Live Lived is a family saga centering on the life of Edith Thompson had she been allowed to live. It focuses on her one child, her new husband, her family and profession. We see she remarries, moves out of the country, and finds refuge from the publicity she has generated all her life. The publicity of the woman who was nearly hung

Cooling Out: Has the World Changed, or Have I Changed? -- Notes -- Index

Capital punishment for murder was abolished in Britain in 1965. At this time, the way people in Britain perceived and understood the death penalty had changed – it was an issue that had become increasingly controversial, high-profile and fraught with emotion. In order to understand why this was, it is necessary to examine how ordinary people learned about and experienced capital punishment. Drawing on primary research, this book explores the cultural life of the death penalty in Britain in the twentieth century, including an exploration of the role of the popular press and a discussion of portrayals of the death penalty in plays, novels and films. Popular protest against capital punishment and public responses to and understandings of capital cases are also discussed, particularly in relation to conceptualisations of justice. Miscarriages of justice were significant to capital punishment’s increasingly fraught nature in the mid twentieth-century and the book analyses the unsettling power of two such high profile miscarriages of justice. The final chapters consider the continuing relevance of capital punishment in Britain after abolition, including its symbolism and how people negotiate memories of the death penalty. Capital Punishment in Twentieth-Century Britain is groundbreaking in its attention to the death penalty and the effect it had on everyday life and it is the only text on this era to place public and popular discourses about, and reactions to, capital punishment at the centre of the analysis. Interdisciplinary in focus and methodology, it will appeal to historians, criminologists, sociologists and socio-legal scholars.

The stunning true story of a murder that rocked the Mississippi Delta and forever shaped one author’s life and perception of home. “Mix together a bloody murder in a privileged white family, a false accusation against a Black man, a suspicious town, a sensational trial with colorful lawyers, and a punishment that didn’t fit the crime, and you have the best of southern gothic fiction. But the very best part is that the story is true.” —John Grisham In 1948, in the most stubbornly Dixiefied corner of the Jim Crow south, society matron Idella Thompson was viciously murdered in her own home: stabbed at least 150 times and left facedown in one of the bathrooms. Her daughter, Ruth Dickins, was the only other person in the house. She told authorities a Black man she didn’t recognize had fled the scene, but no evidence of the man's presence was uncovered. When Dickins herself was convicted and sentenced to life in prison, the community exploded. Petitions pleading for her release were drafted, signed, and circulated, and after only six years, the governor of Mississippi granted Ruth Dickins an indefinite suspension of her sentence and she was set free. In Deer Creek Drive, Beverly Lowry—who was ten at the time of the murder and lived mere miles from the Thompsons’ home—tells a story of white privilege that still has ramifications today, and reflects on the brutal crime, its aftermath, and the ways it clarified her own upbringing in Mississippi.