This book is unashamedly aimed at a wider market than the ordinary academic volume, as it seeks to extend the impact of the research it contains, making it available to the worldwide community of Burns enthusiasts, without compromising on scholarship. Contributors have been selected not only for their academic rigour and reputation, but also because of their ability to handle their material with elegance and accessibility for the general reader. They offer fresh insights for both academic and general readers, not least through the volume's interdisciplinary approaches, including a contribution from the great interpreter of Burns's songs, Sheena Wellington. A key part of this volume's attraction lies in the way it opens up fresh issues and aspects of performance and performativity and their impact on our perception of Robert Burns and his work.

This volume offers Burns's work as it was first encountered by contemporary readers, presenting the texts in the contexts in which they were originally published. It includes the whole of Poems, chiefly in the Scottish Dialect (1786), a generous selection of songs with full scores, comprehensive notes, some important letters and a glossary.

This is the first comprehensive critical analysis of Scottish women's writing from its recoverable beginnings to the present day. Essays cover individual writers - such as Margaret Oliphant, Nan Shepherd, Muriel Spark and Liz Lochhead - as well as groups of writers or kinds of writing - such as women poets and dramatists, or Gaelic writing and the legacy of the Kailyard. In addition to poetry, drama and fiction, a varied body of non-fiction writing is also covered, including diaries, memoirs, biography and autobiography, didactic and polemic writing, and popular and periodical writing for and by women.

The most comprehensive and challenging edition of the poems and songs of Robert Burns ever to be published Along with Walter Scott, Robert Burns is probably the best known Scottish writer in the world. His life story is often represented as one of sexual and alcoholic excess. Drawing on extensive scholarship and the poet's own inimitable letters, this defining work offers a wealth of information on Burn's life and times, the hardship of his early days, his political beliefs, his hatred of injustice, and his fate as a writer too often sentimentalized by biographers, critics, and well-meaning enthusiasts. The poems are presented in the order of their first appearance, giving further insights into the reception of Burns's work and the guarded relationship he had both with his readers and his own fame. Burns is shown as being a radical figure in a British as well as a Scottish context?as well as the peer of Blake, Wordsworth, Coleridge, Keats, and Byron in the revolutionary and repressive world of the 1790s.