Ecocriticism is a mode of interdisciplinary critical inquiry into the relationship between cultural production, society, and the environment. The field advocates for the more-than-human realm as well as for underprivileged human and non-human groups and their perspectives. Taiwan is one of the earliest centers for promoting ecocriticism outside the West and has continued to play a central role in shaping ecocriticism in East Asia. This is the first English anthology dedicated to the vibrant development of ecocriticism in Taiwan. It provides a window to Taiwan’s important contributions to international ecocriticism, especially an emerging “vernacular” trend in the field emphasizing the significance of local perspectives and styles, including non-western vocabularies, aesthetics, cosmologies, and political ideologies. Taiwan's unique history, geographic location, geology, and subtropical climate generate locale-specific, vernacular thinking about island ecology and environmental history, as well as global environmental issues such as climate change, dioxin pollution, species extinction, energy decisions, pollution, and environmental injustice. In hindsight, Taiwan's industrial modernization no longer appears as a success narrative among Asia's “Four Little Dragons,” but as a cautionary tale revealing the brute force entrepreneurial exploitation of the land and the people. In this light, this volume can be seen as a critical response to Taiwan's postcolonial, capitalist-industrial modernity, as manifested in the scholars’ readings of Taiwan's "mountain and river," ocean, animal, and aboriginal (non)fictional narratives, environmental documentaries, and art installations. This volume is endowed with a mixture of ecocosmopolitan and indigenous sensitivities. Though dominated by the Han Chinese ethnic group and its Confucian ideology, Taiwan is a place of complicated ethnic identities and affiliations. The succession of changing colonial and political regimes, made even more complex by the island’s sixteen aboriginal groups and several diasporic subcultures (South Asian immigrants, Western expatriates, and diverse immigrants from the Chinese mainland), has led to an ongoing quest for political and cultural identity. This complexity urges Taiwan-based ecoscholars to pay attention to the diasporic, comparative, and intercultural dimensions of local specificity, either based on their own diasporic experience or the cosmopolitan features of the Taiwanese texts they scrutinize. This cosmopolitan-vernacular dynamic is a key contribution Taiwan has to offer current ecocritical scholarship.

Focusing on ecocritical aspects throughout Chinese literature, particularly modern and contemporary Chinese literature, the contributors to this book examine the environmental and ecological dimensions of notions such as qing (情) and jing (境). Chinese modern and contemporary environmental writing offers a unique aesthetic perspective toward the natural world. Such a perspective is mainly ecological and allows human subjects to take a benign and nonutilitarian attitude toward nature. The contributors to this book demonstrate how Chinese literary ecology tends toward an ecological-systemic holism from which all human behaviors should be closely examined. They do so by examining a range of writers and genres, including Liu Cixin’s science fiction, Wu Ming-yi’s environmental fiction, and Zhang Chengzhi’s historical narratives. This book provides valuable insights for scholars and students looking to understand how Chinese literature conceptualizes the relationship between humanity and nature, as well as our role and position within the natural realm.

East Asian Ecocriticisms presents original essays from Japan, South Korea, Taiwan, and China that define and characterize trends in East Asian ecocriticism. Drawing on diverse theoretical perspectives in environmental thought and scholarship, this volume presents valuable and original contributions to global conversations.

As we enter the second decade of the twenty-first century, environmental concerns dominate the media headlines, from rampant poverty in the developing world to nuclear accidents in industrialized nations. How did human civilization arrive at its current predicaments, and what can we do to temper our habits of mind and mitigate society’s environmentally (and socially) destructive behaviors? The field of ecocriticism (also sometimes called “environmental criticism”) attempts to grapple with such issues. A branch of literary and cultural studies that essentially began in North America in the 1970s, ecocriticism is currently one of the most quickly developing areas of environmental research and teaching. The Future of Ecocriticism: New Horizons brings together thirty-two of the latest articles in the field, including work by some of the leading scholars from around the world. Although ecocriticism has been particularly active in North America, Western Europe, and East Asia, important studies of traditional environmental thought, environmental communication strategies, and environmental aesthetics have begun to emerge in every region of this world. This new book, co-edited by three prominent Turkish scholars and a leading American ecocritic, offers a special cluster of Turkish ecocriticism, with a focus on environmental stories and ideas in this culture that bridges Europe and Asia. Another unique feature of The Future of Ecocriticism: New Horizons is the concluding dialogue among the four editors about the current state of the field.

Embodied Memories, Embedded Healing critically engages with the major East Asian cultural knowledge, beliefs, and practices that influence environmental consciousness in the twenty-first century. This volume examines key thinkers and aspects of Daoist, Confucianist, Buddhist, indigenous, animistic, and neo-Confucianist thought. With a particular focus on animistic perspectives on environmental healing and environmental consciousness, the contributors also engage with media studies (eco-cinema), food studies, critical animal studies, biotechnology, and the material sciences.

The book presents aspects of cross-currents of theorizing of self, culture and society in the contemporary Taiwan. Social theorizing has been addressed critically, reflectively and creatively by the philosophical, religious, psychological and literary traditions of one of the world’s great civilizations Theorizing is a dynamic movement of self, culture, society and the world as it is related to our actions, reflections, meditations to understand the world more meaningfully and holistically as well as to transform it. But much of social theorizing in the modern world is primarily Euro-American and despite the socalled globalization of knowledge, this condition of one-sided Euro-American valorization of knowledge and neglect of others continues unabated. There is very little attention to theorizing about the human condition emerging from other parts of the world such as Taiwan and its global implication. This book transforms this condition by mapping the field of theorizing in a wider spectrum of philosophy, psychology, religions, social sciences and humanities in contemporary Taiwan.

Taking up the idea that teaching is a political act, this collection of essays reflects on recent trends in ecocriticism and the implications for pedagogy. Focusing on a diverse set of literature and media, the book also provides background on historical and theoretical issues that animate the field of postcolonial ecocriticism. The scope is broad, encompassing not only the Global South but also parts of the Global North that have been subject to environmental degradation as a result of colonial practices. Considering both the climate crisis and the crisis in the humanities, the volume navigates theoretical resources, contextual scaffolding, classroom activities, assessment, and pedagogical possibilities and challenges. Essays are grounded in environmental justice and the project to decolonize the classroom, addressing works from Africa, New Zealand, Asia, and Latin America and issues such as queer ecofeminism, disability, Latinx literary production, animal studies, interdisciplinarity, and working with environmental justice organizations.